On Sun Oct 2, at SundayOct 2 2:48 PM, Steve Parker wrote:
>
> On 2 Oct 2011, at 18:22, Christopher Smith wrote:
>
>> Yes, you are correct, except the Bb7 chord here replaces E7 going to A (or
>> to D/A, the cadential 6/4 that is really an A chord with two suspensions. I
>> imagine the next ch
On 2 Oct 2011, at 18:22, Christopher Smith wrote:
> Yes, you are correct, except the Bb7 chord here replaces E7 going to A (or to
> D/A, the cadential 6/4 that is really an A chord with two suspensions. I
> imagine the next chord is D7/A, rather than D7 root position?).
For the French 6th act
Duh. Bb7/Ab of course.
On Sun, Oct 2, 2011 at 12:31 PM, Robert Patterson <
rob...@robertgpatterson.com> wrote:
> G B7/Ab D9/A D7 G. I'll respell the Ab in the bass as G#. It seems like a
> better spelling to me, too.
>
> On Sun, Oct 2, 2011 at 12:22 PM, Christopher Smith <
> christopher.sm...@vid
G B7/Ab D9/A D7 G. I'll respell the Ab in the bass as G#. It seems like a
better spelling to me, too.
On Sun, Oct 2, 2011 at 12:22 PM, Christopher Smith <
christopher.sm...@videotron.ca> wrote:
> Yes, you are correct, except the Bb7 chord here replaces E7 going to A (or
> to D/A, the cadential 6/
Yes, you are correct, except the Bb7 chord here replaces E7 going to A (or to
D/A, the cadential 6/4 that is really an A chord with two suspensions. I
imagine the next chord is D7/A, rather than D7 root position?). One of the
problems with chord symbols is that they don't always reflect the exac
So I'm transcribing a record, and what I hear is the bass line chromatically
ascending in (as you say) a tritone substitution of the applied dominant (of
D). The notes are Bb-D-F-Ab(G#), but the G#/Ab is in the bass. So should I
call the chord Bb7/Ab? And if so, I suppose the better spelling of the
I would think that if somebody is using chord scale theory and doesn't know
what key they're in, then they aren't doing it right. Chord scale theory is
supposed to help you choose passing tones between chord tones and inform you as
to which ones sound closest to the key, so you don't have to rei
On 10/2/2011 2:54 AM, Ryan wrote:
> has now been placed on a staff that is optimized out. Is there a simple way
> to make that one staff reappear without re-optimizing the system and
> re-doing all the adjustments?
TGTools Staff List Manager will do this. You can also do it directly in
Finale in
I should clarify..
I was running with Darcy's scheme of basing the chief on Ab.
I would rather base it on a D as D7(b5). This defines it a secondary dominant
chord II and will produce a relevant scale related to C major with just the
actual 6th altered.
Steve P.
On 2 Oct 2011, at 07:37, Stev
