At 4:12 PM -0400 6/24/06, Dennis Bathory-Kitsz wrote:
At 02:14 PM 6/24/06 -0400, John Howell wrote:
And let's not forget that the development of non-traditional
notations in the 20th century was driven by one and only one
non-musical requirement: music could not be copyrighted unless it
could b
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On Behalf Of John Howell
> Sent: 24 June 2006 23:03
> To: finale@shsu.edu
> Subject: Re: [Finale] 20th century notations (was Tremolos)
>
>
> At 4:12 PM -0400 6/24/06, Dennis Bathory-
On Jun 24, 2006, at 6:02 PM, John Howell wrote:
At 4:12 PM -0400 6/24/06, Dennis Bathory-Kitsz wrote:
At 02:14 PM 6/24/06 -0400, John Howell wrote:
And let's not forget that the development of non-traditional
notations in the 20th century was driven by one and only one
non-musical requirement
At 5:32 PM -0400 6/27/06, Andrew Stiller wrote:
On Jun 24, 2006, at 6:02 PM, John Howell wrote:
At 4:12 PM -0400 6/24/06, Dennis Bathory-Kitsz wrote:
At 02:14 PM 6/24/06 -0400, John Howell wrote:
And let's not forget that the development of non-traditional
notations in the 20th century was dr
>Did Cowell's "The Banshee"
> exist in conventional notation?
>
I'm pretty sure it's written in conventional notation, with just a few
additional symbols to indicate how to play particular passages. This is
based on twenty minutes with a pianist friend who was experimenting with
the piece, a
