Darcy James Argue wrote:
I haven't had any trouble with the plugin and partial measures, but if
that's an issue, you could always put the notes whose ledger lines you
want to hide in an unused layer, then choose "show active layer only"
before invoking the plugin. I do this all the time fo
I haven't had any trouble with the plugin and partial measures, but
if that's an issue, you could always put the notes whose ledger lines
you want to hide in an unused layer, then choose "show active layer
only" before invoking the plugin. I do this all the time for rhythm
section hits abov
Darcy James Argue wrote:
There is a plugin to hide ledger lines -- much easier than "Edit Frame".
I've found this plugin to be unreliable, when selecting partial
measures. And we talked on the list recently about the problems with
the whole 'partial measures' implementation anyway! Add t
There is a plugin to hide ledger lines -- much easier than "Edit Frame".
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 23 Sep 2005, at 1:42 AM, Owain Sutton wrote:
Mark D Lew wrote:
* Most users probably never visit the Edit Frames window at all.
I always loved Edit Frames, because i
Mark D Lew wrote:
* Most users probably never visit the Edit Frames window at all. I
always loved Edit Frames, because it gives complete control over things
that are difficult or impossible to manipulate through the usual means,
but it's definitely under-the-hood. I used it more in the o
On Sep 22, 2005, at 11:19 AM, Dennis Bathory-Kitsz wrote:
The "/" key in speedy. Include the grace note in the slashing. Finale
gives
no visible clues about this, unfortunately. You never know which
slashing
you're on.
If you really need to know, you can look in the Edit Frames window.*
For
On Sep 22, 2005, at 10:30 AM, Andrew Stiller wrote:
Many, many authors after Baum have created fictions set in the
universe he created. Among them is Philip Jose Farmer, who coined the
word "firefox" for _A Barnstormer in Oz_ . He used the word to
designate a species of pure-energy intelligen
Dennis Bathory-Kitsz wrote:
At 09:00 PM 9/22/05 +0100, Owain Sutton wrote:
dr.a.s. weinstangel wrote:
That I always knew.What I did not know, and have just discovered, was
that clicking "/" on the following group note does not do anything
unless "/" is clicked on the preceding grace note a
On 22 Sep 2005 at 18:50, Dennis Bathory-Kitsz wrote:
> At 09:00 PM 9/22/05 +0100, Owain Sutton wrote:
> >dr.a.s. weinstangel wrote:
> >> That I always knew.What I did not know, and have just discovered,
> >> was that clicking "/" on the following group note does not do
> >> anything unless "/" is
At 09:00 PM 9/22/05 +0100, Owain Sutton wrote:
>dr.a.s. weinstangel wrote:
>> That I always knew.What I did not know, and have just discovered, was
>> that clicking "/" on the following group note does not do anything
>> unless "/" is clicked on the preceding grace note as well! Curious and
>> c
Is there some way to apply a Viennese Waltz-style anticipated
accompaniment to a section of music in Finale 2003? I see that
there's a Human Playback style defined, but when I try applying it to
an accompaniment, nothing happens.
Anyway, is there any way to do this other than to just set the
a
dr.a.s. weinstangel wrote:
That I always knew.What I did not know, and have just discovered, was
that clicking "/" on the following group note does not do anything
unless "/" is clicked on the preceding grace note as well! Curious and
curiouser!
Yes, I've always regarded that as a bug.
_
That I always knew.What I did not know, and have just discovered, was that clicking "/" on the following group note does not do anything unless "/" is clicked on the preceding grace note as well! Curious and curiouser!
Thank you just the same!
Dr.A.S.Weinstangel
[EMAIL PROTECTED]
From: Dennis
At 02:08 PM 9/22/05 -0400, dr.a.s. weinstangel wrote:
> From split stems to split beams: of keeping the group connected within
>the beam, but I am just not able to figure it out without your help.
The "/" key in speedy. Include the grace note in the slashing. Finale gives
no visible clues about t
From split stems to split beams:
Placing a grace note between two notes in a group separates the beam into two. There must be a way of keeping the group connected within the beam, but I am just not able to figure it out without your help.
Dr.A.S.Weinstangel
[EMAIL PROTECTED]
On Sep 21, 2005, at 9:35 PM, Carl Dershem wrote:
Mark D Lew wrote:
On Sep 21, 2005, at 12:03 PM, Christopher Smith wrote:
Her name comes from the original author of the Oz series, L. Frank
Baum. His initials, if you tried to pronounce them as a word, would
sound a bit like Elphaba (LFB).
I l
At 12:38 PM 09/22/2005, David W. Fenton wrote:
>On 21 Sep 2005 at 23:42, Mark D Lew wrote:
>> I like to leave the rest option as is. Then wherever the same value
>> rest is in both voices, I type asterisk in each layer to re-center
>> them.
>
>Oy, I didn't know there was a keyboard shortcut for t
On 21 Sep 2005 at 23:42, Mark D Lew wrote:
> On Sep 21, 2005, at 9:03 PM, David W. Fenton wrote:
>
> > So far as I know the usual approach for this is to put the soprano
> > in layer 1 and the alto in layer 2 (same for tenor/bass). The
> > default layer options set layer 1 stems up when there are
Darcy:
I couldn't find the Finale pre-installer either but here are the
instructions on how to do it manually:
Thanks, Darcy. If anyone's interested in finding the pre-installer,
a Google search turned up a MakeMusic discussion forum that had this
(still live) link
finalemusic.com
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