Re: [Frameworks] Modern 16mm features, distributed on film

Some of Kevin's films are finished on 16mm, but not all, and possibly not any of the features. Thom Andersen did indeed finish Get Out of the Car on 16mm. Madison Brookshire's Color Series is a quite unique 16mm feature-length work. Did anyone yet mention Els Van Riel's Gradual Speed or Matthew

Re: [Frameworks] Modern 16mm features, distributed on film

Kevin Everson doesn’t finish to film, at least as far as I know. I saw a Q&A with him after a screening of Erie (at Images, I think), and he said the reason he doesn’t finish to film is that he “has so many films that [he] wants to make.” I assumed he was talking about both the time and money

Re: [Frameworks] DLP

I really hate the DLP projectors. We have the recently purchased both a Epson data projector and a higher end Panasonic PT-AR100U both of them we have been happy with. specially w/ experimental frame by frame by frame film, the viewing experience can be greatly compromised by the rainbow effect. E

Re: [Frameworks] DLP

> Just want to see if anyone has an overall hatred for DLPs and their dreaded > rainbow effect (which is probably more noticeable on some models than others. YES! My 2 cents: DO NOT BUY A 1-CHIP DLP! They ALL make the moire effect, even the ones that claim not to. Even the ones over $10,000. And

[Frameworks] latest works

Hello Frameworks friends- Here's my latest interview on the radical political exploration of collage and animation -> http://www.animationmagazine.net/people/animation-with-a-mission/ Also, my latest experimental cut out animation- a personal essay: https://vimeo.com/100943750 Thanks friends,

Re: [Frameworks] Modern 16mm features, distributed on film

Yeah, Meek's is 35mm, shot 1.37 in super 35. Alain On Fri, Jul 18, 2014 at 12:53 PM, Julian Antos < jul...@northwestchicagofilmsociety.org> wrote: > MEEK'S CUTOFF was shot and released on 35mm, through a fairly major studio > (a personal favorite, and the prints looked great!). There have been

Re: [Frameworks] Modern 16mm features, distributed on film

Hi John, "Feature" is a somewhat broad term, and speaks more to run time than form/content, but given your examples, I would assume you are asking about experimental features?? The exact run time of a "feature" also seems to be dictated by market/venue. Some say 40 minutes, some 60, and the indus

[Frameworks] DLP

Hey framers, Asked this a bit ago (and thanks to everyone who chimed in!), but figure I throw out an update: we got a small equipment grant, so we're going to buy a digital projector. I think we've pretty much decided to go with this DLP: http://www.projectorcentral.com/Optoma-HD25-LV.htm Just

[Frameworks] Eduardo Menz

Could anyone put me in touch with the Montreal-based filmmaker Eduardo Menz? Thanks in advance! Mariya ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Modern 16mm features, distributed on film

On Jul 18, 2014, at 5:10 PM, Amanda Christie wrote: > 4K would have been nice… You shot film. You can always re-scan the selected takes if you don’t like 2K on a big screen. If they are real 2K scans (not HD) they probably will be ok from 35mm neg — a dirty little secret is that a lot of g

Re: [Frameworks] Modern 16mm features, distributed on film

well john... 2K was a budget decision... made in 2011 as i was about to start shooting... and i was so scared and overwhelmed by this whole new area... i did what i could afford i also pulled back from frameworks a bit... and didn't ask for advice here... feeling somehow like ... not a trai

[Frameworks] CALL for ENTRIES- 4th SEASON of ANOTHER EXPERIMENT BY WOMEN FILM FESTIVAL

CALL for ENTRIES 4th SEASON of ANOTHER EXPERIMENT BY WOMEN FILM FESTIVAL http://anotherexperimentbywomenfilmfestival.com AXW has promoted and screened experimental shorts since 2010 in Manhattan NY. Many of these films feature underrepresented themes and issues distinct to women and girls, are

Re: [Frameworks] Modern 16mm features, distributed on film

Amanda, why did you choose a 2k scan, instead of a 4k? Strictly a cost savings? Seems that TVs will be 4K before we know it. Even if you were lucky to afford a DI and get a 35mm print, I've heard from several lab guys that 2K DIs were always a little soft compared to a traditional contact print.

