The 'Frame Master' is a hard, highly polished chrome-plated piece of brass that
fits into the pressure plate of any Super 8 cassette. This precision formed
piece improves picture sharpness and steadiness both horizontally and
vertically. It also greatly reduces the likelihood of the Super 8
It won't be useful for the technical debate around the IMAX projection but in
2006 I suggested a game to identify the title of the film of a 70mm film strip.
Every player received a postcard with some frames of the film as a gift for his
or her try. Here's the explanation of it:
I have never shot Imax but I have shot Todd-AO 70mm before.
The thing about improvised 70mm stuff is that there are basically two 70mm
standards. One has the perfs out at the edge of the film and is used for
aerial camera work and the like, while the other has the perfs closer in
so that there
I still have a couple of Bruce Conner prints for sale. These are prints
meant for private use only and were given to me or I bought directly from
Bruce before he passed away. Also have several gallery/exhibiition catalogs
and a copy of Bruce Conner Story (hardcover). All are signed. I will be
Hi guys.
I know this is a log shot but does anyone have contact info for Werner Herzog?
www.mariahgarnett.com
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
you can try this...
http://www.wernerherzog.com/contact.html
konstantinos-antonios goutos / the[video]Flâneu®
https://sites.google.com/site/videoflaneur2/
2014-07-29 18:46 GMT+02:00 Mariah Garnett mariah.garn...@gmail.com:
Hi guys.
I know this is a log shot but does anyone have contact info
If you live in Seattle and are very familiar with the Canon 5D Mark lll, I'd be
happy to trade you lunch for some hands on instruction while I'm in town on
July 31 and August 1. I've got a basic grasp of the camera's workings, but
would like some more detailed tutoring. Please email me off line
Back to celluloid now after my brief foray into the digital world. Does anyone
have recommendations for where to get a Bolex converted to super 16? Also,
I’ve got both an SBM and a REX 4—is there any reason to convert one rather than
the other? Also (finally) how do I know (in advance) if my
Your 10mm Switar probably won’t cover — and to me the 10mm Switar is the best
reason to use a Bolex.
http://www.bolexusa.com/index.html
Dieter at ProCam does good work.
So does Les Bosher in the UK:
l...@lesbosher.co.uk
Of course, you can probably find a good S16 Aaton or Arri SR conversion
Contact Jean-Louis Seguin in Montreal for the Super 16 conversion,
i.e. bolext...@gmail.com. Yes. The Bolex Bayonet mount is more
robust. Start researching the image circle of your lenses. Remember
the lens mount will have to be offset for the Super 16 format.
Jean-Louis can also collimate
the newer 10mm and 26mm kern switars (with aperture presets) cover super16mm -
don't know about the older ones. les bosher makes really nice mounts that can
convert almost anything to the bolex bayonet mount - he made me a pretty nice
one for arri lenses. he does conversions too, though
Does anyone have experience with, comments on Ultra 16mm which creates
wide-screen 16 by widening the gate to expose between the top and bottom of the
sprocket holes, thus:
1. The mount does not need to be recentered.
2. Pretty much any 16mm lens should cover.
3. The footage can be used as
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