<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=99124ce975&e=f36020cad0> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=59b5113dd0&e=f36020cad0> This week [May 26 - June 3, 2018] in avant garde cinema Enter your event announcements by going to the Flicker Weekly Listing Form <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=93df3e0499&e=f36020cad0> .
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Schismogenesis ñ Steps Toward A History of French Experimental Film <#anchor2> [May 27, Brooklyn, New York] An Evening With Rhonda Lieberman <#anchor6> [May 29, Brooklyn, New York] (S8) Mostra De Cinema PerifÈRico <#anchor5> [May 29, A Coruña] Shapeshifters Cinema Presents Linda Scobie With Capt J Rab <#anchor9> [June 2, Oakland] NEW CALLS FOR ENTRIES: Light Field (San Francisco, CA; Deadline: September 15, 2018) http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1981.ann <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=15c14c2e90&e=f36020cad0> DEADLINES APPROACHING: Haverhill Film Festival (Haverhill, MA, USA; Deadline: June 01, 2018) http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1951.ann <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=afe1d6cbf8&e=f36020cad0> Edinburgh Short Film Festival 2018 (Musselburgh; Deadline: June 25, 2018) http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1962.ann <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=360c66ddad&e=f36020cad0> Coney Island Film Festival (Brooklyn, NY, USA; Deadline: June 22, 2018) http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1970.ann <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=3ffe512e4a&e=f36020cad0> 25 FPS Festival (Zagreb, Croatia; Deadline: May 31, 2018) http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1971.ann <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=eb1e4507e4&e=f36020cad0> OFF THE WALL 2018 (Madison, WI, USA; Deadline: June 15, 2018) http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1975.ann <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=5579695417&e=f36020cad0> WNDX Festival of Moving Image (Winnipeg, Manitoba, Canada; Deadline: June 01, 2018) http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1977.ann <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=27a689bf0c&e=f36020cad0> Events are sorted alphabetically BY CITY within each DATE. This week's programs (summary): * New Experimental Works <#anchor1> [May 26, San Francisco, California] * Schismogenesis ñ Steps Toward A History of French Experimental Film <#anchor2> [May 27, Brooklyn, New York] * May Days (Grands Soirs Et Petits Matins), By William Klein <#anchor3> [May 27, Los Angeles, California] * Investigation of A Flame + Last Summer Won'T Happen - Lynne Sachs In Person! <#anchor4> [May 27, New York, NY] * (S8) Mostra De Cinema PerifÈRico <#anchor5> [May 29, A Coruña] * An Evening With Rhonda Lieberman <#anchor6> [May 29, Brooklyn, New York] * Investigation of A Flame + Last Summer Won'T Happen - Lynne Sachs In Person! <#anchor7> [May 30, New York, NY] * Posthaste Perennial Patterns: Talk and Screening With Jodie Mack <#anchor8> [May 31, New York, New York] * Shapeshifters Cinema Presents Linda Scobie With Capt J Rab <#anchor9> [June 2, Oakland] SATURDAY, MAY 26, 2018 5/26 San Francisco, California: Other Cinema http://www.othercinema.com/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=803c7cdbfb&e=f36020cad0> 8 PM, 992 Valencia Street NEW EXPERIMENTAL WORKS For 33 years now, the OC season has been consummated with an energized evening of radical expression and form, with many of the makers in person. Spot-lit on this Spring round are Julie Murrayís Radius (West Coast debut), and FrÈdÈric Moffetís Fever Freaks (Cali launch). PLUS premieres from Tala Brecke, in person (Rain), Alessia Cecchet (WWW), Carl Diehl (Connective Unconscious), Carl Elsaesser (Sounding), John Warren (Helter Skelter), Winston Hacking (Erodium Thunk , on 16mm!), and Clint Enns (All My Life (After Baillie)), a Super8/digital-animation ìpanoramic scrollî of Bruceís All My Life. ALSO Andrew Norman Wilsonís Ode to Seekers, a new one from Bryan Boyce, and other currently in-progress pieces TBA! Free pencils. $8. SUNDAY, MAY 27, 2018 5/27 Brooklyn, New York: Microscope Gallery http://www.microscopegallery.com <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=963a7585dc&e=f36020cad0> 7:30pm, 1329 Willoughby Avenue, 2B SCHISMOGENESIS ñ STEPS TOWARD A HISTORY OF FRENCH EXPERIMENTAL FILM Films by Martine Rousset, Patrice Kirchhofer, and David Wharry, Curated by Enrico Camporesi //////////////////////////////////// Microscope is very pleased to welcome back Paris-based, Italian curator Enrico Camporesi to the gallery with a new program of 16mm experimental films, Schismogenesis ñ Steps Toward a History of French Experimental Film. The evening includes a selection of works by three members of the Cooperative des cinÈastes (Paris, 1976-1978) Martine Rousset, Patrice Kirchhofer, and David Wharry that have rarely, if ever, screened in the US. All films will be shown in their original format.