>
> On Jul 23, 2008, at 10:02 PM, Owain Sutton wrote:
>
> > I agree that 'artifical' [harmonics] isn't a good name, I've always
> > disliked it, but
> > at times tend to go with the consensus for the sake of clarity in a
> > discussion. If we were in the pub, I'd be arguing the case for
> > 's
On Jul 23, 2008, at 10:02 PM, Owain Sutton wrote:
I agree that 'artifical' [harmonics] isn't a good name, I've always
disliked it, but
at times tend to go with the consensus for the sake of clarity in a
discussion. If we were in the pub, I'd be arguing the case for
'stopped
harmonics' as th
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On Behalf Of Claudio Pompili
> Sent: 23 July 2008 23:50
> To: Finale List Messages
> Subject: Re: [Finale] Half-harmonics
> Importance: High
>
>
> Bernardo
>
> I use Bl
At 3:02 AM +0100 7/24/08, Owain Sutton wrote:
>
>
> >
Touch the string similarly between nodal points (which is actually to
say ON nodal points that are VERY difficult to sound as true
harmonics--there are dozens of nodal points!) and yes, you'll get an
ambiguous sound. I've never though
On Wed, July 23, 2008 9:42 pm, John Howell wrote:
> This is pretty confusing to a string player who has never run into
> this kind of writing. Is there anything on the internet where I
> could get up to speed on it?
There's this, with sound & score example (unless it's been already
referenced):
>
>
> At 12:59 AM +0100 7/24/08, Owain Sutton wrote:
> >I'd say this is a slightly problematic usage. Isn't
> Sciarrino's use of
> >the symbol to indicate a normal(ish) harmonic action,
> irrespective of
> >whether or not it will sound as a 'true' harmonic?
> Certainly there are
> >unamb
At 12:59 AM +0100 7/24/08, Owain Sutton wrote:
I'd say this is a slightly problematic usage. Isn't Sciarrino's use of
the symbol to indicate a normal(ish) harmonic action, irrespective of
whether or not it will sound as a 'true' harmonic? Certainly there are
unambiguous cases of the latter, for
---
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On Behalf Of Claudio Pompili
> Sent: 23 July 2008 23:50
> To: Finale List Messages
> Subject: Re: [Finale] Half-harmonics
> Importance: High
>
>
> Bernardo
>
> I use Blake Hodgetts' excellent Tocc
see for example his wonderful Sei
Capricci per violino (1975-76).
At 12:00 -0500 23/7/08, [EMAIL PROTECTED] wrote:
Message: 1
Date: Tue, 22 Jul 2008 22:01:35 +0200
From: bbarros <[EMAIL PROTECTED]>
Subject: [Finale] Half-harmonics
- I also want to notate "half-harmonics" (a half
ever produced on my instrument :)
I've not come across it in use in subharmonics - can you point me to an
example?
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On Behalf Of bbarros
> Sent: 23 July 2008 10:35
> To: finale@shsu.edu
> Su
Hi John,
This is a finger pressure of the left hand between normal and harmonic.It
sounds different on its own, besides you can use as a transition between
this two states.
Also some techniques like "sub-harmonics" use it.
Cheers
2008/7/23 John Howell <[EMAIL PROTECTED]>:
> At 12:03 AM +0100 7/
ros
> > Sent: 22 July 2008 21:02
> > To: finale@shsu.edu
> > Subject: [Finale] Half-harmonics
> >
> >
> > Hi List,
> > I'm quite new to Finale and I had trouble with a couple of
> > things here.
> >
> > - I also want to notate "half-harm
At 12:03 AM +0100 7/23/08, Owain Sutton wrote:
I recall quickly and easily creating a half-harmonic symbol from a
regular one, using a font editor program. It was a while ago, though,
so I can't remember the details, and can't remember the file in question
either!
Could someone smarter than I
> [mailto:[EMAIL PROTECTED] On Behalf Of bbarros
> Sent: 22 July 2008 21:02
> To: finale@shsu.edu
> Subject: [Finale] Half-harmonics
>
>
> Hi List,
> I'm quite new to Finale and I had trouble with a couple of
> things here.
>
> - I also want to notate "
Hi List,
I'm quite new to Finale and I had trouble with a couple of things here.
- I also want to notate "half-harmonics" (a half fulled diamond note head)
but I didn't find in any font or image.
- I would like to have some arrows on the top of the staff for transitions
from one thing to another.
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