At 12:39 AM 10/13/2005, David W. Fenton wrote:
Well, if by higher it has 0 security, yes, that's true. I've never
understood why anyone running an NT-based version of Windows (and not
dual booting) would use anything other than NTFS in the first place.
I dual booted (and triple, and quadruple)
At 03:59 PM 10/12/2005, A-NO-NE Music wrote:
What is the numeric value of this character? I know N-dash is 8211
(deci) 0x2013(hex), and 020023(oct). If you could give us any one of
these values, I can find it in the Unicode table.
It's 0x00AD.
Aaron.
At 07:47 PM 10/12/2005, Johannes Gebauer wrote:
As far as I know the Mac registration is based on the Ethernet MAC
Address, not anything to do with the HD,
This might be different on Mac, as you say, but when I converted the
file system on my Win2000 hard drive from FAT32 to NTFS -- on the
At 02:38 PM 10/11/2005, Fisher, Allen wrote:
Look in the Edit menu.
Aha!
It's very annoying when features switch between menus for no apparent
reason, especially when one of the included SR FinaleScripts says:
//Text Search and Replace, also called TSAR, is a one of FinaleScript's more
At 06:48 PM 10/11/2005, dhbailey wrote:
Having Text Search and Replace in the Edit menu makes perfect sense.
The question isn't why it's in that menu, but rather why did it have to
wait until plug-in technology came along, and even then why was it in
the Plug-in menu at all, when it's clearly an
Hi all,
Just tried to export a Finale 2006 file to MusicXML, and I got an error dialog:
Files cannot be imported or exported through MusicXML because the
necessary file MusicXML.dll could not be found in the Component
Files directory. You must reinstall the missing file from your Finale
CD
Hi all,
Can anyone confirm that a text expression with an opaque background
does not cover up notes and rests? I'm seeing this in WinFin2006,
though it also seems to exist in WinFin2004.
(I'm doing a score that includes spoken word during GP measures. I
did each line as a text expression
Hi all,
I've found a workaround for the problem I reported earlier. I just
need to apply the Blank Notation staff style to the measures under my
text expression. This gets rid of the rests, and the opaque
expression covers up the staff lines.
(Actually, what I did was define my own blank
Hi all,
This may seem like a stupid question, but did the Text Search
Replace plugin accidentally get left out of WinFin2006? I don't see
it in the plugin menus of either of my 2006 installations.
Thanks,
Aaron.
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At 12:09 PM 10/10/2005, Fisher, Allen wrote:
Before installing a new version of the Dolet PI, it's necessary to uninstall
the old one. I'll make sure that is more clear in the installer.
I don't entirely understand. Are you saying that I have to uninstall
the one from 2004 before installing the
At 12:29 PM 10/10/2005, Brad Beyenhof wrote:
I don't actually have the answer, but FinaleScript is supposed to be
able to do that.
Yes, it can, but one of the included scripts says:
//NOTE: TSAR is also available as a separate Plug-in in
Plug-ins--Miscelleneous
This is where it was in 2004,
At 01:26 PM 10/10/2005, Michael Good wrote:
As you have discovered, the error message is wrong. What it really is
complaining about is that it can't find the version of Java that the
MusicXML functions need.
Aha!
Usually rebooting your machine after installing Finale will fix this.
My machine
At 03:04 PM 10/10/2005, Burt Fenner wrote:
Probably what is happening is that the notes are drawing after the
expression. Try attaching the expression to the following system so that
it will print after the notes.
Yes, WinSupport just suggested something similar. I don't like this
workaround
At 08:43 PM 9/29/2005, David W. Fenton wrote:
On 29 Sep 2005 at 17:20, Lee Actor wrote:
On the technical point under discussion, you are of course 100%
absolutely correct. The software must listen to the digital data
stream going into the sound card; the only output from the sound
card is
At 04:14 PM 09/26/2005, David W. Fenton wrote:
There's a mixer in iTunes? The version I have is 4,
I had 4.9 until recently. In the lower right corner of the main
iTunes window is an icon that looks like an equalizer. It opens the
equalizer. g
and I'm not about
to upgrade to 5, given that I
At 05:30 PM 09/26/2005, David W. Fenton wrote:
Oy, it was a couple of weeks ago when it came out that there was a
storm of complaints in one of the lists I read, because people had
downloaded and installed it and it rendered their systems unbootable.