////////////////////// Enrico Camporesiís description of the show follows: ìWe needed fresh air, freedom, we needed to do what we had to do. We were somewhere nearby a poor cinema. Free and poor cinema, thatís it.î It is in these terms that the filmmaker Martine Rousset explains the founding of the Cooperative des cinÈastes in 1976. Conceived more as a gathering of differences, rather than a structured movement, the association would disband shortly after its inception. It would be hard to tell what brought these people together ñ again Rousset: ìThere was David Wharry that played the Englishman, there was Kirchhofer that developed films in his bathtub, there was GÈrard Courant that started his CinÈmatons.î ///////////////////////////////// The idea that lay behind their gathering coincided with an attempt to break away from the two major groups of independent filmmakers of the time in France. The members of the Cooperative des cinÈastes did not want to join the ranks of the ìprofessor filmmakersî of the Paris Film Coop (ìtoo theoreticalî). But, at they same time, they could not to come to terms with auteur film in a manner akin to what the Collectif Jeune CinÈma had been doing (ìtoo eclecticî). After being reunited under this common will of dissent, it was inevitable to witness, in turn, the end of the Cooperative des cinÈastes. ///////////////////////////////// Eventually, the conflicts faded and the frantic creation of new divisions between the filmmakersí groups came to an end. The prints rested some time on the shelves of Light Cone, the distributor that channelled the heritage of the coops of the 1970s. Here is the occasion to see four of them. ////////////////////// General admission $8 Members or students w/ ID $6 ///////////////////////////// Enrico Camporesi is an Italian writer and curator based in Paris. His book Futurs de líobsolesence, an essay on the restoration of artistsí films, is forthcoming later this year for ditions MimÈsis. His previous research focuses on matters of restoration and museology of experimental and artistís film. His writings on the moving image have appeared in Necsus ñ European Journal of Media Studies, Fata Morgana, La Furia Umana, and in several edited volumes. Camporesi has curated screenings for Centre Pompidou, Light Cone, and Cineteca di Bologna, among others. 5/27 Los Angeles, California: Filmforum http://www.lafilmforum.org/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=99c720498d&e=f36020cad0> 7:30 pm, 6712 Hollywood Blvd., MAY DAYS (GRANDS SOIRS ET PETITS MATINS), BY WILLIAM KLEIN Los Angeles Filmforum presents May Days (Grands soirs et petits matins), by William Klein Sunday, May 27, 2018, 7:30 pm At the Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd., Los Angeles CA 90028 Part of 1968: Visions of Possibilities Introduced by Ed Dimendberg! A documentary about May 1968. Shot in black and white with a hand-held camera, this is the most precious, balanced and disturbing account we have of the spirit of May '68. At the request of students studying at the Sorbonne, William Klein filmed events in the Latin Quarter of Paris. This footage was intended to be used as part of an umbrella film about May 1968 which, due to multiple dissensions, could never be completed at the time. The film is given over to the people, students, militants, union activists, those who in daily life barely have any contact with each other who can suddenly express themselves. We listen to workers, housewives, waiters, store owners, immigrants, school-children, pensioners, dissatisfied yuppies, repentant bosses, angry young men and women of every type and political tendency, whose passionate discussions ebb and flow across the city. Good intentions, rumors, revelations, wild dreams and speeches, incisive and far-fetched analyses, dramatic turns of events, plots, confessions, crises of conscience, good and bad trips and psychodramas. Talking and talking into delirium 5/27 New York, NY: Anthology Film Archives http://www.anthologyfilmarchives.org/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=01cf7adb61&e=f36020cad0> 3:45 PM, 32 Second Avenue INVESTIGATION OF A FLAME + LAST SUMMER WON'T HAPPEN - LYNNE SACHS IN PERSON! Lynne Sachs INVESTIGATION OF A FLAME (2001, 45 min, 16mm) On May 17, 1968, nine Vietnam War protesters, including a nurse, an artist, and three