Thank you, Doug.
One advantage of the book — something over which I had little control, is that
Gary Garritan (who insisted I write it in the first place), created an
accompanying CD that scrolls each score and plays the music with tweaked
Garritan sounds — somewhat more realistic sounds than w
On 6/2/2019 1:49 PM, Greg Scheer wrote:
I turn to this list often for Finale therapy; this time I’d like to pick your
brains about the music itself.
I’m on a lifelong quest to become a better orchestrator. For classical orchestration the path is fairly clear, with a host of orchestration books
hi there I have a problem with Finale 25 I use PC all of my changes /
chords have disappeared I see them in the chord dialog box but I am unable
to enter any chords just getting small mf of very small cleffs
could somebody help
thanks
Martin
On Sun, Jun 2, 2019 at 7:49 PM Doug Walter wrote:
> Y
You’ll probably get a lot of good answers; here are a few great examples I can
vouch for from personal experience:
Don Sebesky - “The Contemporary Arranger”
Rayburn Wright - “Inside the Score: A Detailed Analysis of 8 Classic Jazz
Ensemble Charts by Sammy Nestico, Thad Jones, and Bob Brookmeyer
https://www.amazon.com/Jazz-Composition-Orchestration-William-Russo/dp/0226732088/ref=dp_ob_title_bk
was one I always liked...
GJB
On Sunday, June 2, 2019, 1:50:07 PM EDT, Greg Scheer
wrote:
I turn to this list often for Finale therapy; this time I’d like to pick your
brains about th
I turn to this list often for Finale therapy; this time I’d like to pick your
brains about the music itself.
I’m on a lifelong quest to become a better orchestrator. For classical
orchestration the path is fairly clear, with a host of orchestration books and
scores/recordings available for stud
