The Super 8 film format is back with a vengence!
Fantastic new Super 8 test film footage shot by German filmmaker
Friedemann Wachsmuth with the first new Super 8 camera in 30+ years !
Unbelievably sharp registration for such a tiny medium. I kept staring
at the corners seeking weave. I believe
Thanks everyone, will check LaPore's work!
Best,
Adeena
--- Message original ---
Objet: Re: [Frameworks] Films made with Canon Scoopic 16mm camera
De: r e roeen...@gmail.com
À: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Date: mercredi, 19/02/2014 18:48:29
I second
I am not a particular fan of Canon Scoopics, especially the earlier gray one
(which had a terrible lens compared to the later black Scoopic 16MS).
But I had one to sell. Mark LaPore wanted to buy it, and I did my best to talk
him out of it, but he finally convinced me that for him it was a
Hi Caryn,
$800 is a bit high on one hand, but also seems fair for adapting another
artists/writers work to your film and for all the rights they are granting
you.. you even have broadcast rights, which is a rarity! Maybe you think
broadcast's a moot point, but at least it opens things up so that
The soundtrack to James Benning's film Deseret consists entirely of some
one reading NY Times articles aloud. I'm willing to bet he did not pay for
the rights nor
has been bothered by the NY Times about it.
I say go for it.
On Fri, Feb 21, 2014 at 11:29 AM, ch...@signaltoground.com wrote:
The soundtrack to James Benning's film Deseret consists entirely of some
one reading NY Times articles aloud. I'm willing to bet he did not pay for
the rights nor has been bothered by the NY Times about it.
I repeat my point that it is not the rights holder the experimental filmmaker
needs
Hi folks!
I am looking to purchase a 16mm guillotine style splicer, if anyone has leads I
would love to hear about them.
Thanks everyone!
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my
Hi Roger,
There are probably some deals to be had on eBay, or via a CML mailing list
inquiry. CML unearths some surprising deals on older analog gear from folks
who are eager to turn in the old for the new.
Dwight Cody sells editing supplies, and I believe he stocks splicers. If
you want
Thanks Isaac!
Yeah I did a search online and saw a few on ebay but the prices are a little
too high for me. I had a nice catozzo but I had it stolen at a public event.:(.
I have two great 35mm splicer and would consider trading one for a nice 16mm.
Roger D. WilsonFilm Scientist613 324 -
Anyone have any leads on where I could obtain for purchase ( or free) an
editing bench
with rewind cranks and perhaps a light box built in.?
Also looking for S8/16 35mm viewers.
Any leads are appreciated
--
Daniel Maldonado
Gashouse Films
www.gashousefilms.com
www.homeacronymfilm.com
Hey guys,
does anyone have any leads on 16mm telecine options that aren't fotokem?
The place I used to go got rid of all their 16mm gear! and I had a real
good hookup there that makes the $250/hr fee at fotokem hurt!
preferably in LA
___
FrameWorks
Hi Mariah,
It's been awhile since I have compared their rates, but Cineliscious is in
LA, and they are more than film friendly. Wide variety of services in
transferring film, last time I checked. Supervised sessions may still be
slightly steep, there but they do top shelf work and are very small
What kind of telecine do you want? There are a lot of people who will do
old-style video transfers at very reasonable prices. I can recommend Guy
Spiller (www.guyspiller.com) who has a Marconi line-scanning telecine.
Still, if you get an old-style video transfer you're stuck with interlace
i'm looking for 16mm negative to HD prores file transfer
On Fri, Feb 21, 2014 at 7:57 PM, Scott Dorsey klu...@panix.com wrote:
What kind of telecine do you want? There are a lot of people who will do
old-style video transfers at very reasonable prices. I can recommend Guy
Spiller
I think Pro8mm does it but it might even be more expensive than Fotokem?
Stephanie Hutin
Director of Production
Intercollegiate Media Studies
Mosbacher Gartrell Center for Media Experimentation and Activism
Pitzer College
1050 North Mills Ave., West
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