And before I get labeled as a luddite or film fetishist, which anyone
who knows me knows I am not at all - I love the things digital
technology has opened up for making and experiencing art. My work has
been completely digital for years (though I also love, and loved
working with, film for its own
Wasn't this the story of The Matrix? Or was it Minority Report?
It does seem like the perfect surveillance tool for corporations and government.
Chuck Kleinhans
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Wim Wenders imaged a machine that could record and project dreams in UNTIL
THE END OF THE WORLD (1991). If you haven't seen it, it is worth checking
out.
CC
On Sat, Oct 29, 2011 at 2:38 PM, Aaron F. Ross
aa...@digitalartsguild.comwrote:
This is not unsettling to me, I've been waiting for it
Interesting article with complex social, biological, as well as
aesthetic implications into the future. . . . Obviously, capturing
imagery is a far cry from understanding the complexities of 'thought,'
and it's still very futuristic, but as we conceivably 'think' to each
other, or project
