On Aug 3, 2005, at 8:34 PM, John Howell wrote:I had to smile at this, since the saxophone was not invented until about 25 years or so after Haydn's death and was based on the keyed bugle and keyed trumpet, which Haydn DID write for. What did he actually write the sonatina for? I knew someone
Create an extra measure at the end, then reduce its size to 0 after
spacing the music.
Johannes
Lon Price schrieb:
I'm working on a Haydn sonatina for alto sax and piano, and there's a DC
al Coda at the end, with an outgoing key change that reflects the key at
the start of the piece. The
Why not just leave the extra measure at the end on the same page and
use a staff style to HIDE it? That would keep you from printing 2
pages out when you only want one.
___
J. Scott Jones
Band/Orchestra Director/Freelance Trumpet
That measure _should_ be on the same page, only with a width of 0. No
need to hide anything.
Johannes
Scott Jones schrieb:
Why not just leave the extra measure at the end on the same page and
use a staff style to HIDE it? That would keep you from printing 2
pages out when you only want
On Aug 3, 2005, at 3:37 PM, David W. Fenton wrote:
Leave it at the end of the last line and set the width to 0. You will
have to put hidden rests in all the frames, though.
Better to set the width to, say, 10 EVPU, so that if you ever want to
modify it, you can get at it on the page.
On 04/08/05, Andrew Stiller [EMAIL PROTECTED] wrote:
On Aug 3, 2005, at 3:37 PM, David W. Fenton wrote:
Leave it at the end of the last line and set the width to 0. You will
have to put hidden rests in all the frames, though.
Better to set the width to, say, 10 EVPU, so that if you ever
On 4 Aug 2005 at 11:49, Andrew Stiller wrote:
On Aug 3, 2005, at 3:37 PM, David W. Fenton wrote:
Leave it at the end of the last line and set the width to 0. You
will have to put hidden rests in all the frames, though.
Better to set the width to, say, 10 EVPU, so that if you ever want
On Aug 4, 2005, at 2:32 PM, David W. Fenton wrote:
It's a piece of cake to open the measure
properties dialog for the measure before it and then just navigate to
the next measure
Believe it or not, I had no idea that one could navigate betw. mm. in
the Measure Attributes dialog.
Andrew
On 4 Aug 2005 at 16:26, Andrew Stiller wrote:
On Aug 4, 2005, at 2:32 PM, David W. Fenton wrote:
It's a piece of cake to open the measure
properties dialog for the measure before it and then just navigate
to the next measure
Believe it or not, I had no idea that one could navigate
I'm working on a Haydn sonatina for alto sax and piano, and there's a DC al Coda at the end, with an outgoing key change that reflects the key at the start of the piece. The only way I could get this to work is to add one measure at the end, and put in the key change. Then, in Page View, I moved
At 12:16 PM -0700 8/3/05, Lon Price wrote:
I'm working on a Haydn sonatina for alto sax and piano, and there's
a DC al Coda at the end, with an outgoing key change that reflects
the key at the start of the piece.
I had to smile at this, since the saxophone was not invented until
about 25
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