Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

2 of film that we make in our lab Unzalab (first Unza!) : Deriva (2012): https://www.youtube.com/watch?v=C-rpa3sgRZw Interviste Mute a Niguarda (2010): https://vimeo.com/87479286 2018-07-15 15:39 GMT+02:00 Madison Brookshire : > I highly recommend Rithy Panh, *S-21: The Khmer Rouge Killing

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

I highly recommend Rithy Panh, *S-21: The Khmer Rouge Killing Machine*, 2003 https://en.wikipedia.org/wiki/S-21:_The_Khmer_Rouge_Killing_Machine Madison On Sat, Jul 14, 2018 at 5:39 PM Cinema Project wrote: > Anything by Eva Marie Rodbro would probably fit, especially *Dan Mark* > (2014) or *I

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

Anything by Eva Marie Rodbro would probably fit, especially *Dan Mark* (2014) or *I Touched Her Legs (2010)*. Here is an interview where she talks about her process of working with people: http://howtoworktogether.org/wp-content/uploads/Eva_Marie_Rodbro_HTWT.pdf Heather On Tue, Jul 10, 2018 at

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

One more: *Anton's Right Here*, Lyubov Arkus, 2012 On Wed, Jul 11, 2018, 2:25 PM Anna Kipervaser wrote: > All depends on exactly what you're looking for and how you define things, > but here's a few recent films off the top of my mind, in no particular order > > *Hacked Circuit*, Deborah

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

All depends on exactly what you're looking for and how you define things, but here's a few recent films off the top of my mind, in no particular order *Hacked Circuit*, Deborah Stratman, 2014 *The First Movie*, Mark Cousins, 2009 *One Cut, One Life*, Lucia Small and Ed Pincus, 2014 *Two Towns of

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

This work might meet your criteria. by Craig Saddlemire Viewable on Vimeo. https://vimeo.com/63068445 Household: Four Stories of Kinship and Curiosit I asked eight different families to allow me to videotape their daily lives. Four graciously accepted my proposal:

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

Hey, Sonya and all, A few titles off the top of my head that may (or may not) fit the bill of a single filmmaker and a group subject (not all activity or ‘project’ based): Episode III: Enjoy Poverty - Renzo Martens The Wolfpack - Crystal Moselle Demolition, Foreign Parts - JP Sniadecki / Varena

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

t;Experimental Film Discussion List < > frameworks@jonasmekasfilms.com>" > Date: Tuesday, July 10, 2018 at 12:52 PM > To: "Experimental Film Discussion List " < > frameworks@jonasmekasfilms.com>, "sonya.mladen...@gmail.com" < > sonya.mladen...@g

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

10, 2018 at 12:52 PM To: "Experimental Film Discussion List " , "sonya.mladen...@gmail.com" Subject: Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s) I'm guessing William Greaves' Symbiopsychotaxiplasm, Take One would be an excellent

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

William Greaves’ Symbiopsychotaxiplasm: Take One Sent from my iPhone > On Jul 10, 2018, at 6:35 PM, Scott MacDonald wrote: > > Well, all I'll say is that I don't see Punishment Park as "clueless"; Jeff > does. > > But, Sonya, you might find PP interesting, given your topic. The assemblage >

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

“Amarrando Pueblo” by Carlos Mayolo and Luis Ospina. "My head is made of the same matter of the sun" > On Jul 10, 2018, at 5:35 PM, Scott MacDonald wrote: > > Well, all I'll say is that I don't see Punishment Park as "clueless"; Jeff > does. > > But, Sonya, you might find PP interesting,

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

*Well, all I'll say is that I don't see Punishment Park as "clueless"; Jeff does.* *But, Sonya, you might find PP interesting, given your topic. The assemblage of people gathered for the film were playing roles that allowed them to speak as themselves, about current issues they cared about--they

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

Eliminating mediocre docudramas from the genre “documentaries” is hardly narrowing the definition. I dislike the D-word, perhaps because it has become meaningless due to arguments like this. I prefer the term “non-fiction.” Punishment Park is a somewhat clueless exercise using actors, um,

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

*Naaah, Punishment Park is not just faux doc style applied to fiction. Watkins devised a fictional situation (based on aspects of the political reality of that moment and a premonition of where reality might go next, as of 1970), set up so that actors playing their real ideological selves (that

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

Hello, Must the filmmaker be "a visible and/or an active participatory presence" in the activity being filmed, or would a visible presence only as a filmmaker also count? In either case, a high percentage of George Kuchar's 200+ video diaries are relevant to this. Some ethnographic work might

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

Subject: Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s) Peter Watkins: Punishment Park (1970) and really most all of Watkins' work. Scott On Tue, Jul 10, 2018 at 1:22 PM, Sonya Mladenova mailto:sonya.mladen...@gmail.com>> wrote: Hello ev

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

None of those Peter Watkins films are documentaries. Faux-documentary style applied to fiction does not a documentary make. You should know better. Jeff Kreines Kinetta j...@kinetta.com kinetta.com Sent from iPhone. > On Jul 10, 2018, at 2:09 PM, luis ? wrote: > > 25Cines/seg (2017) Luis

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

25Cines/seg (2017) Luis Macías El mar., 10 jul. 2018 a las 20:17, Jeff Kreines () escribió: > Demon Lover Diary, by Joel DeMott. > > Jeff Kreines > Kinetta > j...@kinetta.com > kinetta.com > > Sent from iPhone. > > On Jul 10, 2018, at 12:22 PM, Sonya Mladenova > wrote: > > Hello everyone, >

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

*Peter Watkins: Punishment Park (1970) and really most all of Watkins' work.* *Scott* On Tue, Jul 10, 2018 at 1:22 PM, Sonya Mladenova wrote: > Hello everyone, > > Looking for documentary films shot with/within a group of people engaged > in an activity or some kind of project, independently

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

Demon Lover Diary, by Joel DeMott. Jeff Kreines Kinetta j...@kinetta.com kinetta.com Sent from iPhone. > On Jul 10, 2018, at 12:22 PM, Sonya Mladenova > wrote: > > Hello everyone, > > Looking for documentary films shot with/within a group of people engaged in > an activity or some kind

Re: [Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

*T​* *odos ​vos sodes capitans* ​ (2010) O liver ​L​ axe : ​ https://www.imdb.com/title/tt1646984/ Not quite sure wether *Symbiopsychotaxiplasm* ​ (1968)​ by William Greaves could be labelled under th ​e​ se circumstances ​.​ On Tue, Jul 10, 2018 at 7:22 PM, Sonya Mladenova wrote: > Hello

[Frameworks] Documentaries within/with a group subject and participatory filmmaker(s)

Hello everyone, Looking for documentary films shot with/within a group of people engaged in an activity or some kind of project, independently or in an organized environment,* in which the filmmaker is a visible and/or an active participatory presence*. I'm especially interested in films from the