Hi Chris -
I have a projector you can take but like everyone says, you are going to
have to work on it. Not sure if the sound is working.
I'm at Visual Studies Workshop in Rochester NY.
Email taranel...@vsw.org
On Sat, Jun 6, 2020 at 6:28 PM Chris Rodriguez
wrote:
> I’m currently in
I have an Eiki with a similar issue. Using a heavy take-up reel (metal
1400') resolves the issue most of the time.
tara nelson
vsw/rochester
On Fri, May 15, 2020 at 10:26 AM Scott Dorsey wrote:
> In addition to the belt, there is a slip clutch that goes bad. The belts
> should be re
Millennium Film Journal seems like a perfect fit.
> On May 2, 2020, at 1:58 PM, Dominic Angerame
> wrote:
>
> Try Sight and Sound in the UK. It is part of the BFI but not quite sure how
> well known George is in the UK. Its worth looking into.
>
> d
>
>> On May 2, 2020, at 10:55 AM, Adam
quickly grasp the mechanics of the 16mm film camera.
This course is 15 weeks and offered for college credit through 3 local
universities, and is open to the public as a non-credit course.
Tara Merenda Nelson
On Wed, Feb 12, 2020 at 8:12 AM ak43201 wrote:
> Hello,
>
>
>
> among o
Slow Action by Ben Rivers
Sans Soliel by Chris Marker
> On Nov 3, 2019, at 8:18 AM, Niurgun Bootur wrote:
>
> Dear Frameworkers,
>
> A friend of mine is working on a short film about the architectural aspects
> of a neighborhood in Malagueira, Portugal and the gap between its architect's
>
Niagara Falls by Anne Charlotte Robertson
> On Oct 19, 2019, at 8:42 AM, Georg Koszulinski wrote:
>
> Hi, Kornelia,
>
> Here's a recent film that fits the bill:
>
> Driving Dinosaurs (Emma Piper-Burket, 2019)
> An 89 year old marketing gimmick subliminally resurfaces on a lonely road in
>
-workshop>:
http://bookstore.vsw.org/product/video-preservation-workshop
You can see examples of magnetic media from the VSW Video collection here:
http://www.vsw.org/collections/watch-portable-channel-videos/
Tara Merenda Nelson
Curator of Moving Image Collections
Visual Studies Workshop R
Rose Lowder does not score her films before shooting. Her notebooks are
transcriptions of the films made after they are shot.
Tara Merenda Nelson
> On Oct 3, 2019, at 4:12 AM, Albert Alcoz wrote:
>
> Dear Alix,
>
> Concerning this field the major recommendation would be the P
Pocket Light Meter works well for me too.
Tara Nelson
On Mon, Aug 5, 2019 at 2:03 PM Lisa Danker wrote:
> Hi Warren,
>
> I have used the Pocket Light Meter app when I needed to shoot something
> and didn't have another meter. I took readings from a gray piece of
> cardboar
Many thanks, David!
Tara Nelson
On Tue, Jul 30, 2019 at 11:25 AM David Baker wrote:
> As an unsolicited contribution to the ongoing exhibition at Microscope
> Gallery,
> “Scrapbook (or, Why Can’t We Live Together)”
> here is a three part historic radio broadcast circa 1972-7
Daniel Barnett’s book Movement as Meaning In Experimental Film discusses this
issue at length.
https://books.google.com/books/about/Movement_as_Meaning.html?id=BaiUAf1dBMcC=frontcover=kp_read_button
Tara Nelson
> On Mar 31, 2019, at 9:19 AM, FrameWorks Admin wrote:
>
> The flickerin
Bonnie Sherr Klein's *Not a Love Story: A Film About Pornography*
Arguably avant-garde for a documentary
On Thu, Jan 10, 2019 at 8:40 AM John Sundholm
wrote:
> gunvor nelson: take off
>
>
> /john
> --
> *Från:* FrameWorks för Rob
> Gawthrop
> *Skickat:* den 10
Check out the Labor Film Series at the Dryden Theater, programmed by Jurij
Meden.
https://www.eastman.org/film-series/labor-film-series
On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley wrote:
> Looking for experimental, nonfiction, feature or shorts that deal with the
> works
I would like to contact her regarding rights to Stan Lawder's book "The
Cubist Cinema."
