Hello Mat, and everyone...
I live in Baltimore, MD.
I'm sorry I forgot to mention this. I have received a few leads, and thank
you all for this. I am willing to travel up the east coast for one,
depending on the cost of the machine; I am hoping to come across one that
is cheap or one that someone
The place in Plattsburgh is Martin Baumgartner (phone: 518-561-6312). He does
almost any color reversal stock in a hand-cranked machine. He is a wealth of
knowledge about film processing, so it's worth calling him and finding out if
he's available and how long it will take. As far as I know, Alp
Hello all,
during the last couple of years I have been partially involved in the curation
of Argentine films and writing of essays in the form of discs program notes for
the NYC based antennae collection.
I'm very pleased to announce that the first two publications are now available
to order thr
surely old pac lab is still processing old tri-x?
as for the difference in the ASA ratng: that would be because B&W film is
more sensitive to the blue part of the spectrum; expose it under tungsten
light, and you've effectively reduced the sensitivity of your film, all
other things being equal; to
hey folks!
where are you using for your 16mm reversal these days?
got the address for yale from colorlab; kodak suggested somewhere in
plattsburgh (?)
exposed some tri-x at 200ASA (instead of the recommended 160ASA) under a
halogen tungsten light ... thinking it'll probably be ok (?)
why the
Buck and Jennifer do excellent work, and now have a shiny new Kinetta Archival
Scanner.
They are moving (a few blocks away) and changing their name soon:
http://movettesf.com/
Highly recommended.
Jeff Kreines
*disclaimer -- I make Kinetta scanners
On Jul 9, 2012, at 2:28 PM, charles chadwick
Yeah, I've had them do stuff for me before, with good results. I was
considering using them again. Thanks for the vote of confidence.
-charles
On Mon, Jul 9, 2012 at 12:20 PM, Christian Bruno wrote:
> Hello Charles,
>
> I'd recommend Video Transfer Center in SF (http://vtc-sf.com/). They have
>
Hello Charles,
I'd recommend Video Transfer Center in SF (http://vtc-sf.com/). They have been
doing some amazing work with small gauge lately, and can output files,
including Prores. I just got some Regular 8 back from them recently, and it is
pretty tremendous. And affordable! They have some f
Hey, can anyone recommend a good and cost-effective SD film transfer? For
super8? Looking for suggestions...thanks. The end product would ideally be
4:3 aspect ratio, either to a file or tape.
-charles
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> thanks scott.
> what do you mean by the mirrors?
If you look at a typical rear projection system, they will often have a
projector pointing into a mirror, pointing into a second mirror pointing
into the screen.
This allows you to effectively increase the total throw to the screen
when you don'
>
> Hello all,=0A=0AI've been experimenting with various alternative formulas f=
> or black and white developing that involve non-toxic household chemistry bu=
> t I am curious if anyone has done so for color film?=A0 =0A=0A=0AAlso, why =
> and how do onions work as a fixer?=A0 How do you prepare
thanks scott.
what do you mean by the mirrors?
On Mon, Jul 9, 2012 at 10:47 AM, Scott Dorsey wrote:
> I think Buhl made a half-inch lens for the B&H projectors. It was ungodly
> slow and had awful edge-to-edge sharpness but it sort of worked.
>
> I may have one around somewhere, I will have to
I think Buhl made a half-inch lens for the B&H projectors. It was ungodly
slow and had awful edge-to-edge sharpness but it sort of worked.
I may have one around somewhere, I will have to look.
Bell and Howell made a 5/8" lens for in-flight movie systems on airplanes.
It also had sharpness issues
i saw one on an eiki yesterday at the jack goldstein show at the OCMA (if
anyone lives near LA i highly recommend it)!
i know you can rent them (and loopers) from
http://www.16mmfilmlooper.com/which is in the netherlands, but I am
looking for something a little more
local.
On Mon, Jul 9, 2012 at 1
On Mon, Jul 9, 2012 at 10:29 AM, mariah garnett wrote:
> its for installing in a gallery - i want the projector to be able to be
> about 4-5 ft away from the wall and get a big, 6x5ish image.
>
Hm. There is likely such a lens, though I have never seen one. Others on
the list might have an idea o
its for installing in a gallery - i want the projector to be able to be
about 4-5 ft away from the wall and get a big, 6x5ish image.
On Mon, Jul 9, 2012 at 10:25 AM, 40 Frames wrote:
>
> That's wide. A 16mm lens (something like .625") is very wide. What is the
> application?
>
> Alain
>
>
>
> On
That's wide. A 16mm lens (something like .625") is very wide. What is the
application?
Alain
On Mon, Jul 9, 2012 at 9:34 AM, mariah garnett wrote:
> Hi,
> does anyone know (outside of ebay) where I should look for a 9,5mm (or
> comparable) projector lens for 16 projectors?
> thanks!
>
> __
Hi,
does anyone know (outside of ebay) where I should look for a 9,5mm (or
comparable) projector lens for 16 projectors?
thanks!
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Just sending out a friendly reminder with some updated information!
CHICAGO 8: A Small Gauge Film Festival
October 19th & 20th, 2012 at Cinema Borealis
CALL FOR ENTRIES NOW OPEN: http://chicago8fest.org/submityourfilm
Chicago 8 Small Gauge Film Festival focuses on providing an
opportunity to e
Hi All:
I'm in the process of organizing a film show at the Old Bridge Public Library
for mid to late September. If you have one to show, 30 min or less and PG,let
me know.
Matt
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Fram
anybody got one of these microfilm-processing machine (anywhere in the
world)? or gimme a hint where to find or who to ask?!
thanks in advance,
Paul Krimmer, Vienna
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Where are you? We have one here in the UK which is sort of spare but has an
electrical problem which would need sorting out.
While we're on the subject I'm looking for a 35mm one near here.
Mat
On Mon, Jul 9, 2012 at 4:08 AM, Margaret Rorison <
margaret.b.rori...@gmail.com> wrote:
> If anyone
The most important (and arguably the biggest) experimental film festival ever
(Competition du film experimental) took place in Brussels in 1958 in
conjunction with the Brussels World's Fair (Expo '58). The list of
participating filmmakers is impressive: Brakhage, Whitney, Clarke, Hubley,
Jackob
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