At 04:00 AM 01/03/2005, [EMAIL PROTECTED] wrote:
I saw that David Hage cleared this up. The notation that Bruce was
describing sounded like the way coma sopras are written in paper and
pencil scores...
That's 'come sopra' (okay, technically 'cóme
sopra'), of course -- Italian for 'as above'.
Aar
Anyway, my family is renting Harry Potter 3 today (we are all still
on holidays and the weather is pretty bad right now) and I will
enjoy hearing JW's music for the second time. I find I can pay more
attention the second time I see a film, as I get lost in the whole
package (as I should, I thi
At 04:00 AM 01/03/2005, [EMAIL PROTECTED] wrote:
>I saw that David Hage cleared this up. The notation that Bruce was
>describing sounded like the way coma sopras are written in paper and
>pencil scores...
That's 'come sopra' (okay, technically 'cóme sopra'), of course -- Italian
for 'as above'.
On Jan 3, 2005, at 4:00 AM, [EMAIL PROTECTED] wrote:
You are right here both are credited as orchestrator. And, yes,
John Williams' sketches are very detailed already.
Hmm, there seems to be some difference of opinion on that point.
Bruce has weighed in recently with info to the contrary...
I consider midi transcription to be any or all of these things:
--Deleting redundant and/or empty tracks from a midi file
--Quantizing each remaining track within my sequencer so that it
will come into Finale nicely after export.
--Exporting cleaned up and quantized midi file and then importing
