Thanks, Robert, no need to reply, I found your earlier post:
I sent a similar reply a while back, but I never saw it come thru.
For music without a key sig, use Chromatic Transposition.
For must with a key sig. use standard Transposition as follows:
1. Set the horn staves to Independent Key Sig
Hi Robert,
Chromatic Transposition is still a bit buggy, especially when using Staff
Styles (for woodwind doubles, for instance) rather than Staff Attributes.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 1 Jan 2011, at 4:55 PM, Robert Patterson wrote:
> Finale correctly han
Hi Chris,
I don't have the email and I don't recall exactly what the issues were -- but
the issues have all changed since the introduction of linked parts, so most of
what I said is probably obsolete now. The biggest issue is that I have learned
by experience never to use the 9 key to flip enha
True, but I believe there continue to be other issues with speedy-9 as well,
unrelated to transposition, so avoiding it is good policy. And if you avoid
it, then (along with other issues) you want have any problems with C.T.
Right?
On Sat, Jan 1, 2011 at 10:56 PM, Christopher Smith <
christopher.s
You may identify it as Speedy 9-flip bug (as do I!) but there it is,
manifesting itself when using Chromatic Transposition. It doesn't manifest
itself (in this particular way!) when the part uses normal transposition, so I
would say it is indeed a Chromatic Transposition issue. One needs to watc
Since the introduction of Finale 2007, I *never* use the 9 key to enharmonic
flip. I *always* use the +/- keys for notes like Cb. I do not see this as a
bug with Chromatic Transposition per se, but rather with the Speedy 9 key.
In F07 they "fixed" a whole bunch of stuff that wasn't broken, Speedy 9
Here's one.
open a new file using the Setup Wizard. Add Bb clarinet.
Switch to Display in Concert Pitch.
Enter in the staff quarter notes (using Speedy) Eb, Db, Cb (you will have to
flip this one with the 9 key, which is what causes the problem. If you DON'T
flip it, the problem does not appea
You'll have to give me chapter and verse (provided the concert key of the
piece is C maj) because I don't think you are right. In my experience
Chromatic Transposition does not have any bugs that cause required
accidentals either to be omitted or incorrect.
On Sat, Jan 1, 2011 at 8:45 PM, Christop
No, Finale doesn't handle accidentals correctly on parts using Chromatic
Transposition, especially if you have flipped accidentals with the 9 key in
Speedy or run the Cautionary Accidentals plugin or try to Respell notes on a
chromatically-transposed part. For those three I can give you chapter
Finale correctly handles all accidentals if you use Chromatic Transposition,
provided the piece as a whole does not have a key signature. If the piece as
a whole does have a key signature, you should not be using Chromatic
Transposition. There is a better way in that case.
On Sat, Jan 1, 2011 at 5
Darcy,
You sent me a summary of the issues with accidentals when using Chromatic
Transposition once a while ago, and I regret to say that I have misplaced it.
For me (and so that I can check if it is still the case and thus harass
MakeMusic about it) could you summarise again? Go ahead and send
Actually, though your link is very useful if you only want SOME parts not to
have key signatures, it is more complicated than you need if NO part in the
score has a key signature.
This is what you should do.
Set the global key to C in your score (it probably already is, no sharps no
flats).
F
It helps by doing exactly what you want.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 1 Jan 2011, at 1:21 PM, Eric Dannewitz wrote:
>
> Chromatic Transposition? How is that going to help?
> So, if I have a jazz band score, that has something like 3 sharps in the
> Alto
That's what Chromatic Transposition is for. Did you try it?
On Sat, Jan 1, 2011 at 3:21 PM, Eric Dannewitz wrote:
>
> Chromatic Transposition? How is that going to help?
> So, if I have a jazz band score, that has something like 3 sharps in the
> Altos, and 2 in the trumpets, but that is no
Eric Dannewitz wrote:
Is there a simple way to keep a score/parts transposed but have the key
signature be nothing?
One simple way is to uncheck "Key signature" in the list of "items to
display" in the staff attribute dialog box, but this may be an option
that must be chosen when one starts
Staff Attributes -> Transposition -> Chromatic.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 1 Jan 2011, at 12:51 PM, Eric Dannewitz wrote:
> So I've been asked to make some SmartMusic versions of some jazz band
> arrangements I did. However, I did them without a key signatu
Nevermind, I found how to do it here
http://www.specialmillwork.com/finaletips/FHornNoKeySig.pdf
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Chromatic Transposition? How is that going to help?
So, if I have a jazz band score, that has something like 3 sharps in the
Altos, and 2 in the trumpets, but that is not really what key everything is
in, and I just want the accidentals next to the notes but I don't want a key
signa
Chromatic Transposition.
On Sat, Jan 1, 2011 at 2:51 PM, Eric Dannewitz wrote:
> So I've been asked to make some SmartMusic versions of some jazz band
> arrangements I did. However, I did them without a key signature, so when I
> play them back it sounds something like Schoenberg drunk meets Hind
So I've been asked to make some SmartMusic versions of some jazz band
arrangements I did. However, I did them without a key signature, so when
I play them back it sounds something like Schoenberg drunk meets
Hindemith and collaborate on doing a remake of Sound Of Music in the
style of a drunken
Greetings listers! I wanted to put out the word that our chord symbol fonts
are available at discounted prices for the New Year: ChordSymbol 2 for
$50; JazzSymbol 1 for $35; and both fonts for $75; with discounted site
licenses also available.
Because these fonts are available in both Unico
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