<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=79431fe7e1&e=f36020cad0>
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=5e1ada71bc&e=f36020cad0>
This week [June 9 - 17, 2018] in avant garde cinema
Enter your event announcements by going to the Flicker Weekly Listing Form
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=e9b72e34e0&e=f36020cad0> .
To receive the weekly listing via email: Subscribe
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=37a6dcfe27&e=f36020cad0> .
Cc35 - Light Terrors: New Expanded Cinema From Winnipeg <#anchor17> [June
17, Minneapolis, Minnesota] NEW CALLS FOR ENTRIES:
Black Maria Film Festival (Jersey City, NJ, USA; Deadline: October 15,
2018)
http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1982.ann
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=6d168d810b&e=f36020cad0>
DEADLINES APPROACHING:
Edinburgh Short Film Festival 2018 (Musselburgh; Deadline: June 25, 2018)
http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1962.ann
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=0f9117d7c7&e=f36020cad0>
Coney Island Film Festival (Brooklyn, NY, USA; Deadline: June 22, 2018)
http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1970.ann
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=01f15e014c&e=f36020cad0>
OFF THE WALL 2018 (Madison, WI, USA; Deadline: June 15, 2018)
http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1975.ann
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=7ca95a4931&e=f36020cad0>
Rencontres Internationales Sciences & Cinémas (RISC) (Marseille, France;
Deadline: June 30, 2018)
http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1978.ann
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=8fcaa25e9d&e=f36020cad0>
Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Steve Reinke's the Hundred videos <#anchor1> [June 9, Brooklyn, New
York]
* Crossroads Program 4: Lines Are Drawn <#anchor2> [June 9, San Francisco,
California]
* Crossroads Program 3: Fluid Frontiers (Ain’T Gonna Rain No More)
<#anchor3> [June 9, San Francisco, California]
* Crossroads Program 5: Inside the Machine (Demolition of A Wall)
<#anchor4> [June 9, San Francisco, California]
* Crossroads Program 6: Endless Nameless (Chaos Is the Future) <#anchor5>
[June 9, San Francisco, California]
* Crossroads Program 7: Edgeless Things Communicate <#anchor6> [June 10,
San Francisco, California]
* Crossroads Program 8: No Other (The Universe Has Its Ways) <#anchor7>
[June 10, San Francisco, California]
* Crossroads Program 9: Staring At the Sun (We Bite the Shadow) <#anchor8>
[June 10, San Francisco, California]
* Crossroads Program 10: Use Your Illusion <#anchor9> [June 10, San
Francisco, California]
* In the Intense Now, By JoãO Moreira Salles <#anchor10> [June 12, Los
Angeles, California]
* Spectres of Shortwave / Ombres Des Ondes Courtes <#anchor11> [June 13,
Montreal, Quebec]
* Holy Fluids and Absent Wounds <#anchor12> [June 14, Brooklyn, New York]
* Other Tongue: An Evening With Nang <#anchor13> [June 14, Brooklyn, New
York]
* ... Shifting Earth .... <#anchor14> [June 14, Montreal, Quebec]
* Nathaniel Dorsky's Arboretum Cycle <#anchor15> [June 14, San Francisco,
California]
* Next Level Fucked Up <#anchor16> [June 15, Brooklyn, New York]
* Cc35 - Light Terrors: New Expanded Cinema From Winnipeg <#anchor17>
[June 17, Minneapolis, Minnesota]
SATURDAY, JUNE 9, 2018
6/9
Brooklyn, New York: Light Industry
http://www.lightindustry.org/
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=cbd339c6dc&e=f36020cad0>
7:30pm, 155 Freeman St.
STEVE REINKE'S THE HUNDRED VIDEOS
The Hundred Videos, Steve Reinke, 1989-1996, digital projection, 4 hours,
49 minutes In 1990, Steve Reinke decided to make a set of one hundred
videos, planning to produce ten videos a year for ten years, using his 1989
piece Excuse of the Real as the first in the series. At the time, Reinke was
in his mid-20s and living in Toronto; he thought the project would
ultimately serve to constitute his complete work as a young artist. As the
decade proceeded, however, his rate of production increased, and the suite
was realized well ahead of schedule, in 1996, clocking in at just under five
hours total; the average length of each individual video is a little under
three minutes.
