I'm a Sibelius user, I've subscribed to this list for curiosity about
Finale. In House Style Engraving Rules... Beams and Stems there are
options to change beam angles, screen shot attached for Sibelius 4, there
have been no changes to this section in Sibelius 5. Without a plug-in, your
best bet
John Howell wrote:
At 6:07 AM -0500 2/27/08, dhbailey wrote:
Interesting, if they're supposed to detune their lowest string by a
semitone, how do you feel about modern basses playing the part with
the extension on the low string? It would certainly be a different
tone than a detuned string
A-NO-NE Music wrote:
This is kinda yet another graphic problem. I am currently on
FinMac2008a on OSX10.5.2.
I often write a pattern for an instrument,
place repeat signs graphically to bracket the pattern,
then draw an arrow to the right to indicate infinity loop till cue.
This used to work
I've used these settings which look ok.
Trent
- Original Message -
From: dc [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Thursday, February 28, 2008 9:05 PM
Subject: Re: [Finale] TAN: Henle-style beams in Sibelius?
Andrew Moschou écrit:
All I know about Henle's beams is that they
It will certainly help, but it's not all that is required for Henle style
beams.
Andrew
Well, what happens if you tick the Avoid simple wedges box? Doesn't that
help give Henle-like results?
Dennis
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Ray Horton wrote:
I read somewhere that Respighi had some instruments made for the piece,
but I don't know where I read it. The parts (3 pairs, sop, alto,
ten/bass) say something like Buccina (flicorno basso) etc. I believe
the alto parts do give flugelhorn in parenthesis. The parts are
No. I mean, I guess it helps a little (I haven't tried it with Avoid
simple wedges off), but the results are in no way comparable to the
results you get using the Henle-like settings in Patterson Beams.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 28 Feb 2008, at 5:05 AM, dc wrote:
On Feb 28, 2008, at 5:16 AM, dhbailey wrote:
A-NO-NE Music wrote:
This is kinda yet another graphic problem. I am currently on
FinMac2008a on OSX10.5.2.
I often write a pattern for an instrument,
place repeat signs graphically to bracket the pattern,
then draw an arrow to the right to
Hi Chris, Hiro,
There's a actually a much better way to get repeats on some staves but
not others -- create the repeat as usual, and then hide the repeat on
selected staves as needed using a Staff Style.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 28 Feb 2008, at 7:02 AM,
Darcy James Argue / 08.2.28 / 0:33 PM wrote:
There's a actually a much better way to get repeats on some staves but
not others -- create the repeat as usual, and then hide the repeat on
selected staves as needed using a Staff Style.
You are brilliant!
Thank you!
I just tried, but I got
Hi Hiro,
That's very weird -- I have not seen that behavior before. I suppose
if you can't find any other way around it you could fake the missing
barline with a shape expression line.
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 28 Feb 2008, at 1:04 PM, A-NO-NE Music wrote:
It does not do that if the staff is not the bottom one in the system:
http://www.yatesguitar.com/misc/repeats.jpg
I just tried, but I got weird missing bar line:
http://www.a-no-ne.com/temp/test.jpg
What did I do wrong?
- Hiro
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Ohhh, you genius!
Nice catch.
Christopher
On 28-Feb-08, at 12:33 PM, Darcy James Argue wrote:
Hi Chris, Hiro,
There's a actually a much better way to get repeats on some staves
but not others -- create the repeat as usual, and then hide the
repeat on selected staves as needed using a
Darcy James Argue wrote:
There's a actually a much better way to get repeats on some staves
but not others -- create the repeat as usual, and then hide the
repeat on selected staves as needed using a Staff Style.
My trick using the Chord Tool to fake repeats is designed more for
aleatoric or
I just tried, but I got weird missing bar line:
http://www.a-no-ne.com/temp/test.jpg
might have something to do with staff style settings overriding staff
group settings; you can also apply a staff style set up to only NOT
break staff group barlines
why would you put the arrow over the
I've finally gotten around to posting a Finale file (version 2007)
and a pdf of the same page. This file shows how you can use suffixes
in the Chord Tool to build all kinds of shapes. The advantages over
the Graphic Tool include the fact that placement is precise and the
results are
On 27 Feb 2008 at 21:40, dc wrote:
David W. Fenton écrit:
I'm making some quick-and-dirty viol parts and re-using each file as
a template (I'm doing the parts to fix the clefs, because the music
is all viols and voices, so the parts are in inappropriate clefs for
viols). I started from an
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