Dennis Bathory-Kitsz wrote:
Hi all,
A few years ago, I made a libretto font for myself from some 19th century
scores. It's not too bad, has a nice old roughness to it, and you can have it.
It's only TrueType, but do what you will with it.
I'll be updating it for the remaining characters in a fe
On Wed, September 30, 2009 7:53 am, Peter Taylor wrote:
> I do Dennis, very much. It's just what I need for replacing missing or
> damaged parts from 19th and early 20th C. band sets. I've been using
> Baskerville but your font looks much more the genuine article. Thank you
> for your hard work,
Dennis Bathory-Kitsz wrote:
>just in case you like that sort of thing.
I do Dennis, very much. It's just what I need for replacing missing or
damaged parts from 19th and early 20th C. band sets. I've been using
Baskerville but your font looks much more the genuine article. Thank you
for your ha
On Tue, September 29, 2009 11:40 pm, David W. Fenton wrote:
> Could you explain the purpose of this font? I have a hard time
> imagining any use for it, myself. What did you use it for?
I was setting an opera score intended to have a 19th century look & feel to
it, and the client was delighted.
F
On 29 Sep 2009 at 22:58, Dennis Bathory-Kitsz wrote:
> A few years ago, I made a libretto font for myself from some 19th century
> scores. It's not too bad, has a nice old roughness to it, and you can have it.
> It's only TrueType, but do what you will with it
Could you explain the purpose of thi
