[Frameworks] Ken Jacobs online premiere of new work 5/28

2020-05-26 Thread Jon Dieringer
Hello Frameworkers, I wanted to give everyone a heads up that Anthology Film Archives and Screen Slate are co-presenting the premiere of *new work by Ken Jacobs, "MOVIE THAT INVITES PAUSING,"* this Thursday at 8P EST. Details and description are here . Thi

Re: [Frameworks] Fuses: projection speed?

2016-02-03 Thread Jon Dieringer
No problem John! Hi Herb! Yeah, I don't think it's "wrong" to show it at 24fps. Asking her personally if possible is the best way to get a definitive answer, though as is her nature as an artist this may change. (It's therefore understandable that there are vague or conflicting indications.) Anyway

Re: [Frameworks] Fuses: projection speed?

2016-02-02 Thread Jon Dieringer
Carolee goes back and forth on this, but recently specified to EAI and Anthology her preference for 18fps. (That is the speed at which it is showing at her current show at Museum der Moderne, Salzburg.) But I th

[Frameworks] Thursday in Brooklyn: Gibbs Chapman | From the Dumpster to the Optical Printer to You

2014-11-03 Thread Jon Dieringer
Greetings: missed the "this week..." summary but wanted to send word of this along since it may be of interest to you in the NYC area: *From the Dumpster to the Optical Printer to You:* *a group of short films assembled by gibbs chapman and friends* Thursday, November 6 – 8:00 PM (Doors 7:30) – $5

[Frameworks] Animated Conversations

2013-10-26 Thread Jon Dieringer
Hi Frameworks Members As research for an article I am writing, I'm curious to learn more of films that might take the form of "animated conversations" -- audio interviews rendered visually by animation -- or perhaps more broadly animated or collage works based on extant audio of speech (whether fo

Re: [Frameworks] Cinema Siblings

2013-10-09 Thread Jon Dieringer
In video rather than film, but: Soda_Jerk are sisters working with re-appropriation http://sodajerk.com.au/ And there is also Bruce and Norman Yonemoto http://www.eai.org/artistTitles.htm?id=314 On Wed, Oct 9, 2013 at 9:19 PM, Kelly Sears wrote: > Thanks Jeff, I followed up on my mistake. > >

Re: [Frameworks] Literature and experimental film

2013-09-28 Thread Jon Dieringer
Also in video you might be interested in some of these short pieces by Cynthia Maughan, which recall Edgar Allan Poe and Flannery O'Connor: http://www.eai.org/artistTitles.htm?id=13111 I'm thinking specifically of Frozen & Buried Alive and Trailer Life. On Sat, Sep 28, 2013 at 4:31 PM, Warren Co

Re: [Frameworks] The $3, 000 open source multi-format 8/16/35 scanner project called Kinograph

2013-07-17 Thread Jon Dieringer
The idea of using the collection in Jordan as a guinea pig is troubling. re: Florian's last point, a lot of it seems to be small gauge. On Wed, Jul 17, 2013 at 8:51 AM, Florian Cramer wrote: > I do have some questions: > - The construction is not fundamentally different from other > frame-by-fr

Re: [Frameworks] Sites/Resources for Silent Move Title Card Fonts

2013-06-04 Thread Jon Dieringer
I don't know if this would be completely effective for silent movie lettering, but I've often had to seamlessly match fonts in the titles of sound-era films, and this site has never failed me: http://www.identifont.com/ It's a series of guided questions, so even if you can't get a 100% match with

Re: [Frameworks] R.I.P. Jess Franco

2013-04-02 Thread Jon Dieringer
Sad news, but he'll live on through his 200 (!) films and tremendous influence. At Spectacle in Brooklyn we are also doing a spontaneous Saturday night tribute with a midnight screening of SHE KILLED IN ECSTASY: http://spectacletheater.com/april-midnights-12102#franco Jon On Tue, Apr 2, 2013 at

Re: [Frameworks] mpeg-2

2013-02-12 Thread Jon Dieringer
Compressor is a great tool for complex tasks: for instance, structuring a job with multiple assets and multiple transcodes to multiple destinations and leaving it running overnight. One example of its professional use might be taking a complete program and then simultaneously creating derivative ve

Re: [Frameworks] new critical studies film course in car culture

2012-12-15 Thread Jon Dieringer
My all-time favorite car movie is Fellini's Toby Dammit http://youtu.be/loLRanmHTEY?t=4m34s (at the Hammer Museum someone had paired it brilliantly with Carl Dreyer's They Caught the Ferry—a motorcycle movie [does that count?]) Tony Lowe and Akiva Saunders' Arabian Drift is a compilation of Middl