I do see a couple of mentions on the Apple
At 04:17 PM 09/23/2005, DRD wrote:
I would like to bring an acrobat PDF score into finale for some touch
up, but I'm beginning to think it cannot be done directly.
You are correct.
What you can do is print it out and scan it as a TIF, and then import
it that way. Or if you have the full
At 04:44 PM 09/23/2005, Eric Dannewitz wrote:
No, you cannot open a PDF file and edit it like you can a actual finale
file. You can do minor edits with the full version of Adobe Acrobat.
Things like text editing can be done. For actual music
manipulation...no.
Well, technically all of the
At 09:48 PM 09/23/2005, Richard Bartkus wrote:
It hasn't been an issue until now, but how can I get the starting measure
for playback active ? It's grayed out and I cannot figure out how to make
it active
On the playback toolbar, click on the icon on the right that looks
like a speaker. Under
At 12:38 PM 09/22/2005, David W. Fenton wrote:
On 21 Sep 2005 at 23:42, Mark D Lew wrote:
I like to leave the rest option as is. Then wherever the same value
rest is in both voices, I type asterisk in each layer to re-center
them.
Oy, I didn't know there was a keyboard shortcut for this!
At 05:42 PM 09/21/2005, Neal Gittleman wrote:
Being a habitual late adopter, I just received my Finale 2006 packet
(perhaps not quite as habitually late as usual...) What I received
is Finale 2006 for Windows® and Macintosh® DVD Version. My
question, before I insert anything into anything, is:
At 12:59 PM 09/19/2005, Fisher, Allen wrote:
Urm. This was only true of the MAC version. Windows version didn't have
those issues...
This was poor quoting on my part. The original post said something
like I hear the Mac version is not as stable as the Windows
version--you need to download a
At 03:46 PM 09/18/2005, Kurt Gnos wrote:
I use select partial measures quite often, but I don't like the way
only, say, in 4/4, quarters can be selected. I would like to select
the part I'd like to select, often it is eights, sometimes even
sexteenth. Is there a way?
I'm not sure what you mean.
At 05:23 PM 09/18/2005, Darcy James Argue wrote:
Could someone please remind me what the preferred solution was for
recording Finale GPO output in Windows? On Mac, there is a freeware
solution, using SoundFlower and Audacity
Audacity is for Win as well, and should record anything coming across
At 09:35 PM 09/17/2005, [EMAIL PROTECTED] wrote:
I wish the toolbars were customizable like typical Microsoft toolbars
Okay. How about View | Customize Palettes | Toolbars?
You can't define a new toolbar, but you can remove the icons you
don't want from the existing toolbars and add a few
At 09:56 AM 09/16/2005, Williams, Jim wrote:
*I don't have the time to do discovery
learning on FinaleScript. For cryin' out loud, it's
supposed to be a timesaver--more
guidance, please! Is it in 2006 and I just haven't found
At 03:26 PM 09/16/2005, Morris Inouye wrote:
Windows version--you need to download a fix from MakeMusic's web site
or the install will trash a bunch of things like your address book,
etc.
This is not really true. I believe you only have to download a fix if
you pre-ordered and received one of
At 06:41 PM 09/14/2005, Claudio Pompili wrote:
I'm on FinMac2k6 but I'm working on a performance part that was
orginally created in FinMac2k2. I can't get the multimeasure rest
create to work. I've already installed the new Finale 2k6 default
Maestro files
The default files have no effect on
At 10:05 AM 09/13/2005, Rafael L. Junchaya wrote:
numbers (A:B) showing region and number, or a single number with a # sign,
when there was no region definition for that measure. In WinFin2006,
instead, when I define a second region (or more), then every measure number
displays with the # in
At 11:35 AM 09/13/2005, Colin Broom wrote:
But since upgrading, the soundfont sounds between 0.25 and 0.5 secs later,
and so is utterly unuseable, unless I can find a fix. Anyone else come
across these problems?
