Widescreen Centre in central London sells most of the available 16mm and Super
8 stocks. Not cheap though: https://www.widescreen-centre.co.uk/
Nicky.
-Original Message-
From: leandro listorti
To: frameworks@jonasmekasfilms.com
Sent: Mon, 7 Jul 2014 2:03
Subject: [Frameworks]
Hi Leandro,
we sell some S8 and 16mm stock as well as super-8 cameras at
Re:Voir/The FIlm Gallery in Paris 10 (see re-voir.com for details).
You're welcome to visit M-F 11-6.
In London you can get some from No.W.Here lab in Bethnal Green.
Pip
At 22:02 -0300 6/07/14, leandro listorti wrote:
m
Hi all frameworkers,
my name is Leandro Listorti, from Argentina. I am going to be visiting
Paris & London from 7 to 24 July. I appeal to our common interests to ask
you recommendations on places and small and lesser known venues I should
visit. Also where to buy S8 and 16mm stock.
Thanks in adv
I did use FCP to get an edit list in 2009. I used SD video with burn in code.
Got Flex files from a transfer from Deluxe Vancouver. The used Cinema Tools to
convert the files at home. However as I recall there was a few kinks in the
workflow. Normally my digital edits are chaotic with clips stac
Hello Laska,
I used that workflow (Film > Telecine > FCP7/CinemaTools > EDL/Cut List > Neg
Cutter) after this thread.It actually worked out great, as the "24fps" (23.98)
transfer is actually frame accurate within your FCP 23.98 sequence.For the
EDL>Neg Cutter process, you absolutely need to make
Trying again now that Frameworks is back up and running
On Thu, Jul 3, 2014 at 9:13 AM, laska jimsen wrote:
> I'm digging up this old thread to see if anyone has any additional
> thoughts/experience/advice about this workflow.
>
> I'm still using FCP7 and would love to transfer the film to HD a