priests, walked into a Catonsville, Maryland draft board office, grabbed hundreds of Selective Service records and incinerated them with homemade napalm. INVESTIGATION OF A FLAME is an intimate look at this unlikely, disparate band of resisters - the Catonsville Nine as they came to be known - who broke the law in a poetic act of civil disobedience. Sachs has combined long unseen archival footage with a series of informal interviews with Daniel Berrigan, Philip Berrigan, Howard Zinn, John Hogan, Tom Lewis, and Marjorie and Tom Melville to encourage viewers to ponder the relevance of such events today.Lynne Sachs will be here in person for both screenings! Peter Gessner & Tom Hurwitz LAST SUMMER WON'T HAPPEN (1968, 58 min, 16mm) Shot in 1968, one year after the Summer of Love, LAST SUMMER WON'T HAPPEN is a critical yet sympathetic examination of the anti-war movement in NYC. The film traces the development of a group of activists on the Lower East Side. We see their growth from isolated, alienated individuals to a politically empowered community. Filmed between the protests at the Pentagon and the demonstrations at the Democratic Convention in Chicago, it includes portraits of Abbie Hoffman, editor Paul Krassner, folksinger Phil Ochs, and anarchist Tom "Osha" Neumann. TUESDAY, MAY 29, 2018 5/29 A CoruÒa: (S8) Mostra de Cinema PerifÈrico http://www.s8cinema.com/portal/en/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=a5250e186a&e=f36020cad0> 8 pm, Sala PALEXCO, CGAI (S8) MOSTRA DE CINEMA PERIFÈRICO Today May 25th we are launching the 9th edition of (S8) Mostra de Cinema PerifÈrico, that will take place in A CoruÒa, Northern Spain, untill June 3rd, with a special presentation of Dreyer's The Passion of Joan of Arc with live soundtrack. The rest of the program will start on May 29th. Under the title Lux Algebra, this edition refers to the concept of algebra ñ the branch of mathematics that studies the combination of elements of abstract structures according to certain rules ñ and that of lux ñ the unit of measurement of light-, with the intention of insisting on the cinema as a result of a combination of elements, and through the selection of works in which time and structure are fundamental. With key figures such as Ernie Gehr and Kurt Kren, and filmmakers such as Scott Stark and Chris Kennedy (as well as two programs of historical and contemporary films, one of them on Structural Sound curated by Albert Alcoz), we will break down the theme of this new edition. Another of the essential figures that will visit the Mostra is the Canadian Philip Hoffman, one of the masters of the art of the personal cinema and diary film, and promoter of the educational project Film Farm. The filmmaker Friedl vom Grller will be in A CoruÒa with her 16mm portraits, continuing her portentous work in the field of photography, and the Argentinian filmmaker Pablo Mazzolo will present a program on his work. The seminal independent film distributor Canyon Cinema, which has been 50 years active will celebrate its anniversary here with a program curated by Antonella Bonfanti, under the title California Dreaming, In the classic section DESBORDAMIENTOS, we will have the film performances by the Colombian-German duo based in Berlin Ojoboca, who will premiere a new work in (S8), in addition to the works by Scott Stark, Pablo Mazzolo and Tono Mejuto, who will premiere Reliefs, the result of the first BAICC residence, organized by the (S8) in collaboration with AcciÛn Cultural EspaÒola and Toronto LIFT. SINAIS continues to bring Galician cinema to front, this time with a complete retrospective of the combative work of MarÌa Ruido. In addition, SINAIS EN CURTO collects the best of the Galician filmmakers, with works by Alberte Pag·n, Lara and Noa Castro, ¡ngel Santos, Helena GirÛn and Samuel Delgado, finishing with Marcos PÈrez and Martin Pawley. Regarding exhibitions, we will have an exhibition on film diagrams and scores, Cinema on Paper (with works by Paul Sharits, Rose Lowder, Kurt Kren, R. Bruce Elder, Bill Brand, Peter Kubelka, Lis Rhodes and Dora Maurer), that will have a special presentation during the days of the festival of Lis Rhodes' Light Music (courtesy of LUX). We also have an installation by Ernie Gehr, As If, as well as a exhibition of video works by Galician filmmaker MarÌa Ruido. You can find more information in our website, here is our trailer: https://www.youtube.com/watch?v=OEnpPCvj0Os You are all invited to come as usual, and in case you can not come this time, save the dates for the next year! 5/29 Brooklyn, New York: Light Industry http://www.lightindustry.org/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=671c88ec5a&e=f36020cad0> 7:30, 155 Freeman