Does the Reset button in Change...->Tuplets not achieve what you wish?
On Wed, May 21, 2014 at 9:12 AM, Ryan wrote:
> Finale 2014 Mac OS X 10.9
>
> I'd like to reset the manual positioning of all tuplets so they revert back
> to the tuple settings I've defined.
>
> I copied and pasted music fro
Finale 2014 Mac OS X 10.9
I'd like to reset the manual positioning of all tuplets so they revert back
to the tuple settings I've defined.
I copied and pasted music from someone else's file and their tuplet
settings were included. I'm looking for a way to automatically clear all
tuplets without ha
Thanks to all who have responded.
What I have done so far is what Kim has suggested. I thought, having never
had any formal training in transcription, that maybe I was missing
something.
Thanks,
Lawrence
On 20 May 2014 18:13, Kim Patrick Clow wrote:
> It's such a thorny issue because in man
It's such a thorny issue because in many baroque parts, the markings are so
inconsistent (sometimes they are clearly staccato markings, but in a set of
doublet-parts, where there are two copies of violin 1, the same bar will
have wedges / daggers. My editor has suggested to duplicate the markings a
I would try to reproduce the sign (a hyphen rotated 90 degrees CCW) in your
editions. Most specialists will know what to do with it. The consensus seems to
be something between a "marcato" and a slightly shortend, slightly accented
"portato". Easy enough in "Shape Designer".
Eric
*
I have a client that uses these articulations pretty extensively, in addition
to normal staccato dots. We refer to them as martellato staccato, and IIRC
they are accented staccato.
YMMV.
J D Thomas
ThomaStudios
On May 20, 2014, at 9:02 AM, Lawrence Yates wrote:
> For those who transcribe
For those who transcribe baroque manuscripts.
Am I correct in assuming that the articulation mark that looks like a
modern staccatissimo "dagger" should be transcribed as a modern staccato
dot?
It has been suggested to me that it should be interpreted as an articulated
note and not necessarily as
I would use a double whole as per original.
I would split off the last movement to a new doc and change the default.
Steve P.
> On 16 May 2014, at 19:55, Martin Banner wrote:
>
> Ryan,
>
> I checked the Dolmetsch book, and if I read it correctly, yes, double
> whole rests are the standard
