Hi John, and Bruce,
For me, staying in the key is a natural thing, so seeing a B flat
chord in the key of B makes me think I'm modulating into another
key. A# is not so hard, when it's the leading tone, so I am in
agreement with John about this. (And it's not just a bass player
thing; i
ECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Howell
Sent: Monday, 19 September 2005 9:48 AM
To: finale@shsu.edu
Cc: Bruce Petherick
Subject: Re: [Finale] strange transpositions
At 9:49 PM -0600 9/17/05, Bruce Petherick wrote:
>Hello,
>I am working on some vocal charts for a singer here in C
At 9:49 PM -0600 9/17/05, Bruce Petherick wrote:
Hello,
I am working on some vocal charts for a singer here in Calgary. She
has asked me to transpose some of the charts into somewhat unusual
keys. I am having great trouble with a chart that was written in C
and she wants it transposed to B. Th
On Sep 17, 2005, at 11:49 PM, Bruce Petherick wrote:
Hello,
I am working on some vocal charts for a singer here in Calgary. She
has asked me to transpose some of the charts into somewhat unusual
keys. I am having great trouble with a chart that was written in C and
she wants it transposed to