6/9
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=39ef32b307&e=f36020cad0>
1:45 PM, 151 3rd St, San Francisco, CA 94103
CROSSROADS PROGRAM 4: LINES ARE DRAWN
Films of wander, drift and encounter with the world give way to abstracted
spaces and fragmentary envisionings of bodies. Self-portraiture gives way to
other-portraiture, cinematic revisioning and enactment of feminist art
actions. Experiences forgotten by the mind are carried by the body. Aches
may linger. Is it uncommon to relive events in which your body played no
part? SCREENING: Union (2010) by Paul Clipson (USA); Taylor Creek (2017) by
Dan Browne (Canada); Reasonable Watchfulness (2018) by Talena Sanders (USA);
Applied Pressure (2018) by Kelly Sears (USA); Venus Delta (2016) by
Antoinette Zwirchmayr (Austria); Untitled (2012) by Antoinette Zwirchmayr
(Austria); Rote Linie (Red Line) (2015/2016) by Rosa John (Austria); Model
of a Hand (2018) by Rosa John (Austria); Void Vision (2018) by Alexander
Stewart (USA); I AM NOT HERE FOR YOU (2017) by Nico La Shae (USA); me and my
army (2017) by sair goetz (USA). More info:
http://www.sfcinematheque.org/screenings/crossroads-program-4/
6/9
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=1110bfb451&e=f36020cad0>
12:00 PM, 151 3rd St, San Francisco, CA 94103
CROSSROADS PROGRAM 3: FLUID FRONTIERS (AIN’T GONNA RAIN NO MORE)
Films on diaspora, migration, exodus and resistance, the flows of traffic,
bodies, air, water and culture. The self-organizing motor traffic of the
streets of Jakarta teems. Bahamian Junkanoo costumes and rhythms rake ‘n’
scrape. The spirit of a dreaming Diana Ross enacts visions of Mahogany while
Sly the Family Stone hit the tarmac. SCREENING: Fluid Frontiers (2017) by
Ephraim Asili (USA); Pancoran (2017) by Dianna Barrie & Richard Tuohy
(Australia); Pull Down (2016) by Susan MacWilliam (Ireland); Olly Olly Oxen
Free (2017) by Julia Dogra-Brazell (UK); Junkanoo Talk (2017) by Rhea Storr
(UK); Mahogany Too (2018) by Akosua Adoma Owusu (USA/Ghana); Transit (2017)
by Paige Taul (USA); How Can I Ever Be Late (2017) by Kevin Jerome Everson &
Claudrena N. Harold (USA); Crow Requiem (2015) by Cauleen Smith (USA). More
info: http://www.sfcinematheque.org/screenings/crossroads-program-3/
6/9
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=cf33ca6def&e=f36020cad0>
4:30 PM, 151 3rd St, San Francisco, CA 94103
CROSSROADS PROGRAM 5: INSIDE THE MACHINE (DEMOLITION OF A WALL)
It’s something pretending to be something else. It starts one brick at a
time. The films in this program collide the abstract with the concrete and
the mighty concrete crumbles. Astrology meets machinery. Alchemy meets
astronomy and space noises bloom. Lines are drawn, erased, blurred, and
drawn again. SCREENING: Astrology (2018) by Brittany Gravely (USA); Inside
the Machine (2016) by Dianna Barrie & Richard Tuohy (Australia); Decoy
(2017) by Alee Peoples (USA); Marking Time (2016) by Robert Todd (USA);
Absteigend (2012) by Paul Clipson (USA.); At The Horizon (2018) by Manuel
Knapp (Austria) & Makino Takashi (Japan). More info:
http://www.sfcinematheque.org/screenings/crossroads-program-5/
6/9
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=3f9479360b&e=f36020cad0>
8:00 PM, 151 3rd St, San Francisco, CA 94103
CROSSROADS PROGRAM 6: ENDLESS NAMELESS (CHAOS IS THE FUTURE)
Shutter-induced visions confound, overreach and dissipate. Films as
overflowing boxes of coagulated speed, color and contrast. Confusion in slow
motion; eclipses and occlusions. The mechanisms of memory evoke the future.
