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                        **** Goanet Classifieds ****
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   Enescil, a Brazilian engineering firm requires Engineers, Architects

    and Draftsmen, proficient in AutoCAD, for their new office in Goa

   Those interested can email enescil....@gmail.com by 15 November 2011

     Selected candidates will be sent to Brazil for 2 months training

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BENAULIM IN  THE  RECKONING
The over-stretched monsoons had just given way to a burst of a bright autumn 
day. But the wildly overgrown shrubbery around the house, had yet to begin its 
surrender of greenery to an unpredictable change in the weather. It was a 
welcome change nevertheless, and a fine day for an old easy-chair to come out 
and stare at the sun, as well.  It had now made its way out in the verandah 
outside. 
This chair has survived several monsoons, and is still fit enough to tell tales 
of generations it has outlived without so much as a squeak. Steady on its legs, 
it  lays back  to lend comfort to a tired torso, and its arm-rests can extend 
as far as fatigued feet need to rest on.
It is said that the incredibly strong frame of this easy-chair was created 
nearly a century ago by the ingenious craftsmen of Benaulim. The quality of 
teakwood that was probably transported from Goa’s forested interiors, made its 
own contribution toward this lasting piece of furniture. And not lagging 
behind, is the intricately woven cane-work that challenges the modern day 
foamed cushioning, by its sheer facility to ‘breathe’, inspite of a heavy human 
load and the relentless humidity surrounding it.
The village of Benaulim lies on the coastal belt of southern Goa. The village 
was famous (as also in other areas in contemporary times), for producing 
exquisitely carved wood furniture. It was of wood in toto, save alone for the 
cane used as a centrespread for chairs and sofas. Even its joints were free of 
nails, and thus devoid of creaking crevices. Ever wondered at the classical 
beauty of furniture in an average ‘Sashti’ drawing room? Bet, it must have come 
out of the crafty chisel of a ‘theoi’ (carpenter) from Benaulim. 
However, its title to this piece of art, was overshadowed through the years by 
a band of craftsmen in other forms of art. Benaulim’s playwrights, songsters 
and musicians were the latter day talk-of-the-town. They sprang up on Goa’s 
carnival scene, like daffodils blooming with the onset of spring. Street plays 
(khels) during Goa’s carnival revelry, used to be the dominance of the Benaulim 
boys. It was taboo for girls to take part in such plays in those days. So the 
boys took over, and so creditably too, that oftentimes it was a tricky task in 
guessing their guise.
As years travelled along, the ‘Shakespeares’ of Benaulim made way to yet 
another accolade for their already talked about village. The place now boasts 
of an ocean-hugging beach, and bevies of sun-kissing tourists from around the 
world to laze on it. Weekends never stop hosting social or cultural events in 
any of its multi-faceted facilities, and the waves never stop gushing out 
sounds of celebration all around.
From a small-time wood carving cradle, to a place on the world’s tourism map, 
is like a reverie turned into reality. I reminisced on the trajectory of that 
transformation, while slouched in that very chair that had once crossed the 
‘rio Sal’ over to my own village of Assolna.
Bennet Paes


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