Excerpt: … pianist Joel Almeida and bass player Jonas Elba injected an
upbeat fusion element…

Source: The Evening Standard (London) July 17, 2002 

HEADLINE: BLESSINGS FROM SHANKAR. By Sue Steward 

Text:

In a surprise introduction to this celebration of South Indian (Karnatic)
classical music, a frail looking Ravi Shankar blessed the leader of the
percussion septet Sapthaakshara, about to play. 

Vinayakaram was visibly moved. His modesty matches that of his instrument -
an earthenware pot (ghatam), which he transformed into a magical drum,
coaxing unimaginable sounds by slapping, tickling, cupping, thudding, using
fingers and thumbs, palms and forearms, and cutting up rhythms with the
mathematical precision which characterises Karnatic music. 

Seated cross-legged in an arc, the musicians unfolded an ecstatic display
beginning with Shiva's dance, accompanied by the singer's soft hand-claps
and rhythm counting on his fingers, the ghatam drumming, and drones
emerging from electronic harmonium and dulcimer-like vina. A typical
Karnatic song, composed of fast-scatted syllables and racing rhythms,
required audience participation, then a sublime raga showcased the virtuoso
young singer with Bollywood looks, V. Ulma Mahesh. 

Vinayakaram's solo was a masterclass in technique and expression; Ravi
Shankar accompanied it with delicate hand-dancing. 

After the interval, tabla player Anindo Chatterjee brought a fresh North
Indian tone, and pianist Joel Almeida and bass player Jonas Elba injected
an upbeat fusion element. To close, The Elephant's Dance returned us to the
compelling Southern folk terrain. Then, instead of basking in deserved
glory, Vinayakaram led the musicians to be blessed with the audience by the
man who was a focus all night without playing a note: Ravi Shankar. 

WORLD MUSIC Vikku Vinayakaram and Sapthaakshara Queen Elizabeth Hall. 16
July 2002.

Photograph and more  of Joel Almeida at:
http://artists.mp3s.com/artists/69/joelalmeida.html
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