I will
> probably not ever risk using a song in the PD again in any major work.
> Unless its something very unique it seems like too much hassle.
>
> However, as recent interests have drawn me to explore using locally shot
> 8mm & 16mm home movies and other found footage for a l
From: John Woods
To: Experimental Film Discussion List
Sent: Sunday, January 6, 2013 9:05 PM
Subject: Re: [Frameworks] copyrighted music in
underground/experimental/avant-garde cinema
Great question and something I think not discussed enough. There seems to be a
don't ask don't t
ve to explore the legal issues of using found film.
John
From: Matěj Strnad
To: frameworks@jonasmekasfilms.com
Sent: Sunday, January 6, 2013 4:02:17 AM
Subject: [Frameworks] copyrighted music in underground/experimental/avant-garde
cinema
Dear Frameworkers,
I have
thanks for this!
On Jan 6, 2013, at 9:35 AM, Chuck Kleinhans wrote:
> The best place to keep updated on the US context and situation of these
> issues is at the American University Center for Social Media.
>
>
> http://centerforsocialmedia.org/fair-use
>
>
> Chuck Kleinhans
>
>
>
> _
The best place to keep updated on the US context and situation of these issues
is at the American University Center for Social Media.
http://centerforsocialmedia.org/fair-use
Chuck Kleinhans
___
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this flash lecture of lawrence lessig's is from 1992 but still very useful. i
play it for my students every semester:
http://randomfoo.net/oscon/2002/lessig/free.html
there are still plenty of artists playing/dealing with copyright issues for all
sorts of reasons (head on or otherwise). this i
Dear Frameworkers,
I have a daring question regarding your experience with screening but
especially publishing of experimental film/video works which feature
copyrighted music.
With today's level of copyright-crusade, I find it quite unlikely that
anyone working now would deliberately choose copy