Time moves in all directions (and sometimes not at all). Live
quad-projection (in 16mm) by Simon Liu + live sound by Warren Ng ring in our
CROSSROADS Saturday night. SCREENING: Note to Tetsua (2018) by Saul Levine
(USA); Saint Bathans Repetitions (2016) by Alexandre Larose (Quebec); Abound
Box (2015) by Sheri Wills (USA); Confusion Is Next (2018) by Pathompon Mont
Tesprateep (Thailand); High View (2017) by Simon Liu (Hong Kong/UK/USA);
SUNDAY, JUNE 10, 2018
6/10
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=c73568c901&e=f36020cad0>
12:00 PM, SFMOMA, 151 3rd St, San Francisco, CA 94103
CROSSROADS PROGRAM 7: EDGELESS THINGS COMMUNICATE
Speculative films on indeterminacy, quantum entanglement, physics, biology,
the spiritual nature of light (and dark), the nature of inquiry (scientific
and otherwise) and belief in myriad forms. Subjects bear witness, provide
testimony, ponder evidence. Cinematic questing on philosophy and states of
being, matter and energy. Complex bodies come into being. SCREENING: Fugue,
A Light’s Travelogue (2017) by Els van Riel (Belgium); Entangled
Nightvisions (2017) by Aura Satz (UK); Ears, Nose and the Throat (2016) by
Kevin Jerome Everson (USA); IFO (2016) by Kevin Jerome Everson (USA); 内共生
(Inside the Shared Life) (2017) by Erin Espelie (USA). More info:
http://www.sfcinematheque.org/screenings/crossroads-program-7/
6/10
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=9f330c2236&e=f36020cad0>
2:15 PM, SFMOMA, 151 3rd St, San Francisco, CA 94103
CROSSROADS PROGRAM 8: NO OTHER (THE UNIVERSE HAS ITS WAYS)
Films on human frailty and human strength, on resilience—physical,
emotional and spiritual. Films on going with the flow and swimming against
the tide. Theories of parallel worlds are presented; indeterminate states of
matter and existence are contemplated and proffered. Password protected love
affairs. Is there help in the stars? How much light do we see? The universe
has its ways. SCREENING: Onward Lossless Follows (2017) by Michael Robinson
(USA); Schrödinger’s Cat Part I (2017) by Takahiro Suzuki (USA); The
Crack-Up (2017) by Jonathan Schwartz (USA); Entry Note (2018) by Saul Levine
(USA); Solstice (2017) by Lydia Moyer (USA); Blinding and Blending (2018) by
Dianna Barrie & Richard Tuohy (Australia); Water/Mist/Fire/Off (2017) by
Youngzoo Im (South Korea). More info:
http://www.sfcinematheque.org/screenings/crossroads-program-8/
6/10
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=4b086ac139&e=f36020cad0>
4:15 PM, SFMOMA, 151 3rd St, San Francisco, CA 94103
CROSSROADS PROGRAM 9: STARING AT THE SUN (WE BITE THE SHADOW)
Colectivo Los ingrávidos’ Sun Quartet is a solar composition in four
movements, a political composition in four natural elements addressing the
2014 disappearance of forty-three students of Iguala, including ruminations
on the prelude and aftermath of this devastating and galvanizing national
event; a perceptive experience of the current Mexican war and an assertive
series of intensely visual cine-poems. CROSSROADS program 9 includes the
Quartet’s concluding three parts (NOTE that The Sun Quartet, part 1 opens
CROSSROADS on June 8—information here) as well as films of dark tropical
visions, appropriated fútbol mascots and the looming spectre of Bitcoin.
SCREENING: Tupianas (2016) by Marcos Bonisson & Khalil Charif (Brazil);
Intertropical Vision (2018) by Adriana Vila Guevara (Spain/Venezuela);
Jícaro (2016) by Rosa John (Austria); 7FF on¢idia (2016) by Ж (Brazil); The
Sun Quartet, part 2: San Juan River (2017) by Colectivo Los ingrávidos
(Mexico); The Sun Quartet, part 3: Conflagration (2017) by Colectivo Los
ingrávidos (Mexico); The Sun Quartet, part 4: November 2/Far from Ayotzinapa
(2017) by Colectivo Los ingrávidos (Mexico). More info:
http://www.sfcinematheque.org/screenings/crossroads-program-9/
6/10
San Francisco, California: San Francisco Cinematheque
http://www.sfcinematheque.org
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=f124a3eaf3&e=f36020cad0>
6:30 PM, SFMOMA, 151 3rd St, San Francisco, CA 94103
CROSSROADS PROGRAM 10: USE YOUR ILLUSION
CROSSROADS concludes with a program of clashing visions of
techno-determinate hubris, mediated oppression and the possibilities of
rapturous escape into noise, light and the ecstasies of the analog.
