At 3:40 PM -0400 5/5/10, Andrew Stiller wrote:
On May 4, 2010, at 12:27 PM, John Howell wrote:
He was very likely one of the players who played the newly-composed
music of both Gabriellis,
Gabrielis (one L). I wouldn't have made a fuss about this, but there
*are* three honest-to-God two-L Gab
On May 4, 2010, at 12:27 PM, John Howell wrote:
He was very likely one of the players who played the newly-composed
music of both Gabriellis,
Gabrielis (one L). I wouldn't have made a fuss about this, but there
*are* three honest-to-God two-L Gabriellis as well, one of whom
(Domenico) lived
g in them for my own joy.
Klaus
<http://launch.groups.yahoo.com/group/YorkMasterBBb/>
--- On Tue, 5/4/10, John Howell wrote:
> From: John Howell
> Subject: Re: [Finale] OT - a matter of notation
> To: finale@shsu.edu
> Date: Tuesday, May 4, 2010, 6:27 PM
> At 1:54 A
At 1:54 AM -0700 5/4/10, Klaus Smedegaard Bjerre wrote:
I don't disagree at all. My education is old and mostly after German
books, so I don't know the Dalla Casa book.
Ah ... Girolamo Dalla Casa was a cornettist and one of the two
instrumental leaders at the Basilica of St. Mark in Venice in
:
> From: John Howell
> Subject: Re: [Finale] OT - a matter of notation
> To: finale@shsu.edu
> Date: Tuesday, May 4, 2010, 4:57 AM
> At 5:22 PM -0700 5/3/10, Klaus
> Smedegaard Bjerre wrote:
> >
> > Having read Quantz I would be more restrictive about
> the inner v
At 5:22 PM -0700 5/3/10, Klaus Smedegaard Bjerre wrote:
Having read Quantz I would be more restrictive about the inner
voices improvising unless they are very aware of the harmonic and
rhythmic patterns. Which is another way of saying that I did it
whenever feeling confident.
Hi, Klaus. Ar
about the inner voices
improvising unless they are very aware of the harmonic and rhythmic patterns.
Which is another way of saying that I did it whenever feeling confident.
Klaus
--- On Tue, 5/4/10, Graeme Gerrard wrote:
> From: Graeme Gerrard
> Subject: Re: [Finale] OT - a matter of no
eme, why don’t you just let the music stream across the screens of the
> players’ mobile phones? Or across their iPads, when these hit Oz?
>
> Klaus
>
> --- On Tue, 5/4/10, Graeme Gerrard wrote:
>
>> From: Graeme Gerrard
>> Subject: Re: [Finale] OT - a matter of n
Graeme, why don’t you just let the music stream across the screens of the
players’ mobile phones? Or across their iPads, when these hit Oz?
Klaus
--- On Tue, 5/4/10, Graeme Gerrard wrote:
> From: Graeme Gerrard
> Subject: Re: [Finale] OT - a matter of notation
> To: finale@shsu.e
On 4 May 2010 at 9:13, Graeme Gerrard wrote:
> My least preferred option is to repeat the music. Paper is cheap to
> buy but not to produce. The environmental cost on the native forests
> here in Australia is massive, but ignored.
I am also against verbatim repeats, as it prompts the player to
No. It is just music for recorders - solos, duets, trios of folk music and
consorts of 4 & 5 instruments of medieval and renaissance msuic.
The replies support all 3 options! That just means to me that it is an issue
perhaps more of experience and maybe personal preference.
My least preferred
On 3 May 2010 at 9:13, Christopher Smith wrote:
> I might be inclined to write the actual MUSIC out as
>
> ||: a a b b :|| with the notation "Play 3 times" over the first
> section (I would NOT write "Repeat 2 times" because all performers
> see is the "2 times" and might not actually play it t
At 10:24 PM +1000 5/3/10, Graeme Gerrard wrote:
I am putting together some little booklets of recorder music for my
fellow players and others. The first 2 booklets are collections of
pieces from the Balkans, and a bunch of Breton tunes, i.e. it's folk
music.
I am doing this in Finale and am
Graeme Gerrard wrote:
[snip]
Some people seem to like the repeats re - presented in the letter notation:
AA BB BB CC
AA BB BB CC
DD
AA BB BB CC
The redundancy offends me a bit.
What do people think? The redundancy is good or confusing?
The answer is a resounding "it depends." For people who
On Mon May 3, at MondayMay 3 8:24 AM, Graeme Gerrard wrote:
I am putting together some little booklets of recorder music for my
fellow players and others. The first 2 booklets are collections of
pieces from the Balkans, and a bunch of Breton tunes, i.e. it's
folk music.
I am doing this
I am putting together some little booklets of recorder music for my fellow
players and others. The first 2 booklets are collections of pieces from the
Balkans, and a bunch of Breton tunes, i.e. it's folk music.
I am doing this in Finale and am trying to keep the notation as succinct and
econom
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