Jim's solution is one way of doing this. Here's another way.
Enter your 44 measures of cadenza as you normally would. Then make
the barlines invisible.
In the measure number box, edit your measure numbers to end at bar
285, then create a new section which would start the bar after the
can
there may not be any MM rest depending on how you group the cadenza
material in measures (eg. changing time sigs with hidden barlines --
which may not be appropriate stylisticly... although a variant of the
following could still be helpful). group the cadenza in as small
measures as possibl
Let me know how it works. I ought to be around this evening if you get stuck.
Jim
From: Bruce Clausen
Sent: Mon 23-Jul-07 18:02
To: finale@shsu.edu
Subject: Re: [Finale] Cadenza
Thanks, Jim. I'll be engraving this section tonight.
BC
- Original Message -
From: "Wil
Thanks, Jim. I'll be engraving this section tonight.
BC
- Original Message -
From: "Williams, Jim" <[EMAIL PROTECTED]>
To:
Sent: Monday, July 23, 2007 1:46 PM
Subject: RE: [Finale] Cadenza
Bruce...
Yes, it's quite doable as ONE measure.
One way is to:
te Layout.
From: Bruce Clausen
Sent: Mon 23-Jul-07 15:15
To: Finale
Cc: [EMAIL PROTECTED]
Subject: [Finale] Cadenza
I'm engraving a piece of mine, solo horn & orch. My problem/challenge is a
cadenza for the soloist. If I could, I would include a measured cadenza (about
44 mm.) in the
I'm engraving a piece of mine, solo horn & orch. My problem/challenge is a
cadenza for the soloist. If I could, I would include a measured cadenza (about
44 mm.) in the score and solo part. The orch. parts would have simply a
closing cue and fermata over a rest, the one rest in which the othe