Technophobia meets technophilia in the dystopian present. Crowds gather,
flowers bloom and electrons flow as tides of resistance rise. SCREENING: you
can’t plan a perfect day sometimes it just happens (2017) by Alison Nguyen
(USA); China Not China (2018) by Dianna Barrie & Richard Tuohy (Australia);
Solo Trumpet (2017) by Kit Young and Brian Pederson (USA); The Falling Sky
(2017) by Peggy Ahwesh (USA); The Forcing (No. 2) (2015) by Lydia Moyer
(USA); 3 Peonies (2017) by Stephanie Barber (USA); Wasteland No. 1: Ardent,
Verdant (2017) by Jodie Mack (USA); Another Void (2012) by Paul Clipson
(USA). More info:
http://www.sfcinematheque.org/screenings/crossroads-program-10/
TUESDAY, JUNE 12, 2018
6/12
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=2ff6d0a0a8&e=f36020cad0>
8:00 pm, Downtown Independent, 251 S. Main Street
IN THE INTENSE NOW, BY JOãO MOREIRA SALLES
Los Angeles Filmforum, and Acropolis Cinema present In the Intense Now, by
João Moreira Salles Tuesday, June 12, 2018, 8:00 pm At the Downtown
Independent, 251 S. Main Street Los Angeles, CA 90012 1968: Visions of
Possibilities, part 3 “History made poetic, hypnotic in its provocation.” –
Owen Gleiberman, Variety In the Intense Now explores the revolutions of 1968
as they unfolded across four different countries and their political
environments: France, Czechoslovakia, China, and Brazil. Narrated in first
person by the director, the film reflects on that which is revealed by
footage of the French students’ uprising in May of 1968; the images captured
by amateurs during the invasion of Czechoslovakia in August of the same
year, when forces led by the Soviet Union put an end to the Prague Spring;
the scenes that a tourist —the director’s mother —filmed in China in 1966,
the year of the Great Proletarian Cultural Revolution; and footage from
Salles’ own childhood in Brazil, during the establishment and rule of a
repressive military dictatorship.
WEDNESDAY, JUNE 13, 2018
6/13
Montreal, Quebec: Cinémathèque Québecoise
http://www.cinematheque.qc.ca/en/programmation/projections/film/spectres-sho
rtwave?pid=27510
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=ddbe5d8e3e&e=f36020cad0>
7pm, 335, De Maisonneuve Blvd East
SPECTRES OF SHORTWAVE / OMBRES DES ONDES COURTES
by Amanda Dawn Christie. A film about radio waves, relationships,
landscape, and loss. This experimental documentary film about the Radio
Canada International (RCI) shortwave radio towers, presents the site through
four seasons, leading up to, and including, its demolition in winter of
2014. Images captured on 35mm film accompanied by personal stories from by
people who lived with the site, interwoven with field recordings made by
placing contact microphones onto the towers themselves. Screenings of this
film are accompanied by a radio simulcast, so that while viewers watch the
film on a big screen in one part of the world, listeners can hear the sound
track over radio waves in another part of the world. This Montreal
screening is accompanied by a shortwave simulcast on German Shortwave
Service 3895 kHz. 1 hour 53 minutes, colour, 5.1 sound
THURSDAY, JUNE 14, 2018
6/14
Brooklyn, New York: UnionDocs
http://www.uniondocs.org
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=de5d77c910&e=f36020cad0>
7:30, 322 Union Avenue
HOLY FLUIDS AND ABSENT WOUNDS
Screening to be followed by a discussion with Ruth Somalo, Vicky Smith, and
Vanessa Renwick Bodily fluids, like emotions, flow, seep, infiltrate. And if
they belong to the female body they are systematically controlled, judged,
stigmatized. Even today, the way that our fluids are understood is not a
universal scientific concept, but emerged from our own history and cultural
concepts. Re addressing one’s own body perceptions and reclaiming our
secretions help us confront the notion of the body as a passive object that
could be abused, transformed and subjugated. How do misconceptions on the
female body shape the cultural position of women? UnionDocs is excited to
present Holy Fluids and Absent Wounds, a program by filmmaker & curator Ruth
Somalo that presents the work of seven filmmakers that directly or
indirectly deal with the female body, its secretions, its functions and its
representation.
6/14
Brooklyn, New York: Light Industry
http://www.lightindustry.org/
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=9e476370ab&e=f36020cad0>
7:30pm, 155 Freeman St.