I had something similar happen to me in Fin2004. I solved it by going
to MIDI |
At 10:41 AM 09/09/2005, Colin Broom wrote:
However, every time I set the display
colour of tuplet brackets to black, it reverts back to blue the next time I
re-open Finale. Anyone else come across this?
Yes, I can confirm this.
Aaron.
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At 07:51 PM 09/08/2005, Darcy James Argue wrote:
1) Can this be solved by downloaded and installing the latest version
of Ambience?
Doesn't look like it.
2) If not, do the presets work in GPO Studio (included with full GPO)?
I don't have full GPO.
Aaron.
Darcy, take a look at the screen shot in the docs:
http://www.garritan.com/support/Ambience-readme.pdf
That's what my screen looks like -- no menu anywhere. Can you post a
Mac screenshot?
Aaron.
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At 07:57 PM 09/08/2005, Darcy James Argue wrote:
Does the factory preset menu appear at all? On the VST version of
Ambience for Mac, it's located in the bottom-left corner. Is the menu
there, but empty? Are the choices grayed-out? Or is it not there at all.
I see no menu at all, and I've clicked
At 05:13 PM 09/07/2005, dhbailey wrote:
I can't find any specific reference to what you're asking in either Ross
or Kurt Stone and Gardner Read's book isn't right at hand for me to
check,
Since David has done most of this research, the least I can do is
flip open Read. g
...The one
At 03:16 PM 09/03/2005, Dean M. Estabrook wrote:
I did find that when I use the Mass Mover and copy and drag, that
everything gets moved, including hairpins. When I copy and paste, as
is dictated by the size of my score, hairpins don't paste.
I believe this has been noted as a bug -- or at
At 01:46 PM 09/02/2005, dr.a.s. weinstangel wrote:
There is a sudden change in the staff spacing, size of noteheads and a
general look of the score from the page 16 and on, and nothing I have
tried changing has made much of the difference. I am sure it must be
possible to copy the format of one
At 04:59 PM 09/02/2005, Jacki B. wrote:
Is there some easy way to flip a tuplet vertically?
Sure. In Speedy Entry, put the cursor on the first note of the
triplet and hit L.
You might also take a look at Mass Edit | Utilities | Freeze Stems
Up/Down, possibly in conjunction with Edit |
At 05:18 PM 09/02/2005, Johannes Gebauer wrote:
If I understand correctly you want to flip the bracket from ie stem to
note side?
Ah -- sorry, I misunderstood. Ignore my previous post.
Aaron.
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At 08:51 AM 09/01/2005, Johannes Gebauer wrote:
Just out of curiosity, I am currently wondering whether a printed
edition from 1978 in the US is still under copyright (for the printed
edtion, not for the piece itself, which is from the 19th century)?
Yes. (Disclaimer: I'm not a copyright
At 12:31 PM 08/31/2005, Harold Owen wrote:
The character I use for the ligature in cases such as e_il is in
the Toccata Font, lower base b.
There's also one in the Engraver font, uppercase I.
Aaron.
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Ah -- I've found more specific information at
http://slett.net/spam-filtering-for-mx/greylisting.html They
mention Earthlink specifically as a problem.
Henry, I think you might advise the SHSU mail admins of this, and
point them towards this page.
Aaron.
At 03:00 PM 08/30/2005, Darcy James Argue wrote:
Andrew Stiller requested that I forward this message to the list. He
has been unable to post to the list for the past three days. If
anyone has any suggestions what he might do to solve the problem,
please email him at [EMAIL PROTECTED].
Looks
At 03:58 PM 08/30/2005, Darcy James Argue wrote:
I have an Earthlink address as well (it's a secondary address) and so
far I haven't had these greylist problems.
