>>> On 6/3/08, Brian C <[EMAIL PROTECTED]> wrote:>
>>>
That said, everyone knows wider bandwidths should not be employed on very
crowded amateur bands, nonetheless, the key to intelligibility and
fidelity is b a n d w i d t h.
Hi all,
Actually, IARU recommends max. bandwidth
Ed,
Most microphone need some help, on the lower end. You can use the
internal EQ, the 3 band is usually sufficient, but if you use the 10
band, you might try pulling down the 125 and 250 range, usually right
around 160 is where most of the muddy sound comes from. Also try
brining up th
Not that it matters, but the 92/93 mentioned below really should be
02/03. My, how time flies!
- Jeff
Jeff Anderson wrote:
> Interestingly, one of the primary reasons why the Polycom white paper
> (see previous postings) was written was that it was to be a sales tool
> to help explain to cust
Interestingly, one of the primary reasons why the Polycom white paper
(see previous postings) was written was that it was to be a sales tool
to help explain to customers why they should purchase Polycom's VTX-1000
speakerphone (which was introduced sometime in the 92/93 time-frame, but
I've for
I apologize in advance for getting sucked into this hot topic. I think
there is merit to both side of the argument, but I think the future
must be developing digital modes that will allow digital voice with a
natural sounding frequency response. In other words we need to cram
6Khz of audio (or more
> audio without EQ> > Any thoughts?
>Edwin MarzanAB2VW
According to hams on both sides of the issue, bandwidth is both the problem and
the cure, but you can't argue with the modern science of sound, based on almost
80 years of solid research since those outdated telephone studies were created:
Greetings all,
A couple of days ago I used my Heil PR20 to record a voice over for a video I
was working on. When I played back the recording I was shocked to hear how
clear and natural my voice sounded with the PR20. There was no EQ or processing
applied to the audio, just the mike plugged s
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