Thanks Buck.
> On May 4, 2016, at 7:13 PM, Buck Bito - Movette wrote:
>
> Hi Gene,
> For sure the Prores422 as long as your on a system that works fine with
> it: iMovie, FCP, Premiere, Resolve, Vegas, among many others.
>
> Prore422 is a proper intermediate codec and you
Hi Gene,
For sure the Prores422 as long as your on a system that works fine with
it: iMovie, FCP, Premiere, Resolve, Vegas, among many others.
Prore422 is a proper intermediate codec and you can know what it is.
Whereas H.264 *can* be very high quality, knowing that it is H.264 does
not tell you
Longshot here, but... A bright, talented, enthusiastic student of mine
needs a job in NYC this summer. She's made a wonderful documentary about a
refugee shelter in Brooklyn among other works. She'd like to help a
filmmaker or work with an artist, if possible. Email me offlist if you know
of any
Friends,
I have on a hard drive two different encodings of a program I downloaded from
Link TV. One codec is Apple ProRes 422 (100 GB), the other is H.264 (3.52 GB).
I don’t remember why we did that, but my question is: which version is best as
b-roll for a doc I’m making?
Cinthia Marcelle, "475 Volver," (2009) https://vimeo.com/4087547
I love this woman's work! https://vimeo.com/cimarcelle/videos
j
On May 4, 2016, at 4:03 PM, "drawclose.com"
wrote:
> Julie Taymor's 'Titus' - Titus Andronicus
>
> The closing act hinges on
Julie Taymor's 'Titus' - Titus Andronicus
The closing act hinges on revelation made by Titus' injured daughter writing
the names of her assailants in the earth.
Jessica
*
http://www.drawclose.com
> On May 4, 2016, at 1:46 PM, John Muse wrote:
>
> Francis Alÿs,
Francis Alÿs, “Green Line” (2007)
Francis Alÿs, "Reel/Unreel" (2011)
j
On May 4, 2016, at 2:40 PM, Christopher Lange wrote:
> Ana Mendieta used her body and made body sculpture with land in her films.
> Some of it looks like drawing in the land, but it’s related to how
Ana Mendieta used her body and made body sculpture with land in her films.
Some of it looks like drawing in the land, but it’s related to how duration
changes, damages, and takes the body away, or how culture is mixed in with
nature, I thought. Not really writing. But the films are good.
Hawks' Red River
On Wed, May 4, 2016 at 1:59 PM, Robert Cargni Mitchell wrote:
> Francisco,
>
> Any films will do. Thx!
>
> RC
>
> Robert E. Cargni | Associate Director of Arts | Senior Curator
> International House Philadelphia | Programs Office
>
> 3701 CHESTNUT STREET
Francisco,
Any films will do. Thx!
RC
Robert E. Cargni | Associate Director of Arts | Senior Curator
International House Philadelphia | Programs Office
3701 CHESTNUT STREET | PHILADELPHIA, PA 19104
phone: 215.895.6555 | fax: 215.895.6562
email: rcar...@ihphilly.org | web:
Experimental films or any kind of film?
2016-05-04 13:41 GMT-04:00, Robert Cargni Mitchell :
> Greetings Frameworkers,
>
> I was wonder if you all could help me out with filmic references where the
> trope of drawing, or writing in the soil is used.
> Thanks in advance.
>
>
Greetings Frameworkers,
I was wonder if you all could help me out with filmic references where the
trope of drawing, or writing in the soil is used.
Thanks in advance.
Best,
RC
Robert E. Cargni | Associate Director of Arts | Senior Curator
International House Philadelphia | Programs Office
Hello Frameworks!
After a year and a half of successful experimental film and video
programming in Minneapolis, Cellular Cinema is hoping to expand its
offerings to include workshops and masterclasses hosted out of a vintage,
towable art trailer. Since we already have fantastic artists coming
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