terdisciplinary Journal
of Experience,Perception, and Display 2:2 (December 2017), 1-24.
DOI: https://doi.org/10.3167/screen.2017.020202
https://www.berghahnjournals.com/view/journals/screen-bodies/2/2/screen020202.xml
Gina Marchetti, Ph.D. Comparative Literature School of Humanities Univ
Thanks, Chuck and Pip, for starting the discussion on this. I recommend
looking at this article by Mary Celeste Kearney, Guest Post: How Film
Schools Lead to Pipelines Full of Weinsteins:
https://blog.womenandhollywood.com/guest-post-how-film-schools-lead-to-pipelines-full-of-weinsteins-f49f4c69d7
*Handbook on Asian Cinema*
Aaron Magnan-Park (University of Hong Kong), Gina Marchetti (University of
Hong Kong),
and Tan See-Kam (University of Macau), editors
*CALL FOR PAPERS*
Designed for Palgrave’s “handbook” series that brings together cutting-edge
scholarship on key topics in
*CALL FOR PAPERS*
Post-Asia Film, Media and Popular Culture Conference, July 14-16, 2014
If the historical experiences of colonialism and imperialism, both internal
and external, have produced the asymmetries of Asia versus the Rest, how
does one address the problematics of Asia as an identity c
-Kam (Macau), Natalie Wong (HKU), Staci Ford (HKU),
Mirana Szeto (HKU), Winnie Yee (HKU), Gina Marchetti (HKU).
The conference is funded through the Centre for the Study of Globalization
and Culture/Department of Comparative Literature at the University of Hong
Kong. For more information on CSGC
), Gina Marchetti (HKU).
Proposal submissions & inquiries: Dr. Natalie Wong at n...@hku.hk
Visit our website at http://www.hku.hk/complit/acssc/
*About the Asian Cinema Studies Society (ACSS):*
Inaugurated in 1984, ACSS has been dedicated to fostering research in Asian
film and rel