It looks a little more complicated than just the address or just the
SMTP server. This is not somethiing I've come across before, so
At 02:12 PM 08/30/2005, Kurt Gnos wrote:
While I like the mixer possibilities, they are not of much use as long as
you cannot combine the new sounds with human playback,
You *can* do this -- in fact, you *should*. What you cannot do is
combine Finale GPO sounds with Finale softsynth sounds.
At 04:27 PM 08/30/2005, David W. Fenton wrote:
Actually, no. It's SHSU that has to fix it, because they are
apparently using black hole lists that refuse mail from dynamic IP
addresses.
David, the problem isn't blacklisting -- it's greylisting. This
doesn't work off of any known list of bad
At 04:17 PM 08/30/2005, Dennis Bathory-Kitsz wrote:
Greylisting generally lets the first email from a sender address sit
unsent, expecting the mail server to try again (in order to validate that
it is a legitimate email, not one sent from a zombie computer). Retrying is
part of the RFC, if I
At 06:23 AM 8/28/2005, dhbailey wrote:
Another thing to investigate would be defining two different percussion
maps for a single work, with the display pitches being the same, the
only difference being the defined playback pitch.
I haven't played with it, but this was my thought as well.
At 01:33 PM 8/27/2005, Henry E. Howey wrote:
I hope the fix he has so kindly suggested will do the job. This list is
almost 15 years old, and we're in the third or fourth v ersion of the
server software.
Henry, if this message was sent after you made the first change I
suggested, then I think
At 05:28 PM 8/27/2005, Henry E. Howey wrote:
I hope the too-long problems are gone.
Thanks for taking care of this, Henry.
(For anyone who's interested, the list should now be setting Reply-To
to finale@shsu.edu -- and *only* that.)
Aaron.
___
At 07:37 PM 8/27/2005, Brad Beyenhof wrote:
Oddly, though, your email was sent with finale@shsu.edu in the To:
header twice. Do you know what caused that?
Yes. It has to do with Eudora configuration and Reply All. But most
mailing list software will ignore identical messages which arrive at
At 08:13 PM 8/27/2005, dhbailey wrote:
Whatever happened to having the Reply behavior be:
REPLY = reply to list only
REPLY ALL = reply to list and sender
In recent history, the list has worked this way only if the original
sender has included an explicit Reply-To header, which was not true
of
On Fri, August 26, 2005 10:36 pm, Darcy James Argue said:
I actually heard from Henry in private correspondence today. If
anyone is familiar with Mailman software, can they please email Henry
at [EMAIL PROTECTED] and explain exactly what he needs to do to fix
the current Reply-To behavior.
I
On Thu, August 25, 2005 2:51 pm, dhbailey said:
He does it as a labor of love, and if he happens to be away on vacation,
so be it.
I don't agree with you. When you agree to moderate a list, that comes with
certain responsibilities, one of which is being available to handle issues
like this.
At 02:38 PM 08/25/2005, Darcy James Argue wrote:
It wouldn't be a problem if the list owner was doing his job.
I'm guessing Henry is on vacation or something, since he hasn't
responded to anything in a couple of weeks. But that's why one ought
to designate an alternate moderator when one is
At 06:22 PM 08/25/2005, Noel Stoutenburg wrote:
sure, I'll provide the facilities for what you wish to do. I
understand this to be an unmoderated list, and Henry's role to be a
host, rather than a moderator.
While individual posts are not moderated, every list must have an
owner, or
At 10:35 PM 08/24/2005, Christopher Smith wrote:
I can't believe I am doing this for the first time, but I want measure
numbers to appear over the staff at the beginning of each system (no
problem so far) AND where I specify, usually at double bars (this is
the problem.)