Please contact me off list
Many thanks
Tara Merenda Nelson
Curator of Moving Image Collections
Visual Studies Workshop
31 Prince Street
Rochester, NY 14607
T 585 442 8676 <(585)%20442-8676>
Saul Levine's A Few Tunes Going Out series
https://vimeo.com/4533111
On Wed, Nov 8, 2017 at 3:13 AM, Albert Alcoz wrote:
> Hello,
>
> I was wondering about the connections between jazz music and avant-garde
> film after watching *Bridges-Go-Round* (1958) by Shirley
the films, so they can be inspected or at least assessed by someone who has
experience with film. They would also be able to recommend the best local
place for disposal.
She could also contact the Center for Home Movies for more resources.
http://www.centerforhomemovies.org/resources/
Tara Merenda
Antonioni, Red Desert
> On Mar 22, 2017, at 2:36 PM, John Muse wrote:
>
> Also Bergman’s Persona
>
>> On Mar 22, 2017, at 2:12 PM, Gae Savannah <4...@gaesavannah.com> wrote:
>>
>> Cassavetes Opening Night
>>
>> Bergman Though a Glass Darkly
>>
>>
>>
>>> On Mar 22,
Chicken Real by Les Blank
On Mon, Nov 14, 2016 at 10:15 AM, Meg Jamieson wrote:
> "Naomi Uman, almost all of her films that I have seen are about farming.
> Also, there is a Russian filmmaker whose name is escaping me right now,
> that makes incredible black and white
La Region Centrale by Michael Snow certainly invokes astronomical imagery...
On Tue, Sep 13, 2016 at 4:37 PM, Scott Dorsey wrote:
> You know there are a lot of JPL films out there from their film library.
>
> Ask them if they can get a print of "The Sergeant-- Report #100"
vimeo.com/155081792>
Password: FourMats
I have so much more to say on this subject, and I look forward to the
discussion that follows!
Tara Merenda Nelson
Curator of Moving Image Collections
Visual Studies Workshop
31 Prince Street
Rochester, NY 14607
T 585 442 8676
F 585 442 1992
www.vsw.org
for any inconvenience.*
Tara Merenda Nelson
Curator of Moving Image Collections
Visual Studies Workshop
31 Prince Street
Rochester, NY 14607
T 585 442 8676
F 585 442 1992
www.vsw.org
*Program:*
Jesus' Blood Never Failed Me Yet (1972, 30 min)
by Stephen Dwoskin
with music by Gavin Bryars
A man
The Sandman by Victor Faccinto
On Sun, May 22, 2016 at 10:39 AM, John Muse wrote:
> Having just seen
> http://www.artic.edu/exhibition/dennis-oppenheim-three-projections
> Polarities, 1972 is just amazing. Shadow Projection is perhaps better.
> Slide projection pieces still
Image Collections at Visual Studies Workshop, and I include
programming and projection in all the courses I teach in Film Production.
Filmmaking is a community, not a competition.
Tara Merenda Nelson
On Fri, Mar 18, 2016 at 10:24 AM, Beebe, Roger W. <beebe...@osu.edu> wrote:
> Many of my
were an issue. Lots of jumping in the gate, that sort of thing.
Tara Merenda Nelson
On Wed, Sep 30, 2015 at 12:58 PM, Willis McCumber <willis.mccum...@gmail.com
> wrote:
> Dear frameworkers,
> I'm editing a super 8 film and looking for about 20 mins worth of black
> leader. My b
haven't noticed
much of an issue in the image itself. I assume this is some kind of issue
with the manufacture of the cartridge, though someone else suggested it
might have to do with the thickness of the emulsion.
