Hello!
A new Finale plug-in is now available: JW Keep Line.
This plug-in removes all notes from a chord line in the selected region,
except the top or bottom note. Useful (for example) for
composers/arrangers, who need to extract the melody or bass line
quickly. Download from the Finale Tips
Hello!
I've updated these Finale plug-ins with an important bug fix today:
* Rhythm Copy (1.01)
* Pattern Copy (1.01)
* Explode Layers (1.01)
* Merge Layers (1.01)
* Pedal (1.01)
* Topline Notation (1.03)
* Merge Articulations (1.01)
If you're using any of these, please download the updated vers
At 6:51 PM -0600 1/1/11, Robert Patterson wrote:
Okay I'm confused. I was under the impression that either the concert key of
Eric's piece overall was C major or else the piece as a whole had no key
signature.
Just a quick comment in passing, since I've seen this confusion
before. A concert p
On Sat, Jan 1, 2011 at 11:58 PM, Darcy James Argue wrote:
> Hi Robert,
>
> Chromatic Transposition is still a bit buggy, especially when using Staff
> Styles (for woodwind doubles, for instance) rather than Staff Attributes.
>
>
Interesting. I don't recall ever experiencing them (speedy-9 issues
e
On Sat, Jan 1, 2011 at 10:56 PM, Christopher Smith <
christopher.sm...@videotron.ca> wrote:
> One needs to watch for it when using Chromatic Transposition.
>
If you don't need to show the score in concert pitch, you can always revert
to the technique we used before they added Chromatic Transposit
The link you cited included an unnecessary step. All you needed to do was
set Chromatic Transposition. There is no need to set Independent Key
Signature.
On Sun, Jan 2, 2011 at 2:29 AM, Eric Dannewitz wrote:
>
> And actually the link I cited worked perfectly for me
>
_
Okay, great! It sounds like the Favour Sharps/Flats bug is gone now, so we can
scratch that one. I can't make it appear, and since you use it all the time,
you would probably know. I've been using the + and - keys to flip enharmonics,
rather than your method of Favour... because Favour... HAD be
What I asked was how to have finale display everything in the key of
C, but still preserve the ability for finale to play back correctly.
And actually the link I cited worked perfectly for me, so I have a
transposed score and parts that when I play it back via midi it plays
correctly and more impo
Okay I'm confused. I was under the impression that either the concert key of
Eric's piece overall was C major or else the piece as a whole had no key
signature. He said Alto Sax had 3 sharps and Bb trumpet 2, which is
consistent with C Major (or no key sig). For that case, Chromatic
Transposition i
Hi, Robert. Would you give me a hint on the better way to handle this situation
please? Thanks!!
Rafael Leonardo Junchaya
:rjunch...@yahoo.com
http://www.myspace.com/rjunchaya
+358 452791949
De: Robert Patterson
Para: finale@shsu.edu
Enviado: dom, enero 2,
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