m I seeing things?
Kate
- Original Message -
From: "Kimiko Small" <[EMAIL PROTECTED]>
To: "Historical Costume" <[EMAIL PROTECTED]>
Sent: Wednesday, July 06, 2005 11:47 PM
Subject: RE: [h-cost] Portrait of a Soldier
At 11:49 AM 7/6/2005, you wrote:
Bel
At 11:49 AM 7/6/2005, you wrote:
Belt clasp for the sword belt.
-Original Message-
(snip)
I also wonder what the shiny thing
above the codpiece is as well.
That's an interesting style for a belt clasp. Thanks.
Kimiko
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Belt clasp for the sword belt.
-Original Message-
(snip)
I also wonder what the shiny thing
above the codpiece is as well.
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Hi Kathy,
It sounds like your listing of garments is about right, although I call a
waistcoat a doublet. I am not as familiar with the Italian styles, but I
have done a few men's 16th c. garments in the past few years, English and
German (who so loved those cuttes and slashes). You may get mor
Oh that is so good to know! I have seen the results of leather loinclothes
that haven't been cleaned and their not a pretty sight. EEww
De
-Original Message-
Nope. White linen drawers would have been the norm.
(Can you imagine the condition of a pair of venetians made of
non-washable fa
otsisto wrote:
Though I don't think there is underwear underneath this, you might want to
make him a set of linen boxers for his own modern mind comfort. (unless he's
use to not wearing any underwear.) From my understanding the pants and
codpiece are what help the special package from bouncing a
Kathy Page wrote:
http://www.wga.hu/art/m/moroni/port_sol.jpg
Portrait of a Soldier
1555-59
Oil on canvas, 119 x 91 cm
Museo del Prado, Madrid
I lack practical experience with men's wear in
general, let alone this period. This is a skin-out
project, so I need to know just what I am committing
The red material is either red suede leather or velvet. The sleeves could be
box pleated but the left forearm and the right cuff make me lean towards
slashes and that the bands are non - applied bands but of the same sleeve
material with embroidery to stop the slashes. Basically, one solid sleeve
w
Historical Costume in Detail has a doublet from about 1625-1630 that is
leather with embroidery.
Melusine
I can think of lots of gloves and a few shoes that were leather with gold
or polychrome embroidery. Bridgette / Mari
Can someone refresh my memory--embroidery on soft leather--ex
I can think of lots of gloves and a few shoes that were leather with gold
or polychrome embroidery. Bridgette / Mari
Can someone refresh my memory--embroidery on soft leather--examples?
Mari Stewart
Webmaster
College of Veterinary Medicine
Cornell University
I wonder if that red material was a very find brushed or sueded leather.
Leather breeches and jerkins were not unusual and of the few extant
examples I've seen some were buttery soft and had a slight nap. That
would certainly make the slashes easier--wouldn't have to finish any edges.
Of cours
To me, the sleeves look like they are a velvet or fine wool that has been
slashed, then trim applied as horizontal bands separating the slashed
sections. To get them to stand out, you cut the 'fashion fabric' slightly
longer than the lining and then tack the horizontal bands to the lining
and let t
Quoting Joan Jurancich <[EMAIL PROTECTED]>:
At 08:29 PM 7/4/2005, you wrote:
I have someone that has requested me to interpret this
painting into real costume:
http://www.wga.hu/art/m/moroni/port_sol.jpg
I'm not certain what you mean by "embossing". All the fabric looks
plain-surfaced on m
At 08:29 PM 7/4/2005, you wrote:
I have someone that has requested me to interpret this
painting into real costume:
http://www.wga.hu/art/m/moroni/port_sol.jpg
Portrait of a Soldier
1555-59
Oil on canvas, 119 x 91 cm
Museo del Prado, Madrid
I lack practical experience with men's wear in
genera
I have someone that has requested me to interpret this
painting into real costume:
http://www.wga.hu/art/m/moroni/port_sol.jpg
Portrait of a Soldier
1555-59
Oil on canvas, 119 x 91 cm
Museo del Prado, Madrid
I lack practical experience with men's wear in
general, let alone this period. This is a
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