For the measure numbers
At 03:38 PM 08/20/2005, Dalvin Boone wrote:
I would like to get some advice on binding a 16 page full score printed on
11 X 17 paper. I had assumed that a local copy store or Staples store
could bind it with plastic comb or plastic wire coil, but none of the local
stores (Terre Haute IN) could
At 01:27 PM 08/19/2005, Mark Blumberg wrote:
Is there any way to totally hide rests in a chord staff (layer) so
that the ghosts do not show through slashes?
These ghosts show up only on screen and shouldn't print at all.
If this bothers you on display, uncheck View | Show hidden notes and
At 09:41 AM 08/11/2005, Johannes Gebauer wrote:
No, mailman is obviously not adding a reply-to header, if I click reply
to your message only the finale address is put into the To field, not
yours.
Right. Mailman is adding 'Reply-To: finale@shsu.edu'.
With David's emails to the list are
At 11:31 AM 08/11/2005, Johannes Gebauer wrote:
In my message mailman should have read Gmail, I think it is clearer
then. We agree I believe.
Ah, yes -- thanks for clarifying.
Aaron.
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At 01:31 PM 08/11/2005, Henry E. Howey wrote:
I haven't done a total lately; however, I believe the DIGEST option is a
70/30 prefernce of listmembers.
421 Digest / 362 non-digest
Aaron.
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At 03:29 PM 08/11/2005, David W. Fenton wrote:
Just to clarify: the two addresses are not put there by *me*. When I
send to the list, there's only one address in the Reply-To header, my
own.
Right. As I've explained before, Mailman adds the finale@shsu.edu to
any existing Reply-To header.
I
At 03:27 PM 08/11/2005, David W. Fenton wrote:
I' not sure I quite understand how the list software can address
that, as it isn't processing the header -- the sender's SMTP server
is doing it.
Right. If you have 'avoid' set to Yes, what Mailman does is look to
see if you are explicitly named in
At 07:26 PM 08/11/2005, David W. Fenton wrote:
The message that has the incorrect Reply-To header is not being sent
by me.
Yes, it is.
My message to the list is correct in having my email address in the
Reply-To field.
Having the same address in a Reply-To header as in your From header
is
At 08:29 PM 08/11/2005, David W. Fenton wrote:
That's not the whole picture. People who include the Reply-To can also
set the list not to send a duplicate message. . . .
No, the list setting only controls duplicated TO: and CC: addresses,
and the problem is *not* a duplicate address -- it's
At 05:52 PM 08/10/2005, Darcy James Argue wrote:
On 10 Aug 2005, at 5:43 PM, David W. Fenton wrote:
Er, the mailing list software sets the reply to address on list posts
to include both the list and the original poster's address.
No it doesn't. (It does this when I reply to _you_ for some
At 06:17 PM 08/10/2005, David W. Fenton wrote:
It does it for any post to the list that has a Reply-To header (as
every properly formatted email message should).
Well, since I'm in a picky mood tonight g:
RFC822 explicitly states that the Reply-To header is optional.
At 08:04 PM 08/10/2005, David W. Fenton wrote:
OK, maybe not required, but certainly recommended.
The RFC seems to imply that it should only be used when needed --
that is, when the reply to a message should be directed somewhere
other than the sender of the message. Since MUAs are supposed to
At 03:39 PM 08/07/2005, Darcy James Argue wrote:
I'm afraid Aaron is incorrect. In OS X, you cannot use CDRW's like
floppies (at least, not without third-party software).
I'm not a Mac person, but I think I did make the point in one post
that using a CD-RW like a floppy (that is, RWing it) does
At 08:22 PM 08/07/2005, Darcy James Argue wrote:
In OS X, there's no need to manually format the disc when you write
to it for the first time -- the OS handles that for you. You only
need to format the disc if you want to wipe it and start over.
Interesting. But Dean said that he was having
At 08:36 PM 08/07/2005, Darcy James Argue wrote:
No. That's what I've been saying. Adding files after you've already
burned a CDRW is not possible without commercial third-party
software.
Okay. It was not clear from your earlier post that this is true --
you said that you couldn't *delete*
At 02:10 PM 08/06/2005, dhbailey wrote:
There is a file called gpoinstrument.txt which you could make a copy of
and then edit to change those arabic numerals to roman numerals, and
change cello to violoncello.
