lovely story... made my day
On Saturday, 20 June 2020, 17:08:57 BST, Rob Gawthrop
wrote:
In the late nineties I programmed regular screenings at the Hull Film Theatre
(Yorkshire England) while teaching at the art school there. I showed a
compilation of new American films (from the
the Max Ernst segment ("Desire") from Hans Richter's "Dreams That Money Can
Buy" (1947)
Desire (Max Ernst)
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Desire (Max Ernst)
Thought this was already up... well, it's a segment from Dreams That Money Can
Buy, with the original soundtrack...
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Hi ~ just received another of these re-subscription notices (they seem to
come every other week)
But when I click on "Yes, subscribe me to this list" this time, I just get a
message saying: "frameworks@jonasmekasfilms.com is not subscribed to list This
week in avant garde cinema"
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and there's also Borowczyk's "Thérèse Philosopher", the pious girl who gets
locked up for having lewd thoughts and entertains herself with some
courgettes...
From: Brecht Debackere
To: angel...@cuevas.as; Experimental Film Discussion List
Ian Hugo and Anais Nin (and anyone else in the immediate area) x
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In 1965 director Werner Nekes made his first film, "Tom Doyle und Eva Hesse",
portraying the two artists from NYC during their one year stay in
Kettwig/Germany.
There is an 8min version floating around on the www, which was also released on
DVD (and is sold by Nekes for merely 30.00€).
Great review (though the link is actually Edward Dimendberg on Pat O’Neill's
Where the Chocolate Mountains )
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| Edward Dimendberg on Pat O’Neill's Where the Chocola...CALIFORNIA ABOUNDS
WITH BEGUILING PLACE NAMES. The divergence between promise and reality may
Hi ~ this is more to do with Expanded Cinema/Performance than Film per se ~
but does anyone out there have a contact address (e-, or otherwise) for Mr
Steve Rushton who wrote this piece Art Articles on Stephen Cripps back in 1995?
many thanks
Art Articles on Stephen Cripps
One of which would've been Man Ray's Les Mystères du Château de Dé...
On Sunday, 30 March 2014, 11:24, Ingo Petzke i...@petzke.biz wrote:
As far as I know, this patron was the Viscomte de Noailles. And he was not
scandalized but put under tutelage by his family as he was regurlarly wasting
Now we're talkin'...
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-Original Message-
From: elizabeth mcmahon elizmcma...@yahoo.com
Sender: FrameWorks frameworks-boun...@jonasmekasfilms.com
Date: Fri, 24 Jan 2014 14:06:01
To: Gene Youngbloodato...@comcast.net; Experimental Film Discussion
Dear FrameWorkers,
does anybody know who owns/distributes the films of Ian Hugo, in the UK, and
whether there are any plans for future screenings?
Ai-Ye (1950, 22 min)
Bells of Atlantis (1952, 9 min)
Jazz of Lights (1954, 16 min)
Melodic Inversion (1958, 8 min)
The Gondola Eye (1961-71, 16
Cindy ~ just a quick word to say how beautiful the films screened last night at
Tate Modern were ~ particularly the John Cage Sun films and the unfinished
Jordan Belson Quartet fragments ~ extraordinary stuff... Many thanks...
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Yes Mr Fowler ~ excellent call ~ Prof Bruce Lacey... No exaggeration to say
that some of us have been waiting for a Lacey box set since the dawn of time...
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Sounds brilliant Cindy ~ another reason to catch that train to Waterloo...
--- On Wed, 16/5/12, C Keefer kee...@earthlink.net wrote:
From: C Keefer kee...@earthlink.net
Subject: [Frameworks] June 1, two Fischinger events at Tate Modern
To: frameworks@jonasmekasfilms.com
Date: Wednesday, 16
Somewhere round 1973 or just before Sight Sound magazine (UK) published an
issue with a bw performance still from James B Harris's film Some Call It
Loving. It was of Carol White (as Scarlet) in her nun's costume, but sitting
down between takes demurely drinking a cup of tea. This image
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