Vertov and Svilova!
Sent from my iPhone
> On Feb 10, 2017, at 3:26 PM, Pip Chodorov wrote:
>
> Sorry I forgot
> Alexander Alexeieff and Claire Parker
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.c
Tarkovsky's Mirror.
On Fri, Jan 1, 2016 at 9:27 AM, wrote:
> Après le bal (Georges Méliès, 1897)
> Nana (Dan Wolman, 1983)
>
> 2016-01-01 14:39 GMT+01:00 Pip Chodorov :
>
>> "Window Water Baby Moving" seems seminal...
>>
>>
>> At 15:14 -0500 31/12/15, Daniel Hess wrote:
>>
>>> collect as man
much original
> thought that carries the work.
> Thirdly, what is your new book ?
>
> Jaime
>
>
> On Monday, 24 November 2014, 17:57, John MacKay
> wrote:
>
>
> Self-reflexivity in Vertov is a very complex topic, not least in relation
> to the questions of
Self-reflexivity in Vertov is a very complex topic, not least in relation
to the questions of how and when he ended up taking recourse to
self-reflexivity, and why he never thematizes it in his manifesta and other
theoretical writings. I've got a lot about this in my upcoming book on
Vertov, but he
Sans Soleil; Level 5.
Best
John
Sent from my iPhone
On Jun 8, 2013, at 6:13 AM, David Tetzlaff wrote:
>> I'm thinking of films that are being used as a medium to either: explore the
>> nature/experience of memory and how it works
>
> Unstuck-in-time narratives can be considered tropes of memo
On May 19, 2012, at 3:27 PM, Shona Masarin wrote:
> Hello all,
>
> Does anyone know of any experimental films that have explored vaudeville,
> slapstick and/or silent era clown films (eg. Buster Keaton) in some way or
> another?
Ken Jacobs, "Ontic Antics Starring Laurel and Hardy: Bye, Molly"
On May 18, 2012, at 9:43 PM, Gene Youngblood wrote:
> I’m sure you filled in the missing word, but it bugs me to leave it
> uncorrected:
>
> Friends,
> What would you cite as the most detailed and comprehensive analysis ever
> written about the form and content of one filmmaker’s total body o
