Hi Liena
To add to your contextual intro: James Broughton's The Pleasure Garden
(1954) was made in the ruins of Crystal Palace (London) where, coincidently,
I was brought up (the district not the ruins that is).
Rob
On 28/09/2012 06:21, Liena Vayzman liena_vayz...@hotmail.com wrote:
Hello
The new issue (Oct 8) of the US political weekly, The Nation, has two articles
of interest to this list.
Akiva Gottlieb reports on the 15 moving image episodes of the 2012 Whitney
Biennial curated by Ed Halter and Thomas Beard.
And The Nation's regular art writer, Barry Schwabsky, reviews
One complaint about the Gottlieb piece, though. It's just plain wrong on
Charles Burnett: he was not a one man African-American New Wave, and his film
Killer of Sheep didn't fall off the map after being screened at the Whitney.
Yeah,yeah- you must be used to this brand of mainstream
I hadn't anticipated that this little post I thought would interest some folks
on this list would result in a credentials check.
Well, no disrespect to Gottlieb, assuming he's the mid-20s grad student in
English at the University of Michigan that Google produces. (Sorry, I don't do
Facebook.)
forestalling pedantic responses: yes, pedant not 'pendant….cursed
spellchecker.
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On Sep 28, 2012, at 2:13 PM, Chuck Kleinhans chuck...@northwestern.edu wrote:
So, given that he's several years into a PhD program, I'm sure he has a high
tolerance for pendants like me.
He's wearing one now.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
I'm willing to stipulate that your pendant is bigger than mine. I'll let the
author speak for himself. The 10-1 odds you offer validate my statement he
could be better educated in the subject. Or do you dispute the meaning of
could be?
From: Chuck Kleinhans
This just in:
Museum of the Moving Image in Astoria, Queens, will present an
evening with filmmaker Phil Solomon whose epic three-projector HD
installation American Falls is on view through November 25. On
Wednesday, October 3, at 7:00 p.m., Solomon will present and discuss
a selection of
