Re(2): [Finale] chord

Hiro, Is this because the C-F interval is the strongest because F supported by the leading tone E? **Leigh On Tue, Jul 3, 2007, A-NO-NE Music [EMAIL PROTECTED] wrote: I certainly do not deny any chord. My objection is what to call it. C- E-F-G is a FMaj9(Omit 3) chord, because when you play

Re(2): [Finale] Chord symbol fonts

I'd rather see non-MM ownership of Bill's stuff. Ideally, it would be someone like Bill who is a professional copyist who would use the stuff, improve the stuff and be available to customers in the way that Bill was. But if it comes down to MM or no one, I'll take MM. **Leigh On Fri, Apr 6,

Re(2): [Finale] Chord Symbol Transposition

Yay! Thanks, Christopher! I love this list! **Leigh On Fri, Aug 18, 2006, Christopher Smith [EMAIL PROTECTED] wrote: Good news! Mass EditChange...Chord assignmentsTranspose will do what you need. Select the area first, obviously. BTW, anyone using Chromatic Transposition (no key sig on

Re: Re(2): [Finale] Chord Symbol Polychord Spacing Question

- Original Message - From: Leigh Daniels [EMAIL PROTECTED] To: Finale List finale@shsu.edu Sent: Sunday, May 07, 2006 2:20 AM Subject: Re(2): [Finale] Chord Symbol Polychord Spacing Question Thanks, Darcy! It's right there on p. 53. I'd forgotten there was a special way to do them

Re(2): [Finale] Chord Symbol Polychord Spacing Question

Thanks, Darcy! It's right there on p. 53. I'd forgotten there was a special way to do them. I'm happy now! **Leigh On Sat, May 6, 2006, Darcy James Argue [EMAIL PROTECTED] wrote: Consult Bill's excellent PDF documentation on the use of ChordSuf, ChordSym, and ChordSymSubtext -- it's all

Re(2): [Finale] Chord symbol

I'll second this recommendation. If you are doing much of this kind of music, Bill's Finale Productivity package is the way to go. It's saved me huge amounts of time and frustration and is well worth the $150 for the whole pack. At least check it out at