Dear all,
Apologies if some of you have already seen this. It is a major event for
film publisher caboose and we thought the news might interest members of
the Frameworks community.
Best wishes,
Marina
~ ~ ~
On the heels of Jean-Luc Godard’s jury prize at the Cannes film festival
for
link has expired, advise
On Sun, Jun 8, 2014 at 12:53 PM, Nick Cope nick.c...@virgin.net wrote:
Dear Frameworks I’d be most grateful if its possible to post the following
to the list:
Based in Suzhou, near Shanghai, where I currently work - deadline extended
to June 15th -
would suit
It's still in the Google Cache. http://is.gd/Wq44bF
Mirko
2014-06-09 17:00 GMT+02:00 Dominic Angerame dominic.anger...@gmail.com:
link has expired, advise
On Sun, Jun 8, 2014 at 12:53 PM, Nick Cope nick.c...@virgin.net wrote:
Dear Frameworks I’d be most grateful if its possible to post
Hi, I have been using 7378 for camera stock for a long time now. I have
found that shooting reversal the asa can range from 12-15. Does anyone have
any idea what asa approx is necessary for this stock as shot as negative.
7378 is the bw stock kodak used to make for optical sound tracks.
Thanks
Dear friends,
A friend is interested in having some black inserts in his Super-8 films,
but he doesn't want an opaque black nor to block light completely, which I
presume would be what you get from black leader on acetate. Am I right
recommending polyester base black leader, or do you think he
Hello Everyone,
This is for those in the New York City area only, who can respond today or
tomorrow before 5 PM.
I have an Eiki SL projector to give away today or tomorrow only. I bought
it off eBay and it arrived damaged, so this projector would need repair or
would be for parts only. It has
My experience with OC-8 (Agfa's equivalent to 5376) is that Cinelab can
develop it in their normal negative process, and if they develop it to
a gamma of 0.75 I get an ASA of 6.
If you want it to be contrasty you can get a lot more speed out of it.
If you develop in a super low contrast
Hi all,
I will be doing a show in Munich on July 16 and am looking for 2-4 16mm
projectors for a one night happening in a gallery space.
Does anyone know of any experimental film connections in munich?
best,
Rebecca
Rebecca Erin Moran
rebekka.mo...@gmail.com
Thanks all, I will send Cinelab a test also with another stock I found
recently 7374 which used to be a stock for doing kinescoping. I have had
great results as a camera stock. Anyone else who has used this, please
contact me. It was discontinued in 86' that is in the 20th century.
Dominic
On
any tips on software/plugins that might remove a hair in the gate? (from a HD
telecine of super 8 footage)
cheers all round
moira
moiratierney.net
vimeo.com/moiratierney
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7374 can be used for general photography but it will be kind of low
contrast when developed normally. It has a weird curve in order to get
a little black detail off a CRT monitor. You might be able to push it.
If you like it I may have a couple cans of it in the freezer, I bought
some of that
If it isn't an overall issue of serious dirt, or redoing the transfer isn't
a possibility for whatever reason, you can draw it out carefully
frame-by-frame in several ways. The simplest is to convert all your frames
into stills and do it with Adobe Photoshop (even though this is a
brute-force
thanks gents!
it's a big ol' hair in the gate of my camera (not the fault of the telecine)
... i'm probably stuck with it so?
cheers moira
moiratierney.net
vimeo.com/moiratierney
On Monday, June 9, 2014 11:54 PM, Michael Betancourt
hinterland.mov...@gmail.com wrote:
If it isn't an
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