hey folks,
a friend of mine (in NY) is looking for somewhere to make dupes of about 40
35mm slides, any leads?
cheers Moira
moiratierney.net
vimeo.com/moiratierney
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Try Dwayne's Photo in Kansas.
--scott
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ANOTHER EXPERIMENT BY WOMEN FILM FESTIVAL (AXW for short)
(http://anotherexperimentbywomenfilmfestival.com/) GIVES WOMEN’S WORK A REAL
TIME & SPACE IN NYC!!
2013 Initial FESTIVAL date: WED June 5 / 7 – 9:00 pm / ANTHOLOGY Film
Archives/ NY NY
WATCH for: 4 additional screenings in 2013
A
Howdy,
Trying to paint "Liquid Light" photo emulsion onto clear 16mm leader. exposing
photograms etc, then hand processing. But the emulsion is falling off by the
time we get to fixer. Works slightly better with clear film that has some
emulsion already on it, but not much. Anybody have any bet
Commercial film has an adhesive -'subbing'- layer between base and emulsion:
http://www.google.com/patents/US4213783
Nicky.
From: Devon D
Reply-To: Experimental Film Discussion List
Date: Fri, 31 May 2013 09:53:26 -0400
To:
Subject: [Frameworks] Liquid Light onto clear 16mm - any tips?
What temperature are you developing at? Have you tried moving down to 65F
or so?
Are you using a tank or roller transport?
If you're using a polyester base, try an acetate base instead, which has
better adhesion.
Commercial emulsions use an adhesive layer. You could try making a really
dilute
I had this problem. Robert Schaller taught me that it will work much better if
you can find some print stock, and then put that in fixer without exposing it.
You'll remove the silver-halide, but leave the gelatin, and Liquid Light will
stick to this much better.
You can also dry it (in complet
Is the class a production or a criticism class?
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Is filmmaking technology available to students, for screening or production, or
not?
From: Bernard Roddy
To: "frameworks@jonasmekasfilms.com"
Sent: Friday, May 31, 2013 1:22 PM
Subject: [Frameworks] textbook recommendation
Is the class a production
