Chuck,
Extracted parts inherit the appearance of the existing linked part at
the time of extraction. You should (theoretically) be able to work
with linked parts for as long as that makes sense, then extract out
and finish your work in the separate documents, without losing any of
the pre
Hi Hiro,
> Just make sure you did use double-byte Katakana in your
> example? Do you have other example which has Kanji?
Our Japanese example includes Kanji text in the title as well as the
Katakana lyrics. You may want to look at the XML to see the fonts that
we used. I have found that choice
On Nov 25, 2006, at 1:31 PM, dhbailey wrote:
Chuck Israels wrote:
Hi all,
Has anyone had success adjusting beam angles on linked parts
generated from splitting notes on one staff (i.e. Alto Sax 1 -
Alto Sax 2). I don't seem to be able to access the beams with
either a plugin or the Spec
Kurt Gnos wrote:
At 20:02 24.11.2006, you wrote:
What do you call one conductor?
A surplus of conductors.
And the plural? ... ;-)
Logically that should be "surpli"
(Yes I know it's not an -us-substantivum of any group)
You sure it shouldn't be surplodes (such as the plural of octopus
Chuck Israels wrote:
Hi all,
Has anyone had success adjusting beam angles on linked parts generated
from splitting notes on one staff (i.e. Alto Sax 1 - Alto Sax 2). I
don't seem to be able to access the beams with either a plugin or the
Special Tools/Beam Angle Tool. Of course, this cannot
Daniel Wolf wrote:
What do you call one conductor?
A surplus of conductors.
That's good, but how about 'an ego of conductors' or 'a whim of
conductors'?
How many conductors does it take to change a lightbulb?
Nobody knows, because nobody ever watches them.
--
David H. Bailey
[EMAIL PROT