I think Darcy was cautioning not to change this file, but I don't remember why.
At 01:46 PM 08/06/2005, Dean M. Estabrook wrote:
Let's say I want to back up data, and I want to use a CDR Disk. Can
I use a CDR Music Disk,
No.
All CDRs start out the same, what we call a data CDR. If you use a
blank CDR to make an audio CD (one that will play back like a regular
CD, not a
At 02:15 PM 08/06/2005, Darcy James Argue wrote:
Okay, I couldn't figure out what you were talking about at first, as
I couldn't duplicate the behavior you described. But now I've got it
-- it depends *how* you change the view percentage.
On Win, the method does not appear to make a difference.
At 02:29 PM 08/06/2005, Dean M. Estabrook wrote:
I assume a CDRW would
suffice for my purpose, however, once I select Burn, I can neither
add or delete any data from it, right?
No, that's backwards.
CDRW (Re-Writeable) can be used just like a giant floppy. You can put
files on, and delete
At 03:17 PM 08/06/2005, Darcy James Argue wrote:
On 06 Aug 2005, at 2:45 PM, Aaron Sherber wrote:
CDRW (Re-Writeable) can be used just like a giant floppy. You can
put files on, and delete them, and rename them, etc. But you don't
burn anything to a CDRW
Yes you do. It's just that you can
At 03:11 PM 08/06/2005, David W. Fenton wrote:
This is not true. A music CD is simply a completely unformatted CD.
A data CD, on the other hand, has been formatted with a particular
file system.
There's a slight semantic issue here, but CDRs which are sold as
music CDR do have something which
At 03:20 PM 08/06/2005, Lee Actor wrote:
Almost. As you say, the distinguishing feature of Music CD-Rs is that
they contain a permanent piece of data on the non-recordable part of the
disk identifying them as music blanks, which allows them to be burned on
stand-alone consumer CD recorders
Ah,
At 08:25 PM 08/05/2005, Craig Parmerlee wrote:
About
every 90 seconds I find myself grabbing that scroll handle so I can see
the staff names.
On Win, right-click dragging anywhere in the score has the same
effect as clicking the hand grabber tool, so this kind of moving
around isn't that bad.
At 12:58 PM 08/04/2005, Brad Beyenhof wrote:
I'm assuming that Robert's plugins still work in 2006 without any
firther modification, but his download page still lists the files as
being compatible with Finale 2000-2005:
If you look at his Version History page, you'll see that the most
recent
At 07:20 AM 08/01/2005, Eden - Lawrence D. wrote:
I will have to change my email address soon. Do I need to resubscribe to
the List after I make the change?
No. If you visit the link at the bottom of this message and then go
down to the bottom where it says To unsubscribe...or change your
At 07:26 AM 08/01/2005, Simon Troup wrote:
Are you sure? I don't think Audacity can reroute internal audio in the
same way that Audio Hijack can?
Yes, it can.
Aaron.
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At 07:26 AM 08/01/2005, dhbailey wrote:
And for someone using an external playback device with 16 channels? How
will having channels 1-8 and 17-24 be responded to on a device which
only recognizes 1-16?
David, take a look at some of my other responses to Darcy. A GPO slot
is not the same thing
At 09:43 AM 08/01/2005, A-NO-NE Music wrote:
Aaron Sherber / 2005/08/01 / 09:15 AM wrote:
percussion, which require MIDI 10.
This is the one got me messed up yesterday. Would you elaborate why
percussion needs to be ch10? Un-pitched instrument reserved for ch10 is
only for GM protocol,
Yes
At 10:30 AM 08/01/2005, dhbailey wrote:
Yes, I did, and there was nothing about a file that could be played the
old fashioned way, through a midi-interface into an external module.
I believe this is essentially the same as playing through Softsynth,
except you direct your MIDI output elsewhere.