Street AN EVENING WITH RHONDA LIEBERMAN Pssst! Please join us for a rare screening of a fabulous flick that was a popular VHS bootleg (back in the day when we had VCRs!). We canít mention it overtly because it was "removed from public distribution" for toying with sacred cows like 70s Pop Stars, eating disorders, officially licensed products and dysfunctional families. In short, it is highly entertaining, and as brilliant as it is transgressive. We will see either a 16mm print or the new restored HD versionóboth exciting! Essayist and critic Rhonda Lieberman, a Contributing Editor at Artforum, will introduce the film with a short reading to celebrate the recent launch of Pep Talk 7: The Rhonda Lieberman Reader edited by Sarah Lehrer-Graiwer, a big fat compilation of her work in the trenches chronicling the Good, the Bad and the Tasteful in and around the art world, academia, consumer culture and Inequality since 1989! After the screening, sheíll be available to kibbitz and sell some books (she hopes!). According to Gilda Williams in this monthís Frieze: ìThe Rhonda Lieberman Reader is the answer to our prayersÖI never want to meet her.î To quote auteur theorist and practitioner Larry David: "With critics like these, who needs friends?" WEDNESDAY, MAY 30, 2018 5/30 New York, NY: Anthology Film Archives http://www.anthologyfilmarchives.org/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=ea04bec20d&e=f36020cad0> 9:00 PM, 32 Second Avenue INVESTIGATION OF A FLAME + LAST SUMMER WON'T HAPPEN - LYNNE SACHS IN PERSON! Lynne Sachs INVESTIGATION OF A FLAME (2001, 45 min, 16mm) On May 17, 1968, nine Vietnam War protesters, including a nurse, an artist, and three priests, walked into a Catonsville, Maryland draft board office, grabbed hundreds of Selective Service records and incinerated them with homemade napalm. INVESTIGATION OF A FLAME is an intimate look at this unlikely, disparate band of resisters - the Catonsville Nine as they came to be known - who broke the law in a poetic act of civil disobedience. Sachs has combined long unseen archival footage with a series of informal interviews with Daniel Berrigan, Philip Berrigan, Howard Zinn, John Hogan, Tom Lewis, and Marjorie and Tom Melville to encourage viewers to ponder the relevance of such events today.Lynne Sachs will be here in person for both screenings! Peter Gessner & Tom Hurwitz LAST SUMMER WON'T HAPPEN (1968, 58 min, 16mm) Shot in 1968, one year after the Summer of Love, LAST SUMMER WON'T HAPPEN is a critical yet sympathetic examination of the anti-war movement in NYC. The film traces the development of a group of activists on the Lower East Side. We see their growth from isolated, alienated individuals to a politically empowered community. Filmed between the protests at the Pentagon and the demonstrations at the Democratic Convention in Chicago, it includes portraits of Abbie Hoffman, editor Paul Krassner, folksinger Phil Ochs, and anarchist Tom "Osha" Neumann. THURSDAY, MAY 31, 2018 5/31 New York, New York: Museum of Arts and Design https://www.madmuseum.org/events/posthaste-perennial-patterns-talk-and-scree ning-jodie-mack <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=fad01a0d7c&e=f36020cad0> 6:30, 2 Columbus Circle / New York, NY 10019 POSTHASTE PERENNIAL PATTERNS: TALK AND SCREENING WITH JODIE MACK Thursday, May 31, 2018 - 6:30 pm to 8:00 pm $10 general / $5 members and students The Theater at MAD 60 min, 16mm Projection/ Post-screening Q&A moderated by Ekrem Serdar, Media Arts Curator for Squeaky Wheel Film and Media Art Center/Lineup: ìPosthaste Perennial Patternî (Jodie Mack, 2010, 3.5 min) ìPoint de Gazeî (Jodie Mack, 2012, 4.5 min) ìPersian Picklesî (Jodie Mack, 2012, 3 min) ìBlanket Statement #1: Home is Where the Heart isî (Jodie Mack, 2012, 3 min) ìBlanket Statement #2: Itís All or Nothingî (Jodie Mack, 2013, 5 min) ìRazzle Dazzleî (Jodie Mack, 2014, 5 min) ìThe Florestine Collectionî (Helen Hill/Paul Gailiunas, 2011, 31 min)/ Centering on the use of domestic and recycled materials, this program of short films illuminates formal and cursory elements shared between fine-art abstraction and mass-produced graphic design. The works presentedósix shorts by Jodie Mack and ìThe Florestine Collection,î by Helen Hill and Paul Gailiunasóquestion the role of decoration in daily life, and unleash the kinetic energy of overlooked and wasted objects. The program will feature a brief talk by Mack, whose artwork is featured in Surface/Depth: The Decorative After Miriam Schapiro. Mack will also take part in a post-screening Q&A moderated by Ekrem Serdar, Media Arts Curator for Squeaky Wheel Film and Media Art Center./ Expanding upon notions of anti-animation set forth by experimental