, 9/27/10, John Howell wrote:
> From: John Howell
> Subject: Re: [Finale] OT: Behind Bars and a question on organ notation
> To: finale@shsu.edu
> Date: Monday, September 27, 2010, 7:16 PM
> At 2:57 AM -0700 9/27/10, Klaus
> Smedegaard Bjerre wrote:
> >
> > Visually
ading problems or confusion.
> The same would go for frequent shifts between treble and bass clefs.
>
> What to do?
>
> Klaus
>
>
> --- On Fri, 9/24/10, Matthew Hindson (gmail) wrote:
>
>> From: Matthew Hindson (gmail)
>> Subject: Re: [Finale] OT: Behind Ba
At 2:57 AM -0700 9/27/10, Klaus Smedegaard Bjerre wrote:
Visually I could improve the writing by using alto clef, tenor clef,
or treble clef octave down, but that would create reading problems
or confusion. The same would go for frequent shifts between treble
and bass clefs.
What to do?
I
reading problems or confusion. The same
would go for frequent shifts between treble and bass clefs.
What to do?
Klaus
--- On Fri, 9/24/10, Matthew Hindson (gmail) wrote:
> From: Matthew Hindson (gmail)
> Subject: Re: [Finale] OT: Behind Bars
> To: finale@shsu.edu
> Date: Friday,
9/24/10 2:52 PM, "Williams, Jim" wrote:
> I also like the large amount of cross-referencing in the body of the text
> to related topics elsewhere in the text.
I agree Jim. I really like the cross-referencing. Looks like a nice book to
have on the shelves.
> On Behalf Of Howard Weiner:
> Give me
:42 PM
To: finale@shsu.edu
Cc: Fiskum, Steve
Subject: Re: [Finale] OT: Behind Bars
On 24.09.2010 17:01, Fiskum, Steve wrote:
>
> I eagerly checked out the sample PDFs
> ( http://www.behindbarsnotation.co.uk/contents/ ) and was disappointed to
> see inconsistency. Look at the time signa
On 9/24/2010 2:42 PM, Howard Weiner wrote:
On 24.09.2010 17:01, Fiskum, Steve wrote:
I eagerly checked out the sample PDFs
( http://www.behindbarsnotation.co.uk/contents/ ) and was disappointed to
see inconsistency. Look at the time signatures images in "Size and
placing"
and then look at "Plac
On 24.09.2010 17:01, Fiskum, Steve wrote:
I eagerly checked out the sample PDFs
( http://www.behindbarsnotation.co.uk/contents/ ) and was disappointed to
see inconsistency. Look at the time signatures images in "Size and placing"
and then look at "Placing time-signature changes" on the same pag
On 2010-09-24 18:53, Fiskum, Steve wrote:
9/24/10 10:41 AM, "Jari Williamsson"
wrote:
It's the left example of the "Size and placing" that isn't correct,
isn't it? The numbers don't fully fill the vertical space.
No, those on the left are "preferred" and the word "not" between the right
and l
9/24/10 10:41 AM, "Jari Williamsson"
wrote:
> It's the left example of the "Size and placing" that isn't correct,
> isn't it? The numbers don't fully fill the vertical space.
No, those on the left are "preferred" and the word "not" between the right
and left examples means that the ones on the r
On 2010-09-24 17:01, Fiskum, Steve wrote:
I eagerly checked out the sample PDFs
( http://www.behindbarsnotation.co.uk/contents/ ) and was disappointed to
see inconsistency. Look at the time signatures images in "Size and placing"
and then look at "Placing time-signature changes" on the same page
Thanks for this insight Matthew. I'm always looking for more notation books.