At 11:09 AM 08/01/2005, dhbailey wrote:
I just spent a very frustrating half-hour before I realized that the
place to change channels isn't the instrument list but is the
keyboard-like interface of the VST setup
Yes, that was in one of my earlier posts.
However, when I edit that, a comparable
At 11:24 AM 08/01/2005, dhbailey wrote:
I did finally figure that out, and all either you or Darcy needed to do
was to point us to the unnecessarily tiny slot in the GPO setup dialog
(the one which looks like a keyboard) which has a midi-port icon and a
number or the word OMNI beside it.
Yes,
Hi all,
After playing around some more, I've noticed a limitation which may
have been obvious to others from the discussion, but which I hadn't realized.
We've already discussed the fact that any GPO slot can be mapped to
any MIDI channel in the range of that instance of GPO. But the
At 12:37 PM 08/01/2005, Brad Beyenhof wrote:
The MIDI channels in the Instrument List are independent from GPO
channels.
Yes, I've been saying this for a while.
You can set an instrument to use MIDI channel 9 from the
Instrument list, but Channel 1 of the second Kontakt player (channel
17) when
At 03:12 PM 08/01/2005, dhbailey wrote:
Actually, no matter how many instances of GPO you start, the midi
channels for any single instance are still listed as 1-16.
Yes, but those numbers 1-16 are *relative* to the starting channel
for each instance. In the first instance, 1-16 means MIDI 1-16.
At 02:31 AM 07/31/2005, Darcy James Argue wrote:
I suppose, but the best way to get around it is to simply use an
application that can record the audio produced by any other
application.
The main drawback to such things, of course, is that by definition
they are real-time recording solutions.
At 10:09 AM 07/31/2005, Andrew Levin wrote:
Anyone have an idea why I don't have it as an option in the New
Document Wizard?
Yes. The doc wizard has all kinds of things hardcoded (like the fact
that it *only* works with files called Maestro Default Document and
Jazz Default Document). It has
At 10:31 AM 07/31/2005, Craig Parmerlee wrote:
- On Speedy Entry, the target measure is highlighted.
That's just a side effect of the new paper textures. The Speedy Frame
doesn't inherit the texture -- it stays bright white -- which has the
effect of highlighting. I actually have mixed
At 12:38 PM 07/31/2005, Darcy James Argue wrote:
Aaron, it's absurd that it works with GPO Finale Edition but not the
full version of GPO.
I'm not usually one to defend Makemusic, but I think I will here, a
little. The question was why the *setup wizard* in particular doesn't
recognize
At 01:34 PM 07/31/2005, Darcy James Argue wrote:
The Finale Edition GPO is supposed to
be a teaser for the full version of GPO. If you like what you hear,
you can upgrade. But someone upgrading to GPO Full would *lose*
important functionality (i.e., automatic AU/VST Setup via the Setup
Wizard)
At 03:22 PM 07/31/2005, Darcy James Argue wrote:
Actually, they do -- they sell the full version of GPO (and the
Jazz/Big Band Edition) on their website, and there is a discount for
existing owners of Finale GPO Edition. I'm sure MakeMusic gets a cut
of these orders.
Okay, then I take back what
At 04:26 PM 07/31/2005, Darcy James Argue wrote:
I do think there should be an option to manually unload AU/VST
instruments from memory (without losing the setup, of course).
Ah, yes -- just what I suggested in my other post.
Aaron.
___
Finale
At 04:17 PM 07/31/2005, Darcy James Argue wrote:
On 31 Jul 2005, at 3:37 PM, Aaron Sherber wrote:
I think instrument loading shouldn't take place until you click the
Play through VST option.
But that's checked by default (as it should be!) when you set up a
score using Finale GPO Edition
At 04:10 PM 07/31/2005, A-NO-NE Music wrote:
For one thing, I noticed FinGPO will not unload samples form RAM when
you disable NI. This is bad.
Yes, I think so too, for several reasons. There should be a
differentiation between *assigning* samples and *loading* them.
Aaron.
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