Jerry
Gerald Berg
From: dershem
To: finale list
Sent: Tue, August 17, 2010 11:30:09 PM
Subject: [Finale] Non-linear melodies
I was recently given a copy of Willie Maiden's "Kaleidoscope". It is ...
unique.
No one part has the melody line.
I once played a professional "muddy field" gig. When we came to Pomp and
Stomp (Land of Hope and Glory) the principal horn asked me if I knew the
"one note" version. I said no. "Just listen a while, then join in". The
section played the tune hocket style, one note each, and after a few bars I
wa
[mailto:finale-boun...@shsu.edu] On Behalf Of
Horace Brock
Sent: 19 August 2010 02:53
To: finale@shsu.edu
Subject: Re: [Finale] Non-linear melodies
I haven't written anything like that, but I know of a piece. Eldon
Rathburn's "Canadian Brass Rag" is like that. My quintet couldn't p
I haven't written anything like that, but I know of a piece. Eldon
Rathburn's "Canadian Brass Rag" is like that. My quintet couldn't play
it.
Horace Brock
On Tue, 17 Aug 2010 20:30:09 -0700, you wrote:
>I was recently given a copy of Willie Maiden's "Kaleidoscope". It is
>... unique.
>
>No one
At 8:30 PM -0700 8/17/10, dershem wrote:
I was recently given a copy of Willie Maiden's "Kaleidoscope". It
is ... unique.
No one part has the melody line. It's all just notes spread across
the band in varying rhythms, and you have to have the whole band
playing in precise rhythm to allow th
Thanks, David. My German's not so good, and I misunderstood the musical meaning
too. Learn things here.
Chuck
Sent from my iPhone
On Aug 18, 2010, at 9:49 AM, "David W. Fenton" wrote:
> On 18 Aug 2010 at 7:54, Chuck Israels wrote:
>
>> "Klangfarbenmelodie" (sp?) melody made of bells - Schoe
On 18 Aug 2010 at 7:54, Chuck Israels wrote:
> "Klangfarbenmelodie" (sp?) melody made of bells - Schoenberg.
That's not what the term means. It means "tone-color melody" and
Schoenberg's Five Pieces (Op. 16) are the textbook example, where
orchestration and tone color are the metaphorical "melo
Ah, hocketing at its best ...
Dean
On Aug 18, 2010, at 8:16 AM, Chris Bell wrote:
I was recently given a copy of Willie Maiden's "Kaleidoscope".
It is ... unique.
No one part has the melody line. It's all just notes spread
across the band in varying rhythms, and you have to have the
I was recently given a copy of Willie Maiden's "Kaleidoscope". It
is ... unique.
No one part has the melody line. It's all just notes spread
across the band in varying rhythms, and you have to have the whole
band playing in precise rhythm to allow the audience to be able to
hear the mel
"Klangfarbenmelodie" (sp?) melody made of bells - Schoenberg. I wrote a big
band piece using that technique in 1968. The last movement did this at a
pretty fast tempo with jazz rhythms. Some of the snippets were two to four
notes long, but the effect at the fast tempo was pretty much what Car
On Tue Aug 17, at TuesdayAug 17 11:30 PM, dershem wrote:
I was recently given a copy of Willie Maiden's "Kaleidoscope". It
is ... unique.
No one part has the melody line. It's all just notes spread across
the band in varying rhythms, and you have to have the whole band
playing in preci
On Wed, August 18, 2010 8:39 am, Barbara Touburg wrote:
> It was first done in the Middle Ages. It was called Hoketus.
Traditional Central African hocket as well -- sung by children!
Dennis
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On 18-8-2010 5:30, dershem wrote:
I was recently given a copy of Willie Maiden's "Kaleidoscope". It is ...
unique.
No one part has the melody line. It's all just notes spread across the band in
varying rhythms,
and you have to have the whole band playing in precise rhythm to allow the
audien
Yep. It's called pointillism--Anton Webern was a wiz at it.
Aaron J. Rabushka
arabus...@austin.rr.com
- Original Message -
From: "dershem"
To: "finale list"
Sent: Tuesday, August 17, 2010 10:30 PM
Subject: [Finale] Non-linear melodies
I was recently given
I was recently given a copy of Willie Maiden's "Kaleidoscope". It is
... unique.
No one part has the melody line. It's all just notes spread across the
band in varying rhythms, and you have to have the whole band playing in
precise rhythm to allow the audience to be able to hear the melody
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