Re: [Frameworks] HIGH SCHOOL workflow

2015-01-15 Thread Francisco Torres
''My impression has always been that Direct Cinema first generation looked pretty crappy to begin with because they were getting a lot of grain and getting grayer blacks etc, to shoot with available light.'' Right, the way it was shot may be what they perceive as ugly ('' so much worse than a

[Frameworks] HIGH SCHOOL workflow

2015-01-14 Thread Julian Antos
Hi all, Does anyone have any information on the workflow used for Frederick Wiseman's HIGH SCHOOL? Specifically interested in whether it was shot on negative or reversal, and whether release prints would have been made from an internegative or directly from AB rolls. I projected what I thought

Re: [Frameworks] HIGH SCHOOL workflow

2015-01-14 Thread Jeff Kreines
Julian: Shot by Dick Lieterman.. BW neg, quite clearly, probably Kodak Double-X. The prints would have suffered generation loss because BW neg would go to a master positive, then a dupe neg, then a print. DuArt was Wiseman’s usual lab, but don’t know who would have made newer prints. I

Re: [Frameworks] HIGH SCHOOL workflow

2015-01-14 Thread Dave Tetzlaff
Jeff: BW neg, quite clearly, probably Kodak Double-X Would they have pushed the stock? My impression has always been that Direct Cinema first generation looked pretty crappy to begin with because they were getting a lot of grain and getting grayer blacks etc, to shoot with available light.