[Frameworks] Brand New Website

2013-10-07 Thread Ken Paul Rosenthal
At your leisure, please check out my swell new website: www.maddancementalhealthfilmtrilogy.com Ken www.kenpaulrosenthal.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfacti

Re: [Frameworks] b/w prints new york

2013-10-07 Thread Robert Houllahan
> Your choices would be Colorlab, Cinefilm in Boston, and Cinema Arts in PA. > Sadly there's no more Alpha Cine. That's Cinelab in Boston….;-) UPS Ground is overnight to us at Cinelab from the metro NYC area, and I think Colorlab still has an office in NYC. Expect to be patient with a Timed

Re: [Frameworks] 35mm hand crank projector

2013-10-07 Thread Philippe Leonard
Hi Ed! Although this seems like a really neat piece to start a project, I need something by the 20th in Boston and I can't pick up anywhere else. If you have any leads in the Boston area let me know, it would be greatly appreciated! Best, Phil Film | Photography | Cinematography | Performance |

Re: [Frameworks] 35mm hand crank projector

2013-10-07 Thread Philippe Leonard
Thanks Scott I will look into those while in Boston! Best, Phil Film | Photography | Cinematography | Performance | Visuals www.philippe-leonard.com On Sun, Oct 6, 2013 at 1:54 PM, Scott Dorsey wrote: > I don't know what you're looking for specifically, but Cinelab is in Boston > and does B&

Re: [Frameworks] b/w prints new york

2013-10-07 Thread Jeff Kreines
There are no labs in NYC that do B&W wet work in house. Your choices would be Colorlab, Cinefilm in Boston, and Cinema Arts in PA. Sadly there's no more Alpha Cine. If you want high quality scanning of your B&W negative in NYC, Kinetta Archival is there (disclaimer -- I am one of the people

[Frameworks] b/w prints new york

2013-10-07 Thread ev petrol
metropolis send their stuff out to technicolour though, don't they?   moiratierney.net vimeo.com/moiratierney From: Pip Chodorov To: Experimental Film Discussion List Sent: Wednesday, September 25, 2013 12:02 PM Subject: Re: [Frameworks] price increase o

[Frameworks] Johan Grimonprez Contact?

2013-10-07 Thread LJ Frezza
Hello Everyone, Does anybody have Johan Grimonprez's email address? There's one on his website, but I wasn't sure if that was the best way to contact him Thanks, -LJ -- ljfre...@gmail.com / 904.762.8300 ___ FrameWorks mailing list FrameWorks@jonasmekasf

Re: [Frameworks] Seeking Camera Recommendation

2013-10-07 Thread Robert Houllahan
>> I'm looking to purchase my first (!) video camera and am certain I *do not* >> want a DSLR. I'd like to spend between $2K and $4K. The kids seem to be alright…. http://www.digitalbolex.com/guest-post-kurt-lancaster/ -Rob- Robert Houllahan Film Maker www.lunarfilms.com http://www.vimeo.com

Re: [Frameworks] Seeking Camera Recommendation

2013-10-07 Thread Jeff Kreines @ Kinetta
If you don't need a camera with good ergonomics for hand-holding , the Sony FS100 is worth a look. Amazing in low light, and you can use almost any lens that will cover the 35mm cine sized sensor. Lenses make a big difference so not being stuck with just one is useful. It has a 4k sensor which m

[Frameworks] Seeking Camera Recommendation

2013-10-07 Thread Ken Paul Rosenthal
I'm looking to purchase my first (!) video camera and am certain I *do not* want a DSLR. I'd like to spend between $2K and $4K. I don't make films/documentaries that are 'traditional' in their style, ie: talking head, onscreen interviews, industrial, etc. My primary desire is for a camera in wh

Re: [Frameworks] abstraction and politics

2013-10-07 Thread Fred Camper
Of course, Brakhage, and of course, "23rd Psalm Branch." I have also argued, for example in my liner notes for the Criterion DVD, that his work as a whole constitutes an argument against our object-oriented, commodified, static, consumerist culture. This to me is arguably a profounder stat

Re: [Frameworks] abstraction and politics

2013-10-07 Thread Beebe, Roger
Kelly, This is an interesting question, and it demands a complicated answer. First, I think it's important to note that abstraction is not an absolute but that there's a large gray area between abstraction and representation. I'd argue that many if not most experimental films inhabit that gra