HI Frameworkers.
I have a bit of a manic question. I have some rolls of color neg, fuji 400T
mostly. That I shot 1 as I like to say, "layer", of images onto already,
but they were shot 2 stops under because I was going to add other layers
onto them. Well things have gotten rather crazy with other p
I'm so sorry to hear this. Love to all
Sent from my iPhone
> On Jan 3, 2014, at 8:37 PM, Joan Hawkins wrote:
>
> thanks for posting this Patrick-- sad news. Joan
>
>
>> On Fri, Jan 3, 2014 at 10:21 PM, Patrick Friel wrote:
>> Hello All,
>>
>> I’ve not seen it mentioned here, but some sad
thanks for posting this Patrick-- sad news. Joan
On Fri, Jan 3, 2014 at 10:21 PM, Patrick Friel wrote:
> Hello All,
>
> I’ve not seen it mentioned here, but some sad news from Chicago.
> Experimental filmmaker, artist, and educator Michele (Shellie) Fleming
> passed away on Monday, December
Rocky Mountain Film Lab is back in business? I though their reputation as being
quick to cash a check but it takes them several years to process film was the
reason they shut down? There are so many complaints against RMFL that I'd be
cautious about sending your film in. Try these guys:
http://
Hello All,
I¹ve not seen it mentioned here, but some sad news from Chicago.
Experimental filmmaker, artist, and educator Michele (Shellie) Fleming
passed away on Monday, December 30, after a long battle with cancer.
Shellie was an extraordinary person, an accomplished filmmaker and artist,
and, p
If access to video copies is the main issue, I'd say to look at all of the
Peripheral Produce DVDs (with definitely-docs from Bill Brown, Deborah
Stratman, Naomi Uman, and Matt McCormick among the maybe-not-doc stuff). Also
the Other Cinema catalogue, where in addition to the Baldwin doc (alrea
What is the story? I called them a few years back and they told me
that they were shutting down and not taking any more orders.
--scott
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Indeed!
Sent from my iPhone
On Jan 3, 2014, at 12:14 PM, "Jason Wade" wrote:
> Scott,
> Rocky mountain film labs is still open. They moved. I sat down and visited
> with Steve for about two hours less than two months ago when I was in
> Colorado.
>
> Small labs have a hard enough time as
Scott,
Rocky mountain film labs is still open. They moved. I sat down and visited
with Steve for about two hours less than two months ago when I was in Colorado.
Small labs have a hard enough time as it is, please take the time to become
better informed before you spread a rumor about struggl
I am sorry to report that Rocky Mountain Film Labs shut down about two
years back. They did lovely work and were always free to explain what
they were doing in great detail.
If I had E-6, I'd try running it through pincryptol yellow and then developing
by inspection in D-76. Otherwise I'd take a
I believe rocky mountain film labs in CO processes all those old ektachrome
stocks as a black and white negative. The guy that runs Rocky mountain film
labs, Steve, is very helpful and easy to talk to... I have called him in the
past and he has been very nice, helpful, and easy to talk to
All colour films can be processed in B&W chemistry to get a B&W image. I've not
really done much of it except for the odd time of a mistake when a colour short
end got mislabeled as B&W and the film was not as ancient as your stock. Why
don't you just process a snip test of your ektachrome? You'
Bryan McManus wrote:
> I'm not a well-represented "somebody", not sure if that matters
Alas, it does. My apologies for not being clear enough in the OP. My friend's
project involves tracing 'the historical development of the documentary.' What
that means is, in short, that the works to be discu
'Crooked Beauty' and 'For Shadows' by yours truly.
Ken
www.maddancementalhealthfilmtrilogy.com
www.kenpaulrosenthal.com
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If you're interested in recent & short form - my series "The Observatory",
I believe, meets your criteria. I'm not a well-represented "somebody", not
sure if that matters, but my work is adding to the discussion of
non-fiction film without being too "out there" (or that's my motivation to
say the l
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