Re: [Frameworks] Modern 16mm features, distributed on film

speaking of 16mm films having longer life than 35mm i had been hoping to finish my latest project, Spectres of Shortwave, on 35mm... it's a 2 hour long landscape film of radio towers... but given that i knew it would be at least 2 years in the filming process (as they were tearing down the

Re: [Frameworks] Modern 16mm features, distributed on film

Thanks for the many replies! I'm primarily interested in films produced in the 2010s. 45+ minutes in length, with an actual 16mm print struck.  With the end of 35mm distribution in the past year, I've been wondering about how much longer 16mm prints will stick around. James Benning complained ab

Re: [Frameworks] Modern 16mm features, distributed on film

MEEK'S CUTOFF was shot and released on 35mm, through a fairly major studio (a personal favorite, and the prints looked great!). There have been several independent and mainstream features shot on 16mm and super 16 in the last couple years but these were all blown up to 35 (via 2K DIs). On Fri, Ju

Re: [Frameworks] Modern 16mm features, distributed on film

There have maybe been more than one thinks, particularly if we include independent narrative films in addition to avant grade work. I believe Lukas Moodysson's CONTAINER was exhibited on 16mm. I suppose Kelly Reichardt's MEEK'S CUTOFF was released digitally even though it was shot on standard 16

Re: [Frameworks] Modern 16mm features, distributed on film

Fotopoulus? ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Modern 16mm features, distributed on film

oh and of course! here is why my brain created a new being from the test-tube gene-splicing of Barbara Sternberg and Deborah Stratman into one being Barbara Sternberg also has some feature length films in distribution on 16mm especially if 40 min is the cut off but there are a f

Re: [Frameworks] Modern 16mm features, distributed on film

oops... my bad with the name... I'm in the midst of too much multi-tasking right now... my subconscious brain somehow conjured up a new filmmaker... an imagined test-tube gene-splicing of Barbara Sternberg and Deborah Stratman into one being... imagine the possibilities! xoadc On 2014-07-

Re: [Frameworks] Modern 16mm features, distributed on film

Some say an hour; some say 40 minutes. Deborah Stratman, not Barbara. Best, Adam On 7/18/14 11:07 AM, "Amanda Christie" wrote: > What is the cut off length for feature length? > > > Barbara Stratman's "o'er the land" is 52 minutes > 2009 > > I projected a 16mm print of it in 2010 and it i

Re: [Frameworks] Modern 16mm features, distributed on film

What is the cut off length for feature length? Barbara Stratman's "o'er the land" is 52 minutes 2009 I projected a 16mm print of it in 2010 and it is gorgeous! http://www.pythagorasfilm.com/oertheland.html Amanda Dawn Christie 506-871-2062 www.amandadawnchrist

Re: [Frameworks] Modern 16mm features, distributed on film

There are two feature length films by Betzy Bromberg, both distributed on 16mm: Voluptuous Sleep95 min. A Darkness Swallowed75min. Charlotte From: Adam Hyman Reply-To: Experimental Film Discussion List Date: Friday, July 18, 2014 9:58 AM To: "Patrick Friel , Experimental Film Di

Re: [Frameworks] Modern 16mm features, distributed on film

Thank you for the clarification. It still hasn¹t played in LA. On 7/18/14 9:53 AM, "Patrick Friel" wrote: > Ben's TWO YEARS AT SEA was shot in 16mm but released in 35mm. > > pf > > > On Friday, July 18, 2014 11:45 AM, Adam Hyman wrote: > > > > > Re: [Frameworks] Modern 16mm fea

Re: [Frameworks] Modern 16mm features, distributed on film

Jem Cohen's Benjamin Smoke and Chain. Sent from my iPad > On Jul 18, 2014, at 9:53 AM, "Patrick Friel" wrote: > > Ben's TWO YEARS AT SEA was shot in 16mm but released in 35mm. > > pf > > > On Friday, July 18, 2014 11:45 AM, Adam Hyman wrote: > > > Didn’t one by Ben Rivers? > > > On 7/1

Re: [Frameworks] Modern 16mm features, distributed on film

Ben's TWO YEARS AT SEA was shot in 16mm but released in 35mm. pf On Friday, July 18, 2014 11:45 AM, Adam Hyman wrote: Re: [Frameworks] Modern 16mm features, distributed on film Didn’t one by Ben Rivers? On 7/18/14 6:46 AM, "Warren Cockerham" wrote: Let Each One Go Where He May (2009)

Re: [Frameworks] Modern 16mm features, distributed on film

Ben Rivers' Two Years at Sea was touring the US in a 35mm print. Herb Shellenberger Programs Office Manager [cid:image001.jpg@01CE5258.78B1F010] 3701 CHESTNUT STREET | PHILADELPHIA, PA 19104 phone: 215.895.6575 | fax: 215.895.6562 email: he...@ihphilly.org | web: www.

Re: [Frameworks] Modern 16mm features, distributed on film

Didn¹t one by Ben Rivers? On 7/18/14 6:46 AM, "Warren Cockerham" wrote: > Let Each One Go Where He May (2009) - Ben Russell > > > On Fri, Jul 18, 2014 at 1:50 AM, John Woods wrote: >> Differently, Molussia (2012) and Empty Quarter (2011) are the only feature >> length films that I am aware o

Re: [Frameworks] Modern 16mm features, distributed on film

Let Each One Go Where He May (2009) - Ben Russell On Fri, Jul 18, 2014 at 1:50 AM, John Woods wrote: > Differently, Molussia (2012) and Empty Quarter (2011) are the only feature > length films that I am aware of that were distributed on 16mm film in the > past few years. Does anyone else know o