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MULTI-GRAMMY® NOMINATED DRUMMER HARVEY MASON RELEASES CONCORD RECORDS DEBUT - 
Chameleon draws on rich jazz-funk legacy of the ’70s and recasts seven enduring 
classics.

A tour-de-force destined become a new hallmark in Mason’s illustrious career 
Chameleon, the scintillating Concord Records debut from multi-GRAMMY® nominated 
Harvey Mason, finds him drawing upon the rich jazz-funk legacy of the 1970s and 
recasting seven of that era’s most enduring classics with an early 21st-century 
sheen. A legendary session drummer, producer, composer and recording artist, 
Mason is among the most recorded and in-demand musicians of all-time.

Co-produced by Chris Dunn, Sr. Director of A&R for Concord Music Group, 
Chameleon features some of the brightest young jazz talents on the scene today. 
NEXT Collective alumni such as trumpeter Christian Scott, bassist Ben Williams, 
pianist/keyboardist Kris Bowers, guitarist Matthew Stevens enliven Chameleon. 
Bringing more young firepower to the fore are trombonist/vocalist Corey “CK” 
King, saxophonist Kamasi Washington, vocalist Chris Turner and keyboardist Mark 
de Clive-Lowe.

Helping Mason steer this cooperative are some of his contemporaries – bassist 
and co-founder of the legendary Yellowjackets, Jimmy Haslip; percussionist and 
founder of Los Hombres El Caliente, Bill Summers; and bassist Paul Jackson. 
Summers and Jackson worked with Mason on Herbie Hancock’s 1973 landmark LP, 
Head Hunters.

The lead composition, “Chameleon,” from Head Hunters serves, in part, as the 
signifying reference for Mason’s disc. Not only did Mason provide the rhythmic 
spank for the jazz-funk staple, he co-wrote it with Hancock along with several 
other bandmates – Jackson and reedist Bennie Maupin.

The other part of the equalization for the disc’s title comes from “chameleon” 
being a nickname, given to Mason, because of his incredible versatility. As a 
first-rate session musician and live performer, his brilliance resides not only 
in jazz. He’s demonstrated musicianship in R&B, pop, country, Latin and 
European classical music; Mason also has played on an astounding number of 
recordings, movie and TV scores and commercial jingles.

After two decades of playing with the GRAMMY®-nominated ensemble Fourplay – 
with which he’s still a member – Mason decided to reignite his solo career by 
forming a band based on the first edition of Hancock’s Head Hunters ensemble. 
Mason took the combo to Japan and received rave reviews. That reception, along 
with serious encouragement from his manager, inspired him to record Chameleon. 
“I came back [from Japan] and my manager spoke with Chris Dunn, who was real 
excited about it. He championed the idea with Concord,” Mason recalls.





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