Tara Merenda Nelson
On Sat, Jul 18, 2015 at 9:05 AM, ev petrol epetr...@yahoo.com
Tara Merenda Nelson
On Mar 20, 2015, at 1:54 PM, Steve Polta steve.po...@gmail.com wrote:
Contemporary female artists working significantly with expanded cinema
(read: film/celluloid/projector performance/installation) that I would
recommend include the following. I'm just doing
I agree - it sounds to me like Joe is in trouble and I would like to help.
tara
On Sun, Jan 11, 2015 at 8:35 PM, Ethan Berry ethan.be...@montserrat.edu
wrote:
Joe Gibbons, and award winning Boston-based film makers was arrested over
the weekend in connection with a bank robbery in New York
I agree with Jason! University of Rochester has a fantastic screening series
and a very nice auditorium for showing films. We really enjoy working
together.
As I said, this is a great town for experimental filmmakers.
Tara
On Dec 18, 2014, at 3:15 PM, Roger D. Wilson rogerdwil
and well-maintained equipment.
Rochester is a great town for filmmakers! Please contact me if you are
interested in showing your work here.
Tara Merenda Nelson
taranelsonfilms.com
On Wed, Dec 17, 2014 at 6:10 PM, Roger D. Wilson rogerdwil...@sympatico.ca
wrote:
Hello frameworkers!
I'm going
One Species Removed by Jennifer Montgomery
On Wed, Apr 23, 2014 at 12:16 PM, Herb Shellenberger he...@ihphilly.orgwrote:
Elegia (Zoltan Huszarik, 1965, Hungary, warning: animal death)
Gibralter (Margaret Salmon, 2013, UK)
Birds at Sunrise (Joyce Wieland, 1986, Canada)
Una Furtiva
The Toronto 8 Fest and $100 Dollar Film Festival are top notch. I have
shown many Super 8 films with each of these festivals and have been treated
very well. I highly recommend them.
Tara Nelson
On Thu, Mar 20, 2014 at 5:00 PM, Picture Show apictures...@gmail.comwrote:
You can always
SHELLY WINTERS by Luther Price
(from an interview in Big Red Shiny)
*TN* *In your film SHELLY WINTERS, there is no image at all, just white
leader and a soundtrack We hear the voices of both victims and perpetrators
of domestic violence, telling their stories, but there is no image.*
*LP*
Here is the formula I use, with D-19 Developer. It works very well. For
negative, skip to step 11 after step 3:
1. Water Wash
3 MINUTES
2. 1st Developer: Kodak D-19
5 MINUTES
*Save this developer, you will use it again at step
This is terrible news! I am sorry to hear it.
I just spoke to Kodak in the USA and they are still selling TriX Super 8,
but you have to call Kodak directly at 1-800-621-3456 to place the order.
Maybe we can coordinate shipments to the UK?
tara nelson
On Thu, Oct 10, 2013 at 11:48 AM, Cherry
Peter and Kathy Rose
On Wed, Oct 9, 2013 at 2:21 PM, Ekrem Serdar ekremser...@gmail.com wrote:
Dziga Vertov + Boris and Mikhail Kaufman. Despite the latter two being
only cinematographers, they're all men with movie
camerashttp://badum-tish.com/.
On Wed, Oct 9, 2013 at 1:15 PM, Steve
I teach Super 8 and animation and I would love to have a DVD of Helen Hill
films to show my students. Are her films in distribution at all?
tara nelson
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Many thanks!
On Fri, Sep 27, 2013 at 12:13 PM, Dorothea Braemer dorot...@termite.orgwrote:
Dear Tara: There is a DVD available at the Harvard Film Archive, where
all her work is archived.
http://oasis.lib.harvard.edu/oasis/deliver/deepLink?_collection=oasisuniqueId=hfa8
- Dorothea
The SMFA in Boston has some of the Gepe case 400 foot reels for Super 8.
tara
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MassArt Film Society Presents
SHAMELESS (1974) by Victor Faccinto
WAVELENGTH (1967) by Michael Snow
Projected in 16mm film
Curated by Tara and Gordon Nelson
$4 Suggested Donation
SHAMELESS (1974) by Victor Faccinto 16mm, color, 13.5 min
Cut-out puppet animation. Not recommended for gentle
I am curating a show of Super 8 films from the 1980's, and I would like to
get Joe Gibbons' permission to screen a print. If anyone knows how I can
contact him I would really appreciate it.
I was a student of Joe's a few years ago so we are not strangers, if that
helps at all.
thanks
tara
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