OTHER TONGUE: AN EVENING WITH NANG
Curated by Maryam Tafakory and Julian Ross As part of an ongoing series
dedicated to bringing the most vital international film publications to New
York audiences, Light Industry hosts an evening with NANG, a new magazine of
Asian cinema published out of Seoul. Mouth to Mouth, Theresa Hak Kyung Cha,
1975, digital projection (originally for monitor), 8 mins Fatima’s Letter,
Alia Syed, 1992, 16mm, 21 mins Sugiharti Halim, Ariani Darmawan, 2008,
digital projection, 10 mins Poem and Stone, Maryam Tafakory, 2015, digital
projection, 11 mins Highview, Simon Liu, 2017, 16mm quadruple projection, 20
mins
6/14
Montreal, Quebec: Cinémathèque Québecoise
http://www.cinematheque.qc.ca/en/programming/projections?date=2018-06-14
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=6deace9a00&e=f36020cad0>
9pm, 335, De Maisonneuve Blvd East
... SHIFTING EARTH ....
… Shifting Earth.… is a program of experimental films and performances by
Amanda Dawn Christie, made between 2004 and 2018. The works in this program
explore the visible landscapes of earth, forest, and ocean, as well as the
invisible landscapes of memory, mourning, and electromagnetic waves. Wave
forms and wave theory, are a connecting thread throughout these works, be
they the microwaves from telecommunications towers, radio waves from
shortwave towers and satellites, the separation of wavelengths in the
visible spectrum, or oceanic and tidal waves. The nature of light as both a
particle and a wave becomes an analogy to explore psychological loss,
memory, grieving, and healing. Works will be screened on 35mm, 16mm, and
super 8 film as well as VHS transferred to digital, and 1 new digital work.
The program includes 1 brand new work (still in progress) as well as 3
expanded cinema performances, one of which is being reworked with an all new
soundtrack.
6/14
San Francisco, California: San Francisco Museum of Modern Art
http://www.sfmoma.org
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=9c167ffa3f&e=f36020cad0>
7pm, 151 Third Street
NATHANIEL DORSKY'S ARBORETUM CYCLE
For more than 50 years, San Francisco-based experimental filmmaker and
editor Nathaniel Dorsky has been creating experimental, silent short films
in which light, nature, and the objects of the everyday are transformed to
the point of wonder. Join us for a screening of Dorsky’s most recent film,
Arboretum Cycle, which was shot over a twelve-month period beginning in the
early spring of February and ending in the month of December. Entirely
photographed in Golden Gate Park’s Strybing Arboretum in, the film is
presented in seven sections and will be shown with one intermission. With
Nathaniel Dorsky in person! $10 members; $12 general
FRIDAY, JUNE 15, 2018
6/15
Brooklyn, New York: Spectacle Theater
http://www.spectacletheater.com/next-level-fucked-up-vanessa-renwick/
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=30f87bc308&e=f36020cad0>
7:30, 124 South 3rd Street
NEXT LEVEL FUCKED UP
NEXT LEVEL FUCKED UP: A NIGHT WITH VANESSA RENWICK Spectacle is excited to
present a selection of 13 shorts by artist, filmmaker and founder of the
Oregon Department of Kick Ass, Vanessa Renwick. These short, personal
constructions demonstrate a wide range of formal approaches and subjects
that include wildness, hitchhiking, death, nuclear power, gentrification,
migration and the Anthropocene. Renwick’s films share a restless spirit, an
interest in outlaw art-making, and an unflagging sense of wanderlust.
Without fail, the work is intense, hard to pin down and even harder to
forget.
SUNDAY, JUNE 17, 2018
6/17
Minneapolis, Minnesota: Cellular Cinema
7pm, 810 W Lake St
CC35 - LIGHT TERRORS: NEW EXPANDED CINEMA FROM WINNIPEG
Cellular Cinema is delighted to welcome back some of our expanded cinema
artist friends from across the border to the North, including Doreen Girard,
Marie-France Hollier, Leslie Supnet, and Colby Richardson. Works presented
this evening will include: Doreen Girard + Marie-France Hollier TITLE /
INFO: SPECTRAL REPAIR | 28 min | Experimental | Overhead Projector | Colour
| Sound SYNOPSIS: Hand-animated assemblage of refracted light projections,
performed with multiple projectors and lenses, with live sound accompaniment
by Marie-France Hollier.
Let us know about your alternative film/video event!
Enter your event announcements by going to the Flicker Weekly Listing Form
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=07b9a4fe7b&e=f36020cad0> .
To receive the weekly listing via email, send a message to Subscribe
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3
&id=214d21eb79&e=f36020cad0> .
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad
3&id=4290607acb&e=f36020cad0>
_______________________________________________
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
