On Dec 10, 2008, at 8:50 PM, Horace Brock wrote:
If think the Broadway books are bad (and I've played them), wait till
you see brass band music published by the Salvation Army.
I hate to play "topper" (no really, I kind of like it!) but the worst
by far are salsa and merengue charts, especi
On 10 Dec 2008 at 17:02, [EMAIL PROTECTED] wrote:
>
>As this whole repeat thing is one of my pet peeves, I'm now going to mount
>my soapbox.
>Realizing that in some circumstances repeats may be necessary or even
>preferable, I believe that in most cases they are outdated. Since
If think the Broadway books are bad (and I've played them), wait till
you see brass band music published by the Salvation Army. I don't know
if they're trying to save paper or what, but one part will have two
baqrs and a six-bar 1st ending, another will have four bars and a
4-bar ending, another wi
I like repeats - it's means I don't have to tax tired and precious brain
cells on working out that I'm playing what I just played and sorted out five
minutes ago.
Cheers,
Lawrence
lawrenceyates.co.uk
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As this whole repeat thing is one of my pet peeves, I'm now going to mount
my soapbox.
Realizing that in some circumstances repeats may be necessary or even
preferable, I believe that in most cases they are outdated. Since music no
longer needs to be hand copied, it make litt
On 10-Dec-08, at 10-Dec-08 3:03 PM, Kim Richmond wrote:
This has probably been covered extensively before, but I've never
been concerned with playback. I'm using MacFin2008b and would like
to have Garriton Sounds playback (to play for a producer). When in
the playback window I hit the pla
Kim Richmond wrote:
This has probably been covered extensively before, but I've never been
concerned with playback. I'm using MacFin2008b and would like to have
Garriton Sounds playback (to play for a producer). When in the playback
window I hit the playback button, it loads up to 39% then the
Kim,
I assume you are using some sort of Human Playback
This crashing problem is caused most frequently by some articulation that HP
dislikes. In 2009, I get it frequently with the tremolo/drumroll mark, which
was hell since I was doing some marching band stuff. The only way I know of to
find t
This has probably been covered extensively before, but I've never
been concerned with playback. I'm using MacFin2008b and would like to
have Garriton Sounds playback (to play for a producer). When in the
playback window I hit the playback button, it loads up to 39% then
the ball just keeps
David W. Fenton wrote:
On 10 Dec 2008 at 11:27, John Howell wrote:
I've actually run into that very thing in Broadway
books, specifically in "The King & I." I was asked to make a cut at
a certain point in a certain number, discovered that some parts had
repeated bars (and LONG endings!) whil
On 10 Dec 2008 at 11:27, John Howell wrote:
> I've actually run into that very thing in Broadway
> books, specifically in "The King & I." I was asked to make a cut at
> a certain point in a certain number, discovered that some parts had
> repeated bars (and LONG endings!) while others did not,
On Dec 10, 2008, at 11:27 AM, John Howell wrote:
This does, however, bring up the question (again! it's been
discussed before) of how to handle bar numbers in multiple
endings. Number the first ending bars but not the second? Use
duplicate numbers in the 2nd ending? Just number straight
At 8:55 AM -0500 12/10/08, Christopher Smith wrote:
The last thing you want is to say in rehearsal "Take it at the
second ending" and have half the band say, "What?" The aspect of
Finale that forces you to have the same roadmap between all parts
and the score has probably saved more rehearsal
On Dec 10, 2008, at 2:59 AM, Dan Tillberg wrote:
When looking at a part where there are for example full bar rests
in both
first and second ending, it makes sense in a way but it looks a
bit...unnecessary...or even a bit funny perhaps.
I know Darcy got to you within minutes (he must smell
Well I almost expected that answer :-) Just wanted to be fully convinced
myself.
Thanks for putting it straight-forward!
/D
> On 10 Dec 2008, at 2:59 AM, Dan Tillberg wrote:
>>
>> Would it be advicable to make the parts so that only instruments with
>> differences have these different endings,
The ENGRAVER Font is also very good for this, it has built in closed
and open rectangle shapes to replace the noteheads so you don't need
to bang in a whole load of noteheads to get the 'blocked look' result.
Jonathan
On 8 Dec 2008, at 12:08 PM, M LAWLOR wrote:
[Finale 2002]
I have tried
On 10 Dec 2008, at 2:59 AM, Dan Tillberg wrote:
Would it be advicable to make the parts so that only instruments with
differences have these different endings, while others don't?
Definitely not.
Or would it
be better to anyway, for rehearsal simplicity, make all parts equal in
this aspects?
Hello all,
I often get very good "typographical" advice here and not only good Finale
knowledge. So I start this question with a request for more of the former
type.
Assume I have a 32 bar repeat section, and that two or three instruments
have the last bar different between first and second repea
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