I eagerly checked out the sample PDFs
( http://www.behindbarsnotation.co.uk/contents/ ) and was disappointed to
see inconsistency. Look at the time signatures images in "Size and placing"
and then look at "Placing time-s
:
> From: Matthew Hindson (gmail)
> Subject: Re: [Finale] OT: Behind Bars
> To: finale@shsu.edu
> Date: Friday, September 24, 2010, 2:21 AM
> If you have the full version of
> Acrobat, you can run Form Field
> Recognition on the PDF which allows you to type in the
> informatio
>> --- On Fri, 9/24/10, Matthew Hindson (gmail) wrote:
>>
>>> From: Matthew Hindson (gmail)
>>> Subject: Re: [Finale] OT: Behind Bars
>>> To: finale@shsu.edu
>>> Date: Friday, September 24, 2010, 1:41 AM
>>> Heard back from Faber - the p
order.
Klaus
--- On Fri, 9/24/10, Matthew Hindson (gmail) wrote:
From: Matthew Hindson (gmail)
Subject: Re: [Finale] OT: Behind Bars
To: finale@shsu.edu
Date: Friday, September 24, 2010, 1:41 AM
Heard back from Faber - the price is
a pre-release price, sadly. So it
won't be delivered unti
information to potential helpers, I
see no immediate way to place an order.
Klaus
--- On Fri, 9/24/10, Matthew Hindson (gmail) wrote:
> From: Matthew Hindson (gmail)
> Subject: Re: [Finale] OT: Behind Bars
> To: finale@shsu.edu
> Date: Friday, September 24, 2010, 1:41 AM
> Heard
Heard back from Faber - the price is a pre-release price, sadly. So it
won't be delivered until Jan.
Matthew
On 23/09/10 7:38 PM, Klaus Smedegaard Bjerre wrote:
One matter didn’t occur clearly to me when reading the site linked to by the OP:
Is this book ready for immediate delivery if order
There's a pre-publication offer through 31 December 2010:
http://www.behindbarsnotation.co.uk/buying/
Wade Kotter
>>> On 9/23/2010 at 6:58 AM, in message
, Bob Morabito
wrote:
> Behind Bars: The Definitive Guide to Music Notation by Elaine Gould
>
> Available 20 January 2011
>
> : http://www.
looks like a good reference for the foundations of notation. 14pp
extract available:
http://www.behindbarsnotation.co.uk/contents/
By far the best layout is one five-line stave, even if this entails
placing notes on one or two ledger lines to create sufficient lines
for the required instrum
immediate delivery if ordered now? (Shipping
to Denmark from the UK isn’t much of a delay).
Klaus
--- On Thu, 9/23/10, Matthew Hindson (gmail)
wrote:
From: Matthew Hindson (gmail)
Subject: Re: [Finale] OT: Behind Bars
To: finale@shsu.edu
Date: Thursday, September 23, 2010, 11:19 AM
I have
ail)
> Subject: Re: [Finale] OT: Behind Bars
> To: finale@shsu.edu
> Date: Thursday, September 23, 2010, 11:19 AM
> I have seen this book, both when it
> was being written, and on a recent trip to the UK.
> (Faber, who publish this book, are my publishers).
>
> Elaine Gould is
Thanks Matthew
David McKay
On 23 September 2010 19:19, Matthew Hindson (gmail)
wrote:
> I have seen this book, both when it was being written, and on a recent trip
> to the UK. (Faber, who publish this book, are my publishers).
>
> Elaine Gould is a super, super fussy editor, which is exactly wh
I have seen this book, both when it was being written, and on a recent
trip to the UK. (Faber, who publish this book, are my publishers).
Elaine Gould is a super, super fussy editor, which is exactly what is
required of course from such a position. This is her labour of love
covering about 2
Looks good. I'd be interested to see it compared with Gardner read. Is it
more comprehensive? How?
David McKay
On 23 September 2010 18:25, Bob Morabito wrote:
> Any thoughts on this?
>
> http://www.behindbarsnotation.co.uk/
>
>
> Behind Bars is the indispensable reference book for composers,
> a
Any thoughts on this?
http://www.behindbarsnotation.co.uk/
Behind Bars is the indispensable reference book for composers,
arrangers, teachers and students of composition, editors, and music
processors. In the most thorough and painstakingly researched book to be
published since the 1980s, speci
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