Good evening Frameworkers,
I know its a bit early but, I;m very excited about this years event -
We would like to invite you to join us for an unrepeatable evening of live
performance art installation and cinema projections.
Saturday December 3rd @ Causey Contemporary 92 Wythe Avenue, Br
> Sadly, we should probably be thinking about whether there
> are
> improvements to 4K and digital projection systems that will
> get us
> closer to the look of films that may soon not be available
> on film, or
> are already unavailable.
Well having more than a tiny few cinemas capable of
Hello,
I am looking for publications and resources regarding the use of archive
footage in experimental film and video art.
Any links to articles, books, conference proceedings, bibliographies, etc.
would be greatly appreciated.
Thank you,
Anna Briggs
annamibri...@gmail.com
Université
In the future we will see more programs listed as "projected through celluloid
on authentic period instruments" just as we now see for some performances of
Baroque music. When Walter Carlos released "Switched-On Bach," introducing a
new electronic sound to 250 year old music, other musicians did
Dear Anna,
There are a few books on this subject, the best is one we published, William
Wees, Recyled Images. I think the price is $20. Order quickly, as our
supply of the books is running low. -- Robert Haller
On 11/17/11 8:28 AM, "Anna Briggs" wrote:
> Hello,
>
>
>
> I am looking for pu
Here's the programme of a symposium I co curated a while back -
http://www.tate.org.uk/modern/eventseducation/symposia/anticipatingthepastartistsarchivefilm5202.htm
And this book published around the same time by Picture This in the UK -
http://www.picture-this.org.uk/library/print-publications/
This subject has been discussed here before in great detail. Please do a
search.
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Anna is brand new to this listserv. I would hope that the community could be
welcoming to her. So it gets discussed again; what is the harm? Not all that is
available was necessarily discussed in the past. Let's play nice.
Elizabeth
"You see, I don't believe that libraries should be drab pl
I meant that there was information about the subject already . Just trying
to help.
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ORWO NORTH AMERICA
*www.orwona.com
*George Campbell
Campbell Representation Inc.
Brooklyn, NY,
phone: 917.566.6789
mail: g.campb...@filmotec.de, gcampb...@orwona.com
ORWO film is now available for order in the US.
For 16mm...
UN54 (ISO 100) camera negative can be processed as negative, reversa
Quoting carli...@aol.com:
> I also think that this "look" appeal-thing is like wanting to buy a
> blow-up doll as a substitute for a girlfriend.
I really don't want to restart the film/video thing, but feel the need
to make a couple of observations.
It seems to be entirely acceptable and unqu
In a message dated 11/17/2011 11:29:36 A.M. Pacific Standard Time,
fjtorre...@gmail.com writes:
This subject has been discussed here before in great detail. Please do a
search.
Who are you to make this demand?
Interesting topics are always worth discussing._
dear Anna,
Two books on Austrian Filmmakers using found footage:
Gustav Deutsch (ed. Wilbirg Brainin-Donnenberg & Michael Loebenstein)
FilmmusuemSynemaPublikationen, Vienna 2009
Peter Tscherkassky (ed. Alexander Horwath & Michael Loebenstein)
FilmmseumSynemaPublikationen, Vienna 2005
both you
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