RE: [Finale] Re: OT: historical use of C clefs for voice parts (Florence + Michael)

2010-11-08 Thread Howey, Henry
: [Finale] Re: OT: historical use of C clefs for voice parts (Florence + Michael) On 7 Nov 2010 at 10:42, Michael Lawlor wrote: > Messiaen used soprano clef in Vingt Lecons d'Harmonie (1951). > Being used to playing from C1 and various other clefs, I would be > happy for them to make a c

Re: [Finale] Re: OT: historical use of C clefs for voice parts (Florence + Michael)

2010-11-07 Thread John Howell
At 12:43 PM -0500 11/7/10, David W. Fenton wrote: On 7 Nov 2010 at 10:42, Michael Lawlor wrote: Messiaen used soprano clef in Vingt Lecons d'Harmonie (1951). Being used to playing from C1 and various other clefs, I would be happy for them to make a come-back. Hmm. Messiaen and Gounod. I se

Re: [Finale] Re: OT: historical use of C clefs for voice parts (Florence + Michael)

2010-11-07 Thread David W. Fenton
On 7 Nov 2010 at 10:42, Michael Lawlor wrote: > Messiaen used soprano clef in Vingt Lecons d'Harmonie (1951). > Being used to playing from C1 and various other clefs, I would be > happy for them to make a come-back. Hmm. Messiaen and Gounod. I seem to recall they have something in commmon...Mayb

[Finale] Re: OT: historical use of C clefs for voice parts (Florence + Michael)

2010-11-07 Thread Michael Lawlor
Messiaen used soprano clef in Vingt Lecons d'Harmonie (1951). Being used to playing from C1 and various other clefs, I would be happy for them to make a come-back. Regards, Michael Lawlor - Original Message - 16. OT: historical use of C clefs for voice parts (Florence + Michael) Mess