practitioners like Paul Sharits and Robert Breer, the films in this program apply formal principles of abstract cinema while pursuing an interest in found materials, evolving modes of production, and forms of labor. The works extend the temporal concerns of the Structural film, a simplified form of cinema that is driven by critical formalism rather than narrative content. By reflexively activating the referential properties of objects, the films refute abstraction, foregrounding questions of Romanticism surrounding metaphor and exchanging lyrical and mythopoeic modes for those of economic observation./ In Mackís ìPersian Picklesî (2012), a study of paisley patterns traces the motif from its origins in Persian weavings to appearances in Irish quilting and American counterculture. Her ongoing ìBlanket Statementî series uses quilts to evoke issues of domestic security, citing appearances of quilts in the fine arts from Michelangelo Pistoletto to Beryl Korot. ìPoint de Gazeî (2012) and ìRazzle Dazzleî (2014) employ handmade and machine-produced laces, tattings, and intricate weavings to meditate upon the industry of desire and the phenomenology of cinema./ Mackís films are screened in concert with ìThe Florestine Collectionî (2011), directed by Helen Hill and Paul Gailiunas. After discovering more than a hundred handmade dresses in a trash pile during Mardi Gras in New Orleans, Hill set out to make a film about the dressmaker, an elderly seamstress who had recently passed away. Hillís husband, Paul Gailiunas, completed the film after Hillís death./ Jodie Mack prints courtesy the artist./ ìThe Florestine Collectionî courtesy Harvard Film Archive./ About the Artists/ Jodie Mack is an experimental animator who received her MFA in Film, Video, and New Media from the School of the Art Institute of Chicago. Combining the formal techniques and structures of abstract/absolute animation with those of cinematic genres, her handmade films use collage to explore the relationship between graphic cinema and storytelling, the tension between form and meaning. Mackís 16mm films have been screened at a variety of venues, including the Ann Arbor Film Festival, the Edinburgh International Film Festival, Images Festival, Projections at the New York Film Festival, and the Vienna International Film Festival. She has presented solo programs internationally at institutions including the 25 FPS Festival, Anthology Film Archives, the BFI London Film Festival, the Harvard Film Archive, REDCAT, and the International Film Festival Rotterdam. Her work has been featured in publications like Artforum, Cinema Scope, Senses of Cinema, and the New York Times. An Associate Professor of Animation at Dartmouth College, where she co-organizes the experimental media series EYEWASH, Mack is a 2017ñ2018 Film Study Center Fellow/Roberta and David Logie Fellow at the Radcliffe Institute for Advanced Study at Harvard University./ Helen Hill (1970ñ2007) was an American animation filmmaker and social activist who lived in New Orleans. On December 30, 2009, the Librarian of Congress named Hillís short film ìScratch and Crowî (1995) to the National Film Registry, a list of aesthetically, historically, and culturally significant American motion pictures./ Moderator/ Ekrem Serdar is the curator at Squeaky Wheel Film & Media Art Center, where he is responsible for the organizationís exhibitions, public programming, and artist residencies. He is the recipient of a Curatorial Fellowship from the Andy Warhol Foundation for the Visual Arts (2017). His writing has appeared in The Brooklyn Rail, 5harfliler, among others. He is currently working on an exhibition titled Punctures: Textiles in Digital and Material Time that will open in Buffalo in Fall 2019. He is from Ankara, Turkey. SATURDAY, JUNE 2, 2018 6/2 Oakland: Shapeshifters Cinema http://shapeshifterscinema.com/ <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=7a4087f743&e=f36020cad0> 7:30-10PM, Temescal Art Center, 511 48th St. Oakland, CA SHAPESHIFTERS CINEMA PRESENTS LINDA SCOBIE WITH CAPT J RAB - - scratching - - scarring - - stitching - - sewing - - sowing - - mending - - threading - - projecting - - Filmmaker, projectionist & seamstress Linda Scobie will be presenting ON THE MEND, a 16mm film performance with sound by Capt J Rab. Let us know about your alternative film/video event! Enter your event announcements by going to the Flicker Weekly Listing Form <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=135d5b69f6&e=f36020cad0> . To receive the weekly listing via email, send a message to Subscribe <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3 &id=9aeec12959&e=f36020cad0> .
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